Nāmahā va munshaʾāt-i Jāmī /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. The present volume, containing 433 of his letters and messages, bears witness to his great yet modest personality, his social engagement, and the expanse and variety of his network.
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1 online resource. :
9789004401839
9789646781313
Rustam nāma : Dāstān-i manẓūm-i Musalmān shudan-i Rustam bih dast-i Imām ʿAlī ('alayhi al-salām) bih inḍimām-i Muʿjiz-nāma-yi Mawlā-yi muttaqiyān /
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In his Meccan days Muḥammad's message was rejected by many as a threat to the values and interests of the community. Among his opponents, there was a merchant called Naḍr b. Ḥārith. From his visits to the city of Ḥīra in Mesopotamia, a cultural melting-pot of Iranian, Christian, and pagan Arab beliefs and traditions, he had brought back stories from Iranian folklore, especially about Rustam and Isfandyār, with which he tried to attract the attention of those listening to Muḥammad's speeches, away from the latter's revolutionary message. This explains why the religious elite of the Persianate world rejected Iranian epic folklore as contrary to the message of Shīʿī Islam, Rustam in particular being viewed as incompatibele with the person of Imam ʿAlī. But folklore being difficult to eradicate, Rustam was often depicted as a Muslim convert and enemy-turned-friend of ʿAlī, like in this poem from Safavid times. A miracle story involving ʿAlī accompanies it.
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1 online resource. :
9789004405042
9789648700657
Orality and textuality in the Iranian world : patterns of interaction across the centuries /
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The volume demonstrates the cultural centrality of the oral tradition for Iranian studies. It contains contributions from scholars from various areas of Iranian and comparative studies, among which are the pre-Islamic Zoroastrian tradition with its wide network of influences in late antique Mesopotamia, notably among the Jewish milieu; classical Persian literature in its manifold genres; medieval Persian history; oral history; folklore and more. The essays in this collection embrace both the pre-Islamic and Islamic periods, both verbal and visual media, as well as various language communities (Middle Persian, Persian, Tajik, Dari) and geographical spaces (Greater Iran in pre-Islamic and Islamic medieval periods; Iran, Afghanistan and Tajikistan of modern times). Taken as a whole, the essays reveal the unique blending of oral and literate poetics in the texts or visual artefacts each author focuses upon, conceptualizing their interrelationship and function.
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1 online resource (xx, 456 pages) : illustrations (some color) :
Includes bibliographical references and index. :
9789004291973 :
1570-078X ; :
Available to subscribing member institutions only.
Metaphor and imagery in Persian poetry /
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This volume is a collection of essays on classical Persian literature, focusing on Persian rhetorical devices, especially imagery and metaphors. The various contributions discuss the origin and the development of debate poetry, the transmission of Persian and Arabic tales to the works of Europeans medieval authors such as Boccaccio and Chaucer, but also the development of Aristotelian poetics and epistemology in Persian philosophical tradition. Furthermore, the baroque style of the Shiʿite author Ḥusayn Vāʾiẓ Kāshifī, the use of wine metaphors by mystics such as Jalāl al-Dīn Rūmī, Ḥāfiẓ's original use of candle metaphors, the translation of Khayyām's metaphors into English, and the importance of a single metaphor in the epic Barzū-nāma are discussed. Contributors include: F. Abdullaeva, G.R. van den Berg, J. Landau, F.D. Lewis, N. Pourjavady, Ch. van Ruymbeke, A. Sedighi and S. Sharma
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1 online resource (viii, 281 pages) : illustrations. :
Includes bibliographical references and index. :
9789004217645 :
1569-7401 ; :
Available to subscribing member institutions only.
