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The American discovery of ancient Egypt.
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"Preliminary versions of these essays were presented at a symposium organized by the American Research Center in Egypt, held... at New York University, October 24-25, 1992" -- Foreword.
Companion to the exhibition catalog The American discovery of ancient Egypt : Los Angeles : Los Angeles County Museum of Art, 1995. :
188 pages : illustrations, maps ; 29 cm. :
Includes bibliographical references and index. :
0810963132
Art of empire : the Roman frescoes and Imperial Cult Chamber in Luxor Temple /
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"This publication is made possible by the generous support of the American people through the United States Agency for International Development (USAID)"-Page v. :
xi, 227 pages : illustrations (some color), maps (some color), plans (some color) ; 32 cm. :
Includes bibliographical references (pages 193-210) and index. :
0300169124
9780300169126
Shunet el-Zebib Documentation and Conservation
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The funerary monument of King Khasekhemwy in Abydos is also known as the Shunet el-Zebib. Little is known about King Khasekhemwy, the last king of the Second Dynasty, but his reign ended in 2686 BC, making Shunet el-Zebib among the oldest surviving mud-brick structures in the world and the best example of Egypt’s earliest tradition of royal mortuary building. Funding from the Egyptian Antiquities Project (EAP) between 1999 and 2006 resulted in documentation and conservation of approximately 50% of the 200-meter perimeter using newly made mud bricks of the same size and originally sourced materials to re-establish structural integrity. Follow-up funding provided under a subsequent USAID grant in 2010 enabled team members to continue with the stabilization and conservation of the enclosure, parts of which still risked collapse. The precarious situation at the Shunet el-Zebib was evidenced by its inclusion in the World Monuments Fund’s 2008 Watch List of the World’s 100 Most Endangered Sites.
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Conservation of the monument was originally funded through the American Research Center in Egypt's Egyptian Antiquities Project (ARCE-EAP) under United States Agency for International Development (USAID) Agreement No. 263-G-00-93-00089-00 (1999-2006) and subsequently funded through ARCE's Egyptian Antiquities Conservation Project (ARCE-EAC) under USAID Agreement No. 263-A-00-04-00018-00 (2010-2012).
Conservation and Documentation of the Tomb Chapel of Menna (TT 69)
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The Tomb of Menna, Theban Tomb number 69, is located in the Theban necropolis of Sheikh Abd el-Qurna in Luxor, Upper Egypt. The rock-cut tomb is famous for the completeness and superb quality of the paintings that adorn its walls. Structurally, the tomb chapel takes the form of an inverted T, with a forecourt, broad hall, and inner hall leading to a statue shrine. The painted decoration is organized symbolically along a central axis that reflected the deceased’s transition from the land of the living in the east to the land of the dead in the west. As such, the walls in the broad hall are concerned primarily with the official duties and celebrations of Menna’s life, while the walls in the long hall depict scenes of his transition to and life in the hereafter. Menna was an elite official recognized and honored by King Amenhotep III with the Gold of Honor collar, a collar of golden disc-shaped beads, which he wears in most scenes. Menna’s official titles reveal that he was a Scribe, and Overseer of the Fields of the Lord of Two Lands and the Temple of Amun. These titles indicate that Menna administered both state and temple fields, which was an unusual occurrence in the 18th Dynasty. The Broad Hall Near Left wall, abbreviated as BHNL, is also known as the “Agricultural Wall,” and depicts some of Menna’s official responsibilities. Menna’s wife, Henuttawy, appears alongside him on most of the tomb’s walls and bore the titles of “Chantress of Amun” and “Mistress of the House.” Also notable is the intentional damage inflicted on Menna’s likeness in an act of damnatio memoriae, and later destruction to the name of Amun by the agents of Akhenaten. The project, directed by Dr. Melinda Hartwig, set an unprecedented standard for the conservation and non-invasive documentation of ancient Egyptian tombs. Dr. Hartwig led an interdisciplinary team of experts that undertook the conservation, archaeometric examination, and digital recording of the tomb. The project resulted in an invaluable collection of high-resolution, digital images that were stitched together to create an exact copy of the tomb walls, which were then traced as vector drawings to create line drawings of the decoration. The collection also includes reports, slides, and digital images shot with raking light and ultraviolet light.
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The conservation of the Tomb of Menna was made possible with funding by the United States Agency for International Development (USAID) Agreement No. 263-A-00-04-00018-00 and administered by the Egyptian Antiquities Conservation Project (EAC) Agreement No. EAC-11-2007 of the American Research Center in Egypt (ARCE). The Interuniversity Attraction Poles Program provided additional financial support.