Performance in Greek and Roman theatre /
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In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.
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1 online resource (ix, 591 pages) :
Includes bibliographical references and index. :
9789004245457 :
Available to subscribing member institutions only.
Le statut du musicien dans la Méditerranée ancienne : Égypte, Mésopotamie, Grèce, Rome : actes de la table ronde internationale tenue a Lyon Maison de l'Orient et de la Méditerrané...
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"The question of the status of musicians transcends chronological and cultural boundaries and demands a twofold approach, combining anthropology and history. This topic ... is approached here from an interdisciplinary and comparative angle. The International Round Table held at Lyon in 2008 addressed the figure of the musician in Egypt, Mesopotamia, Greece and Rome from the fourth millennium BC up to the beginnings of Christianity."--Page [4] of cover. :
322 pages : illustrations (some color) ; 28 cm. :
Includes bibliographical references. :
2724706412
9782724706413 :
Noura
Inscriptional records for the dramatic festivals in Athens : IG II2 2318-2325 and related texts /
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IG II2 2318-2325 represent the most substantial surviving body of evidence for the institutional history of the Athenian dramatic festivals from their establishment at the end of the 6th century BCE to their disappearance sometime in the mid- to late 100s. Millis and Olson offer a completely updated text of the inscriptions, based on a close study of the stones themselves; detailed explanations of the restorations of the dimensions and organization of the original records, with numerous redatings and the like; and new - and in some cases radically different - reconstructions of the monuments on which they were inscribed. The volume also includes substantial interpretative essays on each set of records, a full epigraphic and prosopographic commentary, and several indices.
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1 online resource (xii, 238 pages) :
9789004232013 :
Available to subscribing member institutions only.
Tragic props and cognitive function : aspects of the function of images in thinking /
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By applying aspects of cognitive psychology to a study of three key tragic props, this book examines the importance of visual imagery in ancient Greek tragedy. The shield, the urn and the mask are props which serve as controls for investigating the connection between visual imagery and the spectators' intellectual experience of tragic drama. As vehicles for conceptual change the props point to a function of imagery in problem solving. Connections between the visual and the cognitive in tragedy, particularly through image shape and its potential for various meanings, add a new perspective to scholarship on the role of the visual in ancient performance. These connections also add weight to the importance of imagery in contemporary problem solving and creative thought.
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1 online resource. :
Includes bibliographical references (p. [245]-259) and indexes. :
9789047430827 :
0169-8958 ; :
Available to subscribing member institutions only.
Theatrum Arbitri : theatrical elements in the Satyrica of Petronius /
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Theatrum Arbitri is a literary study dealing with the possible influence of Roman comic drama (comedies of Plautus and Terence, theatre of the Greek and Roman mimes, and fabula Atellana ) on the surviving fragments of Petronius' Satyrica . The theatrical assessment of this novel is carried out at the levels of plot-construction, characterization, language, and reading of the text as if it were the narrative equivalent of a farcical staged piece with the theatrical structure of a play produced before an audience. The analysis follows the order of each of the scenes in the novel. The reader will also find a brief general commentary on the less discussed scenes of the Satyrica , and a comprehensive account of the theatre of the mimes and its main features.
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Revision of the author's thesis (Ph. D.--University of Glasgow, 1993). :
1 online resource (xxv, 225 pages) :
Includes bibliographical references (p. 197-207) and indexes. :
9789004329515 :
0169-8958 ; :
Available to subscribing member institutions only.