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Affect, emotion, and subjectivity in early modern Muslim Empires : new studies in Ottoman, Safavid, and Mughal art and culture /
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Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber, Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, and Marianna Shreve Simpson.
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1 online resource (xii, 222 pages) : illustrations. :
Includes bibliographical references and index. :
9789004352841 :
Available to subscribing member institutions only.
Muṣṭafá Alī's Epic deeds of artists : a critical edition of the earliest Ottoman text about the calligraphers and painters of the Islamic world /
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The earliest known Ottoman literary source about the lives and works of calligraphers, painters, limners, and book-binders of the Ottoman and Persianate worlds, Mustafa ʿÂli's (1541-1600) Epic Deeds of Artists (1587), was hitherto considered to be primarily a biographic dictionary. Based on a comprehensive reading of the descriptive and analytic tools of ʿÂli's biographical writings as well as his passionately penned personal reflections on sixteenth-century attitudes toward art and artists, this critical edition by Esra Akın-Kıvanç brings to the fore the significance of Epic Deeds not only as a guide to the connoisseurs and aficionados of the time, but also as a fascinating commentary by a prominent intellectual on the spiritual meaning and material value of art.
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1 online resource. :
Includes bibliographical references (p. [425]-490) and index. :
9789047441076 :
Available to subscribing member institutions only.
Les representations architecturales dans l'iconographie Neo-Assyrienne /
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In this book Nicolas Gillmann provides scholars as well as non-specialists with a comprehensive study of architectural representations in Neo Assyrian iconography. The author answers three important questions: How are Mesopotamian images conceived? What rules are presiding over them and how are they to be interpreted by modern viewers? Can the architectural representations be of some use to archaeologists or are they merely schematic depictions of given building types? Nicolas Gillmann shows that new conclusions can be reached once the reader is given the right reading keys and interpretation framework.
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1 online resource. :
Includes bibliographical references and index. :
9789004324015 :
Available to subscribing member institutions only.
Intangible spirits and graven images : the iconography of deities in the pre-Islamic Iranian world /
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Winner of the the Roman and Tania Ghirshman Prize 2015 by the French Académie des Inscriptions et Belles-Lettres. This prize was established in 1973 by the donation made by Roman Ghirshman, one of the prominent French archaeologists of Pre-Islamic Iran. It is awarded annually for a publication in the field of Pre-Islamic Iranian Studies. In Intangible Spirits and Graven Images , Michael Shenkar investigates the perception of ancient Iranian deities and their representation in the Iranian cults. This ground-breaking study traces the evolution of the images of these deities, analyses the origin of their iconography, and evaluates their significance. Shenkar also explores the perception of anthropomorphism and aniconism in ancient Iranian religious imagery, with reference to the material evidence and the written sources, and reassesses the value of the Avestan and Middle Persian texts that are traditionally employed to illuminate Iranian religious imagery. In doing so, this book provides important new insights into the religion and culture of ancient Iran prior to the Islamic conquest.
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Revision of the author's thesis--Hebrew University of Jerusalem, 2013. :
1 online resource (xxii, 392 pages) : illustrations (some color) :
Includes bibliographical references and index. :
9789004281493 :
Available to subscribing member institutions only.
Hellenizing art in ancient Nubia, 300 BC-AD 250, and its Egyptian model s a study in "acculturation" /
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Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and "hybrid" elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.
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1 online resource. :
Includes bibliographical references and index. :
9789004211292 :
Available to subscribing member institutions only.
Notes on the Sanctuary of St. Symeon Stylites at Qalʻat Simʻān
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This book is the first full-length work concerning the restoration and excavations carried out at Qal'at Sem'an in Syria in the twentieth century. It was written by the notable architect and archaeologist Georges Tchalenko based on his notes, plans, photographs and sketches as he undertook the work in the years before and during the Second World War. Left unpublished at the time of his death during the Lebanese Civil War, it is published here for the first time in the original French with an English translation. The text is richly illustrated throughout and accompanied by a biographical essay by John Tchalenko and an introduction to the historiography of Qal'at Sem'an and Symeon Stylites by Emma Loosley Leeming.
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1 online resource. :
Includes bibliographical references and index. :
9789004388451 :
2213-0039 ;
Museum archetypes and collecting in the ancient world /
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Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
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1 online resource (xiv, 222 pages) : illustrations. :
Includes bibliographical references (p. 163-192) and index. :
9789004283480 :
Available to subscribing member institutions only.