The technique of Islamic bookbinding : methods, materials and regional varieties /
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The Technique of Islamic Bookbinding is the first monograph dedicated to the technical development of the bookbinding tradition in the Islamic world. Based on an assessment of the extensive oriental collections in the Leiden University Library, the various sewing techniques, constructions and the application of covering materials are described in great detail. A comparative analysis of the historic treatises on bookbinding provides further insight into the actual making of the Islamic book. In addition, it is demonstrated that variations in time and place can be established with the help of distinctive material characteristics. Karin Scheper's work refutes the perception of Islamic bookbinding as a weak structure, which has generally but erroneously been typified as a case-binding. Instead, the author argues how diverse methods were used to create sound structures, thus fundamentally challenging our understanding of the Islamic bookbinding practice. Karin Scheper has been awarded the De La Court Award 2016 by The Royal Netherlands Academy of Arts and Sciences for her study of the bookbinding tradition in the Islamic world.
The Technique of Islamic Bookbinding is the first monograph dedicated to the technical development of the bookbinding tradition in the Islamic world. Based on an assessment of the extensive oriental collections in the Leiden University Library, the various sewing techniques, constructions and the application of covering materials are described in great detail. A comparative analysis of the historic treatises on bookbinding provides further insight into the actual making of the Islamic book. In addition, it is demonstrated that variations in time and place can be established with the help of distinctive material characteristics. Karin Scheper's work refutes the perception of Islamic bookbinding as a weak structure, which has generally but erroneously been typified as a case-binding. Instead, the author argues how diverse methods were used to create sound structures, thus fundamentally challenging our understanding of the Islamic bookbinding practice. Karin Scheper has been awarded the De La Court Award 2016 by The Royal Netherlands Academy of Arts and Sciences for her study of the bookbinding tradition in the Islamic world.
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1 online resource (xi, 428 pages) : illustrations (chiefly color) :
Includes bibliographical references (p. 413-423), appendices, glossary, and index. :
9789004291119 :
1877-9964 ; :
Available to subscribing member institutions only.
From the Greeks to the Arabs and Beyond : Volume 3: From God´s Wisdom to Science: A. Islamic Theology and Sufism, B. History of Science /
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From the Greeks to the Arabs and Beyond written by Hans Daiber, is a six volume collection of Daiber's scattered writings, journal articles, essays and encyclopaedia entries on Greek-Syriac-Arabic translations, Islamic theology and Sufism, the history of science, Islam in Europe, manuscripts and the history of oriental studies. The collection contains published (since 1967) and unpublished works in English, German, Arabic, Persian and Turkish, including editions of Arabic and Syriac texts. The publication mirrors the intercultural character of Islamic thought and sheds new light on many aspects ranging from the Greek pre-Socratics to the Malaysian philosopher Naquib al-Attas. A main concern is the interpretation of texts in print or in manuscripts, culminating in two catalogues (Vol. V and VI), which contain descriptions of newly discovered, mainly Arabic, manuscripts in all fields. Vol. I: Graeco-Syriaca and Arabica. Vol. II: Islamic Philosophy. Vol. III: From God's Wisdom to Science : A. Islamic Theology and Sufism ; B. History of Science. Vol. IV: Islam, Europe and Beyond: A. Islam and Middle Ages ; B. Manuscripts - a Basis of Knowledge and Science ; C. History of the Discipline ; D. Obituaries ; E. Indexes. Vol. V: Unknown Arabic Manuscripts from Eight Centuries - Including one Hebrew and Two Ethiopian Manuscripts: Daiber Collection III. Vol. VI: Arabic, Syriac, Persian and Latin Manuscripts on Philosophy, Theology, Science and Literature. Films and Offprints: Daiber Collection IV.
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1 online resource. :
Includes bibliographical references and index. :
9789004441804
9789004441798
In the Author's Hand: Holograph and Authorial Manuscripts in the Islamic Handwritten Tradition /
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In recent years, a growing interest in "oriental manuscripts" in all their aspects, including the extrinsic ones, has been observed. Research that focuses on holograph, autograph and authorial manuscripts in Arabic handwritten script has nevertheless been casual, although these manuscripts raise important and varied questions. The study of the working methods of authors from the past informs different disciplines: paleography, codicology, textual criticism, ecdotics, linguistics and intellectual history. In this volume nine contributions and case studies are gathered that address theoretical issues and convey different, disruptive perspectives. A particularly important subject of this book, so far rarely discussed in scientific literature, is the identification of an author's handwriting. Among the authors specifically dealt with in this volume one will find: al-Maqrīzī (m. 845/1442), al-Nuwayrī (m. 733/1333), Akmal al-Dīn b. Mufliḥ (m. 1011/1603), al-ʿAynī (m. 855/1451) and Ibn Khaldūn (m. 808/1406). Contributors: Frédéric Bauden, Julien Dufour, Élise Franssen, Adam Gacek, Retsu Hashizume, Marie-Hélène Marganne, Elias Muhanna, Nobutaka Nakamachi, Anne Regourd, and Kristina Richardson.