The medieval reception of the Shahnama as a mirror for princes /
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Nasrin Askari explores the medieval reception of Firdausī's Shāhnāma , or Book of Kings (completed in 1010 CE) as a mirror for princes. Through her examination of a wide range of medieval sources, Askari demonstrates that Firdausī's oeuvre was primarily understood as a book of wisdom and advice for kings and courtly elites. In order to illustrate the ways in which the Shāhnāma functions as a mirror for princes, Askari analyses the account about Ardashīr, the founder of the Sasanian dynasty, as an ideal king in the Shāhnāma . Within this context, she explains why the idea of the union of kingship and religion, a major topic in almost all medieval Persian mirrors for princes, has often been attributed to Ardashīr.
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1 online resource (398 pages) :
Includes bibliographical references and index. :
9789004307919 :
Available to subscribing member institutions only.
Rubāʿiyyāt-i Ḥakīm Khayyām /
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The rubāʿī or quatrain is a short Persian poem in a special metre with a rhyme suitable to its form. Its use is not bound to any specific field, there being philosophical, satirical, romantic, lyrical and other types of quatrain. In the past, it was believed that the rubāʿī was a special form of the hazaj metre of Arabic poetry. Meanwhile, it has been established that it is in fact Iranian, its origin being the pre-Islamic tarānah or song for feasting and wine. In the West the quatrain was rendered immortal through the work of ʿUmar al-Khayyām (d. ca. 517/1123). A native of Nishapur, he was a respected mathematician and astronomer, as well as a recognized expert in poetry. Many of the quatrains ascribed to him are, however, spurious. This volume contains a reprint of Yār Aḥmad Rashīdī's selection (dated 867/1460), first published in 1953, followed by two other works in Persian, also by Khayyām.
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Includes facsimile text originally published in Istanbul, 1953. :
1 online resource. :
9789004404885
9789648700374
Dīwān-i Ishrāq /
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In early Islamic philosophy, poetry was regarded as a means to transmit the eternal truths of philosophy to the masses and to move them to virtuous conduct by the use of poetical syllogisms. We find this theory for the first time in the works of Abū Naṣr al-Fārābī (d. 339/950). In another application, poetry was used as a didactic tool in the philosophical curriculum, like Avicenna's (d. 428/1037) Urjūza fi ʼl-manṭiq or, much later, Mullā Hādī Sabzavārī's (d. 1289/1873) Manẓūma on logic and philosophy. Finally, there are the many poems which, while philosophical in spirit, were not written to be learned by heart by others but rather from personal motives. Here we can mention some of the Persian poetry ascribed to Avicenna or the philosophical poetry of Nāṣir Khusraw (d. 481/1088). The poems in this collection by Mīr Dāmād (d. 1040/1631), a prominent member of the Isfahan School in philosophy, belong to this latter category.
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Poems :
1 online resource. :
9789004404762
9789648700190
Dīwān-i Fānī : Mawsūm bih Ganj Allāh /
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Born in Khūy (Azerbaidjan), Mīrzā Muḥammad Ḥasan Zunūzī Khūʾī (1172-1225/1758-1810) was a traditional Islamic scholar and man of letters who signed his poems as 'Fānī'. He received his basic education in Zunūz, Tabriz and Khūy, leaving for the holy cites of the Shīʿa in Iraq at the age of 23. There he attended the classes of, among others, Āqā Muḥammad Bāqir Bihbihānī (d. 1205/1790) and Mīrzā Muḥammad Mahdī Shahristānī (d. 1215-16/1800-01). He then returned to Khūy where he spent the rest of his life, save for a two-year 'sabbatical' in Mashhad. In Khūy Fānī was a protégé of the local ruler, Aḥmad Khān Dunbul (d. 1200/1785) and his son Ḥusayn Qulīkhān Dunbul (d. 1213/1799). He is the author of a number of works, among them the encyclopaedic Baḥr al-ʿulūm (Persian) and the spiritual Wasīlat al-najāh (Persian). The Persian poems published here are mostly mystical in tone, often inserting terms or concepts taken from astronomy.
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1 online resource. :
9789004405851
9786002030238