al-Hạlaqah al-thāniyah li-bahṭh al-mūsīqá al-ʻarabīyah.
:
"al-Jumhūrīyah al-ʻArabīyah al-Muttahịdah" -- T.p.
"Uqidat al-hạlaqah al-thāniyah li-bahṭh al-mūsīqá al-ʻArabīyah bi-maqar al-Majlis al-Aʻlá li-Riʻāyat al-Funūn wa-al-Ādāb wa-al-ʻUlūm al-Ijtimāʻīyah bi-al-Qāhirah fī al-muddah min 26/11/1961 ilá 18/2/1963 wa-hadhā al-kitāb yatadạmman al-natāʼij wa-al-taqārīr allatī intahat ilayhā al-hạlaqah" -- verse T.p. :
76 p. : ill., music ; 23 cm.
Tārīkh al-mūsīqá al-Sharqīyah : tārīkh mūsīqāt al-ʻālam ajmaʻ fī ālātihā wa-salālimihā al-mūsīqīyah wa-aṣl nushūʼihā wa-naẓarīyatihā wa-taṭawwurihā mundhu an ʻurifat al-mūsīqāt ḥat...
: "Risālat al-Kindī fī ajzāʼ khabarīyah fī al-mūsīqá": p. 261-268. : 319 pages : illustrations ; 26 cm. : Includes bibliographical references.
Höfische Musikkultur im klassischen Islam : Ibn Faḍlallāh al-'Umarī (gest. 749/1349) über die dichterische und musikalische Kunst der Sängersklavinne /
:
"In Der Ṭarab der Sängersklavinnen gibt Yasemin Gökpinar einen Einblick in Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) über Hofmusik von den Abbasiden bis zu den Mamluken mit Schwerpunkt auf den Sängersklavinnen (qiyān). Die interdisziplinäre Studie stellt Autor und Werk vor und etabliert das Liederbuch als historische Quelle. Zudem werden unterschiedliche strukturelle und inhaltliche Aspekte kombiniert: eine Untersuchung der Liedtextüberlieferer und des soziokulturellen Kontextes des Hoflebens im Lichte von Thomas Bauer's Ambiguitätstheorie, eine musikwissenschaftliche Analyse des Verhältnisses zwischen poetischem Metrum der Lieder und ihren musikalischen Rhythmen, schliesslich eine Betrachtung des Handlungsspielraumes der Sängerinnen und ihrer (relativen) Macht über ihre Besitzer durch ihre hervorragende Ausbildung und natürlichen Anlagen. In this volume Yasemin Gökpinar provides insight into Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) about court music from the Abbasids to the Mamluks, with special emphasis on the subject of high ranking singing slave-girls (qiyān). Her interdisciplinary study focuses on the author and his work, and presents the songbook as a historical source. Different aspects concerning structure and contents are combined: an investigation of the song transmitters, a study into the socio-cultural context of courtly life with an application of Thomas Bauer's theory of ambiguity, a musicological analysis of the relation between metre of song texts and rhythmic modes in music, and finally an exploration of the singing-girls' leeway and even power over their owners, through education".
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1 online resource. :
Includes bibliographical references and index. :
9789004417649
Musical and socio-cultural anecdotes from Kitab al-aghani al-kabir
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The present volume consists of translated anecdotes, on musicological and socio-cultural topics, from al-Iṣbahānī's Kitāb al-Aghānī al-Kabīr ( The Grand Book of Songs ) with annotations and commentaries. It deals with musical rhythmic and melodic modes, technical terms and treatises; music instruments; composition techniques and processes; education and oral/written transmissions; vocal and instrumental performances and their aesthetics; solo and ensemble music; change and its inevitability; musical and textual improvisations; ṭarab and the acute emotions of joy or grief; medieval dances; social status. Though extracts from The Grand Book of Songs have been translated in European languages since 1816, this work presents a much larger and more comprehensive scope that will benefit musicologists, medievalist and Middle Eastern scholars as well as the general reader.
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1 online resource. :
Includes bibliographical references and index. :
9789004383654 :
0929-2403 ;
Risālat Ibn al-Munajjim fī al-mūsīqá wa-kashf rumūz Kitāb al-aghānī /
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Added title page : Ibn al-Munajjim's Essay on music and the melodic ciphers of Kitāb al-aghānī.
At head of title: Jumhūrīyat Miṣr al-ʼArabīyah. Wizārat al-Thaqāfah, Markaz Taḥqīq al-Turāth wa-Nashrih. :
1016, 31, 5 pages : illustrations ; 27 cm. :
Bibliography : pages [997]-[1017].