Affect, emotion, and subjectivity in early modern Muslim Empires : new studies in Ottoman, Safavid, and Mughal art and culture /
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Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber, Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, and Marianna Shreve Simpson.
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1 online resource (xii, 222 pages) : illustrations. :
Includes bibliographical references and index. :
9789004352841 :
Available to subscribing member institutions only.
Relational Iconography, Representational Culture at the Qaraquyunlu and Aqquyunlu Courts (853 / 1449 CE to 907 / 1501 CE) /
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In Relational Iconography: Representational Culture at the Qaraquyunlu and Aqquyunlu Courts (853 / 1449 CE to 907 / 1501 CE) , Georg Leube engages with courtly representation from an iconographical perspective, tracing the intersecting agencies of courtly actors negotiating multiple normativities and traditions. While the courtly culture of the Qaraquyunlu and Aqquyunlu dynasties (15th century C.E.) is commonly interpreted as an intermezzo in Persianate and Islamicate cultural history, it is here framed as an ideal field to explore a relational approach that challenges established dichotomies and ideal types. By reading multiple mediums and discourses into each other, Georg Leube shows how courtly performance is rooted in iconographical repertoires that resonated with different networks and groups inside the 'Turkmen' realms. .
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1 online resource (480 pages) : illustrations. :
Includes bibliographical references and index. :
9789004541511
9789004541528
Mughal Occidentalism, Artistic Encounters between Europe and Asia at the Courts of India, 1580-1630.
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In Mughal Occidentalism , Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.
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1 online resource. :
9789004374997
ʻAli Qoli Jebādār et l'occidentalisme safavide : une étude sur les peintures dites farangi sāzi, leurs milieux et commanditaires sous Shāh Soleimān (1666-94) /
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In ʿAli Qoli Jebādār et l'Occidentalism safavide Negar Habibi provides a fresh account of the life and works of ʿAli Qoli Jebādār, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity of ʿAli Qoli Jebādār's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sāzi , while suggesting the use of the term \'Occidentalism\' for those Safavid paintings that show some exotic and alien details of the Western world. ʿAli Qoli Jebādār et l'Occidentalisme safavide offre un nouveau récit de la vie et des œuvres de ʿAli Qoli Jebādār. Recueillant plusieurs peintures et signatures de l'artiste, Negar Habibi expose à la discussion de divers titres royaux de l'artiste. ʿAli Qoli Jebādār et l'Occidentalisme safavide approfondit également nos connaissances sur l'évolution artistique et socio-politique de la société iranienne à l'aube du modernisme. En consultant sans cesse les sources historiques, Negar Habibi montre la possibilité du patronage féminin et eunuque dans les peintures connues sous le nom de farangi sāzi au XVIIe siècle, tout en suggérant l'utilisation d'un nouveau titre comme l'Occidentalisme pour ces peintures safavides qui montrent des détails exotiques et étrangers appartenant au monde occidental.
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1 online resource (xiv, 207 pages) : color illustrations, portraits. :
Includes bibliographical references (p. [178]-203) and index. :
9789004356139 :
Available to subscribing member institutions only.
Four Central Asian Shrines : A Socio-Political History of Architecture /
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In Central Asia, Muslim shrines have served as community centers for centuries, particularly the large urban shrines that seem, in many cases, to have served as the inspiration as well for a city's architectural development. In Four Central Asian Shrines: A Socio-Political History of Architecture R. D. McChesney documents the histories of four such long-standing shrines-Gur-i Mir at Samarqand, Khwajah Abu Nasr Parsa Mazar at Balkh, the Noble Rawzah at Mazar-i Sharif, and the Khirqat al-Nabi at Qandahar. In all four cases the creation and evolution of the architecture of these shrines is traced through narratives about their social and political histories and in the past century and a half, through the photographic record.
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1 online resource. :
Includes bibliographical references and index. :
9789004459595
9789004459588
Narrative Illustration in Persian Lithographed Books /
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This study surveys a distinctive type of the "Islamic" book which has been largely neglected in previous scholarship: the genre of illustrated lithographed books produced in nineteenth- and early twentieth-century Iran. In addition to introducing the history of printing in Iran and surveying the investigated sources, the study supplies basic data on genres of illustrated books, artists active in lithographic illustration, and aspects germane to this particular field of art. The documentation includes bibliographical references for 116 illustrated books in a total of 351 particular editions and 150 plates with several hundred single illustrations. Lithographic illustration in Iran constitutes the legitimate successor to manuscript illustration, both in content and style. Contrasting with the latter's refinement, lithographed illustrations were produced in large numbers and served as a powerful medium of popular iconography.
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1 online resource. :
Includes bibliographical references and index. :
9789004445529
9789004121003
العمارة القديمة في سوريا: جنوب حوران : [Ancient Architecture in Syria: Southern Hauran] /
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The Ancient Architecture in Syria (Southern Hauran) , written by Howard C. Butler and translated by Aisha Moussa, is the product of studying 65 ancient sites in Southern Hauran. It focuses on the archeological and architectural heritage and presents detailed drawings of plans; restoration of buildings; and photographs of monuments, inscriptions and sculptures. The book covers the late pre-historic, Nabataean, Roman, Christian, and early Islamic periods (1st century B.C.E.- 7th century C.E.). Many of the monuments described by Butler have long since disappeared or been destroyed, so this book provides an invaluable, thorough, detailed, and photographic documentation of the archeological treasure in Syria, the cradle of civilizations, particularly in view of the current pressing need for development and investment there. يعد كتاب العمارة القديمة في سوريا (جنوب حوران) ، من تأليف هوارد كروسبي باتلر وترجمة عائشة موسى، ثمرة دراسة 56 موقعًا أثريًا قديمًا في جنوب حوران. ويتناول الكتاب دراسة تراث الفن الأثري والمعماري ويعرض رسمًا مفصلًا للمخططات وترميمًا للمباني وتصويرًا للصروح الأثرية والنقوش والمنحوتات. كما يغطي الكتاب أواخر عصور ما قبل التاريخ والفترة النبطية والرومانية والمسيحية ومطلع الحقبة الإسلامية، في فترة تمتد بين القرن الأول قبل الميلاد ومطلع القرن السابع الميلادي. لقد اختفت العديد من المعالم الأثرية التي صورها باتلر منذ أمد بعيد أو دمرت، لذلك يقدم هذا الكتاب توثيقًا مصورًا لا يقدر بثمن ويعد الأكثر شمولًا ودقة عن الكنوز الأثرية الثمينة في سوريا مهد الحضارات، لا سيما في ظل الحاجة الملحّة الآن لتنشيط مشاريع التنمية وخلق فرص الاستثمار فيها.
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1 online resource. :
Includes bibliographical references and index. :
9789004463363
9789004463356