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Pearls on a string : artists, patrons, and poets at the great Islamic courts /
: "This publication accompanies the exhibition Pearls on a String : Artists, Patrons, and Poets at the Great Islamic Courts. Exhibition dates, The Walters Art Museum, Baltimore, November 8, 2015-January 31, 2016; Asian Art Museum, San Francisco, February 26-May 8, 2016"--Colophon. : xi, 259 pages : illustrations ; 29 cm : Includes bibliographical references and index. : 9780295995243 (alk. paper)
Before the pyramids : the origins of Egyptian civilization /
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"Published in conjunction with the exhibition ... March 28-December 31, 2011"-- Title page verso. :
288 p. : ill. (chiefly col.), maps (chiefly col.) ; 30 cm. :
Includes bibliographical references (p. 265-288). :
9781885923820 (pbk.)
1885923821 (pbk.)
La splendeur des dieux: Quatre études iconographiques sur l'hellénisme égyptien (2 vols) /
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"Why are the rays of the Greek god Helios on the forehead of a crocodile-headed Egyptian deity? Navigating the maze of Greek and Egyptian communities and creeds, Gaëlle Tallet investigates the plasticity of material culture in the polytheistic context of Graeco-Roman Egypt. Using the Ariadne's thread of the manufacturing of new images, suitable to new needs and new understandings of the divine, La Splendeur des dieux opens the doors of the workshops where these images were designed, ordered and crafted. Tallet offers a full re-appraisal of the cultural balance of powers in Graeco-Roman Egypt, depicting the indigenous clergies and artists as integratedactors of an Egyptian Hellenicity that helped promote and preserve their millenaries-old traditions. Que viennent faire les rayons solaires du dieu grec Hélios sur le front d'un dieu crocodile égyptien ? Cette question est au point de départ d'une enquête au cœur de la plasticité du système polythéiste de l'Égypte gréco-romaine. Parcourant le labyrinthe des diverses communautés et croyances grecques et égyptiennes, Gaëlle Tallet utilise le fil d'Ariane de la production des images religieuses, réponses à de nouveaux besoins et de nouvelles perceptions du divin, et ouvre les portes des ateliers où elles ont été conçues, commandées et façonnées. La Splendeur des dieux propose une réévaluation du rôle des clergés et des artistes indigènes dans l'élaboration d'un hellénisme proprement égyptien, qui leur a permis de promouvoir et préserver des traditions millénaires"--
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Revision of the author's thesis (doctoral)--Université de Strasbourg, 2006, under the title: Les dieux à couronne radiée dans l'iconographie de l'Egypte gréco-romaine. :
1 online resource. :
Includes bibliographical references and index. :
9789004428928
9789004428911
Receptions of antiquity, constructions of gender in European art, 1300-1600 /
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Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
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1 online resource (XV, 467 pages) : illustrations. :
Includes bibliographical references and index. :
9789004289697 :
Available to subscribing member institutions only.
Art et civilisations de l'Orient hellénisé : rencontres et échanges culturels d'Alexandre aux Sassanides : hommage à Daniel Schlumberger /
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Proceedings of an international colloquium "Rencontres interculturelles dans l'Orient hellénisé = Intercultural encounters in Hellenized Orient" held at the UNESCO, Paris, Sept. 28-30, 2009. :
327, [1] pages : illustrations (some color), maps, plans ; 29 cm. :
Includes bibliographical references (pages 301-328). :
9782708409835
2708409832
God is the light of the heavens and the earth : light in Islamic art and culture /
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"This volume, the latest in a series based on the Hamad bin Khalifa Biennial Symposia on Islamic Art and Culture, presents written versions of the lectures delivered in Palermo, Sicily, from 9-11 November 2013"--Page 3. :
xi, 357 pages : illustrations (chiefly color) ; 30 cm :
Includes bibliographical references (pages 335-346) and index. :
9780300215281
0300215282
Early Anglo-Saxon Christian reliquaries /
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This volume presents a corpus and discussion of seventy-one Anglo-Saxon copper-alloy containers from forty-nine sites across England dating to the seventh and possibly eighth centuries, and variously described as work boxes, needle cases, amulet containers or Christian reliquaries.
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Also issued in print: 2022. :
1 online resource : illustrations (black and white, and colour) :
Specialized. :
Includes bibliographical references. :
9781789694093 (PDF ebook) :
Pharaohs and mortals : Egyptian art in the Middle Kingdom /
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"Exhibition organised by the Fitzwilliam Museum, Cambridge 19 April to 26 June, Liverpool, 18 July to 4 September 1988."
Includes index. :
vi, 167 pages, [4] pages of plates : illustrations (some color) ; 28 cm. :
052135319X
0521358469 (pbk.)
Rivers of paradise : water in Islamic art and culture /
: "The following essays are the written record of the second biennial Hamad bin Khalifa Symposium on Islamic Art and Culture, held at Virginia Commonwealth University's School of the Arts in Doha, Qatar (VCUQatar), from 4 to 6 November 2007" --Introduction. : [ix], 364 pages : illustrations (chiefly color), maps (chiefly color), plans ; 30 cm. : Includes bibliographical references (pages 342-355) and index. : 9780300158991
Hellenizing art in ancient Nubia, 300 BC-AD 250, and its Egyptian model s a study in "acculturation" /
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Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and "hybrid" elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.
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1 online resource. :
Includes bibliographical references and index. :
9789004211292 :
Available to subscribing member institutions only.
Why look at plants? : the botanical emergence in contemporary art /
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Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant's fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers' pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.
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1 online resource. :
Includes bibliographical references and index. :
9789004375253 :
2213-0659 ;
Les representations architecturales dans l'iconographie Neo-Assyrienne /
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In this book Nicolas Gillmann provides scholars as well as non-specialists with a comprehensive study of architectural representations in Neo Assyrian iconography. The author answers three important questions: How are Mesopotamian images conceived? What rules are presiding over them and how are they to be interpreted by modern viewers? Can the architectural representations be of some use to archaeologists or are they merely schematic depictions of given building types? Nicolas Gillmann shows that new conclusions can be reached once the reader is given the right reading keys and interpretation framework.
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1 online resource. :
Includes bibliographical references and index. :
9789004324015 :
Available to subscribing member institutions only.