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1 online resource :
9789004413177
From the Greeks to the Arabs and Beyond : Volume I: Graeco-Syriaca and Arabica /
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From the Greeks to the Arabs and Beyond written by Hans Daiber, is a six volume collection of Daiber's scattered writings, journal articles, essays and encyclopaedia entries on Greek-Syriac-Arabic translations, Islamic theology and Sufism, the history of science, Islam in Europe, manuscripts and the history of oriental studies. The collection contains published (since 1967) and unpublished works in English, German, Arabic, Persian and Turkish, including editions of Arabic and Syriac texts. The publication mirrors the intercultural character of Islamic thought and sheds new light on many aspects ranging from the Greek pre-Socratics to the Malaysian philosopher Naquib al-Attas. A main concern is the interpretation of texts in print or in manuscripts, culminating in two catalogues (Vol. V and VI), which contain descriptions of newly discovered, mainly Arabic, manuscripts in all fields. Vol. I: Graeco-Syriaca and Arabica . Vol. II: Islamic Philosophy . Vol. III: From God's Wisdom to Science : A. Islamic Theology and Sufism ; B. History of Science . Vol. IV: Islam, Europe and Beyond: A. Islam and Middle Ages ; B. Manuscripts - a Basis of Knowledge and Science ; C. History of the Discipline ; D. Obituaries ; E. Indexes . Vol. V: Unknown Arabic Manuscripts from Eight Centuries - Including one Hebrew and Two Ethiopian Manuscripts: Daiber Collection III . Vol. VI: Arabic, Syriac, Persian and Latin Manuscripts on Philosophy, Theology, Science and Literature. Films and Offprints: Daiber Collection IV .
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1 online resource. :
Includes bibliographical references and index. :
9789004441774
9789004441750
Kitāb talkhīṣ al-Muḥaṣṣal : fī sharḥ al-Muḥaṣṣal fī ʿilm al-kalām /
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Fakhr al-Dīn Rāzī (d. 606/1210) was a prominent theologian, interpreter of the Qurʾān and philosopher. He was born in Rayy where he studied theology, philosophy and law under different masters, including his father, a preacher. After his studies, he started a wandering life which took him to different cities and courts in Transoxania and Khwārazm. He finally settled in Herat where he spent the rest of his life, a wealthy and respected scholar and author of a number of seminal works. Naṣīr al-Dīn Ṭūsī (d. 672/1274) was an influential philosopher, theologian, mathematician and astronomer, besides being the first director of the famous observatory at Marāghah near Tabriz as well as a man of politics. Author of a large number of scholarly works, his influential commentary on Rāzī's Muḥaṣṣal on philosophical theology is a critical appraisal of a work which Ṭūsī considered much overrated. Facsimile of the oldest known copy, dated 669/1270.
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1 online resource. :
9789004406650
9786002031006
Majmuʿah bih khaṭṭ-i Mullā Ṣadrā : Yād dāshthā-yi Qurʾānī va tafsīr-i āya-yi nūr az Mullā Ṣadrā, Muntakhab-i Baḥr al-Ḥaqāʾiq Najm al-Dīn-i Dāyah va al-Taʾwīlāt-i ʿAbd al-Razzāq-i K...
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The Islamic manuscript has many forms and shapes, from notes on a scrap of paper to the most preciously illuminated manuscript that can compete with the best one can find in the western world. Usually, a text would be written out at least twice: first as a draft and then as a clean copy from which later copies would be made. Usually, draft versions would either be destroyed, or washed and dried as a means to save paper, or used as reinforcement material by the bookbinder. Thus very few drafts have come down to us. And this is precisely what lends the present manuscript, containing a draft commentary on Qurʾān 24:35 (the celebrated Light Verse) by the famous 11th/17th-century philosopher Ṣadr al-Dīn Shīrāzī (d. 1050/1640) its special interest. Also in this manuscript: sundry notes on the Qurʾān and excerpts from two works by Najm al-Dīn Dāya (d. 654/1256) and ʿAbd al-Razzāq Kāshī (d. 736/1336)
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1 online resource. :
9789004407282
9786002031228
Die Wunder der Schöpfung : Handschriften der Bayerischen Staatsbibliothek aus dem islamischen Kulturkreis = The wonders of creation : manuscripts of the Bavarian State Library from the Islamic world /
: Exhibition held September 16-December 5, 2010. : 238 pages : color illustrations ; 27 cm. : Includes bibliographical references. : 9783880080058
Arab painting : text and image in illustrated Arabic manuscripts /
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Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
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Includes addenda and corrigenda. :
1 online resource. :
Includes bibliographical references and index. :
9789004236615 :
0169-9423 ; :
Available to subscribing member institutions only.