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Dirāsāt fī al-khaṭṭ al-ʻArabī : li-aʻmāl al-fannān al-khaṭṭāṭ Muḥammad Ḥusnī /
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English and French added titles : Artist calligraphe M. Hossny / Artist calligrapher M. Hossny. :
216 pages : illustrations, facsimiles ; 29 cm. :
Includes bibliographical references (p.197). :
9771711490
9789771711490 :
https://search.lib.uiowa.edu/primo-explore/sourceRecord?vid=01IOWA&docId=01IOWA_ALMA21468789430002771
shimaa
After one hundred years : the 1910 exhibition "Meisterwerke muhammedanischer Kunst" reconsidered /
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The exhibition \'Meisterwerke muhammedanischer Kunst\' that took place in Munich in 1910 marked a turning point in the approach to Islamic Art. The show attempted to break free of Orientalism and exotic fantasies and, in doing so, set a new standard for the reception of Islamic art in Europe. Moreover, naming the Islamic artefacts masterpieces, it layed claim to bestow upon Islamic art "a place equal to that of other cultural periods". This book is the first comprehensive study on this path-breaking exhibition. It includes a wealth of unpublished material and numerous novel ideas on the subject and addresses the exhibition's historical context, organization, realization and display as well as its reception in the West and its later influence on the study of Islamic art.
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Outgrowth of a scholarly conference held in Munich on the 24th and 25th of October 2008 in the International Meeting Centre (IBZ) of the Ludwig-Maximilians-University of Munich. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004191020 :
Available to subscribing member institutions only.
Antique Dealing and Creative Reuse in Cairo and Damascus 1850-1890 : Intercultural Engagements with Architecture and Craft in the Age of Travel and Reform /
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"The commodification of Islamic antiques intensified in the late Ottoman Empire, an age of domestic reform and increased European interference following the Tanzimat (reorganisation) of 1839. Mercedes Volait examines the social life of typical objects moving from Cairo and Damascus to Paris, London, and beyond, uncovers the range of agencies and subjectivities involved in the trade of architectural salvage and historic handicraft, and traces impacts on private interiors, through creative reuse and Revival design, in Egypt, Europe and America. By devoting attention to both local and global engagements with Middle Eastern tangible heritage, the present volume invites to look anew at Orientalism in art and interior design, the canon of Islamic architecture and the translocation of historic works of art"--
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1 online resource. :
Includes bibliographical references and index. :
9789004449886
9789004449879
Muqarnas : an annual on the visual culture of the Islamic world.
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Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
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"Sponsored by: The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts." :
1 online resource. :
Includes bibliographical references. :
9789047423324 :
Available to subscribing member institutions only.
The Great Mosque of Damascus : Studies on the Makings of an Umayyad Visual Culture /
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The celebrated Great Mosque of Damascus was built in the early eighth century by the Umayyad caliph al-Walīd b. 'Abd al-Malik. This book provides a detailed study of this Mosque. Using textual, visual, and archaeological evidence, the author attempts to reconstruct some of the basic formal and decorative features of the Umayyad mosque, to locate it within its broader urban context, and to consider its role within al-Walīd's unprecedented programme of architectural patronage. The work explores the intracultural and intercultural functions of religious architecture within an official visual discourse intended to project a distinctive Muslim identity in a manner determined by Umayyad political aspirations. It will be of particular interest to those concerned with the relationship between the Umayyad caliphate and Byzantium.
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1 online resource. :
Includes bibliographical references and index. :
9789004491618
9789004116382
Making and remaking mosques in Senegal /
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This book constitutes a seminal contribution to the fields of Islamic architectural history and gender studies. It is the first major empirical study of the history and current state of mosque building in Senegal and the first study of mosque space from a gender perspective. The author positions Senegalese mosques within the field of Islamic architectural history, unraveling their history through pre-colonial travelers' accounts to conversations with present-day planners, imams and women who continually shape and reshape the mosques they worship inches Using contemporary Dakar as a case study, the book's second aim is to explore the role of women in the "making and remaking" of mosques. In particular, the rise of non-tariqa grass-roots movements (i.e.: the "Sunni/Ibadou" movement) has empowered women (particularly young women) and has greatly strengthened their capacity to use mosques as places of spirituality, education and socialization. The text is aimed at several specialized readerships: readers interested in Islam in West Africa, in the role of women in Islam, as well as those interested in the sociology and art-history of mosques.
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Originally presented as the author's thesis (PhD)--SOAS, University of London, 2006. :
1 online resource (xxvii, 408 pages [22 pages] of plates) : illustrations, maps. :
Includes bibliographical references and index. :
9789004217508 :
Available to subscribing member institutions only.
In the shadow of the church : the building of mosques in early medieval Syria /
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In his book In the Shadow of the Church: The Building of Mosques in Early Medieval Syria Mattia Guidetti examines the establishment of Muslim religious architecture within the Christian context in which it first appeared in the Syrian region, contributing to the debate on the transformation of late antique society to a Muslim one. He scrutinizes the slow process of conversion to Islam of the most important town centers by looking at religious places of both communities between the seventh and the eleventh century. The author assesses the relevancy of churches by analyzing the location of mosques and by researching phenomena of transfer of marble material from churches to mosques.
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1 online resource. :
Includes bibliographical references and index. :
9789004328839 :
Available to subscribing member institutions only.
Creating medieval Cairo : empire, religion, and architectural preservation in nineteenth-century Egypt /
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"This book argues that the historic city we know as Medieval Cairo was created in the nineteenth century by both Egyptians and Europeans against a background of four overlapping political and cultural contexts: namely, the local Egyptian, Anglo-Egyptian, Anglo-Indian, and Ottoman imperial milieux. Addressing the interrelated topics of empire, local history, religion, and transnational heritage, historian Paula Sanders shows how Cairo's architectural heritage became canonized in the nineteenth and twentieth centuries. The book also explains why and how the city assumed its characteristically Mamluk appearance and situates the activities of the European-dominated architectural preservation committee (known as the Comiť) within the history of religious life in nineteenth-century Cairo. Sanders explores such varied topics as the British experience in India, the Egyptian debate over religious reform, and the influence of The Thousand and One Nights on European notions of the medieval Arab city ... this volume examines the unacknowledged colonial legacy that continues to inform the practice of and debates over preservation in Cairo."
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xv, 216 pages, [16] pages of plates : illustrations ; 24 cm. :
Includes bibliographical references (pages 188-206) and index. :
9774160959
The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam /
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"In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'. Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance." -- Publisher's website.
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xiii, 184 pages : illustrations, plans ; 23 cm. :
Includes bibliographical references and index. :
1784530409
9781784530402
The Oasis of Bukhara, Volume 2: Archaeological Pluridisciplinary Activities and Historical Study /
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In Archaeological Pluridisciplinary Activities and Historical Study, volume 2 of The Oasis of Bukhara, Rocco Rante, Florian Schwarz and Luigi Tronca engage in a strong, pluridisciplinary collaboration and use an innovative approach to offer a new contribution to the history of the oasis of Bukhara from the end of the last millennium BCE to the end of the medieval era. Referencing archaeological, historical and sociological data, the book revisits the history of this Central Asian region, giving the reader, specialist and general reader a detailed description of the political and socio-economical features that characterized the oasis during this long chronological span.
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Archaeological Pluridisciplinary Activities and Historical Study, volume 2 of The Oasis of Bukhara, revisits the history of the oasis of Bukhara, giving the reader, specialist and general reader a detailed description of the political and socio-economical features that characterized this Central Asian region from the end of the 1st millennium BCE to the end of the medieval era. :
1 online resource. :
Includes bibliographical references and index. :
9789004513662
9789004513495
Facts and artefacts : art in the Islamic world : festschrift for Jens Kröger on his 65th birthday /
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The scholarly search on the art of the object is of enduring interest and enjoys a new renaissance in the last few years. This book mainly explores the art and craft of Islamic artefacts and presents to the reader a diverse range of approaches. Despite this variety, in which also artefacts of the pre-Islamic, period as well as 'orientalized' European artefacts of the modern era are included, there is an overarching theme - the linking of the interpretation of objects and their specific aesthetics to textual sources and the aim of setting them in historical and artistic context. In this impressive collection honouring the German scholar of Islamic art Jens Kröger on his 65th birthday, Avinoam Shalem and Annette Hagedorn bring together contributions from a highly distinguished group of scholars of Asiatic, Sasanian, Islamic as well as European art history. Unpublished artefacts and new interpretations are presented in this book.
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1 online resource. :
"Jens Kröger's list of publications": pages [xix]-xxvii.
Includes bibliographical references and indexes. :
9789047422815 :
Available to subscribing member institutions only.