The trade in papers marked with non-Latin characters :documents and history.
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The nine contributions in The Trade in Papers Marked with non-Latin Characters initiated by Anne Regourd (edition) approach global history through the paper trade. They cover, in addition to a paper used in 14th C Persia, papers used in Africa (Ethiopia, Nigeria, Tunisia) and Asia (the Ottoman Levant, Mecca, Persia, Russia, and Yemen) during the 19th-20th C. Primarily based on paper examination and quantitative data, the book invites us to treat papers as a source, and provides tools to determine the production of manuscripts in space and time for the area of interest. This methodology offers new insights on the competition between suppliers to the various markets particularly in respect of the emergence of import-export trading companies. Le commerce des papiers à marques à caractères non-latins , dont Anne Regourd (éd.) est à l'initiative, a pour projet de traiter d'histoire globale par le commerce du papier. Les neuf contributions réunies ici font apparaître un premier exemple de ce papier, persan, dès le xive s. sous les Moẓaffarides et, principalement, des papiers utilisés en Afrique (Éthiopie, Nigéria, Tunisie) et en Asie (Levant ottoman, La Mecque, Perse, Russie et Yémen), aux xixe et xxe s. S'appuyant sur l'observation des papiers et des données quantitatives, le livre invite à prendre le support de l'écrit comme source de l'histoire du commerce et donne des instruments pour déterminer la production de manuscrits dans l'espace et le temps pour une aire définie. Cette méthode renouvelle notre connaissance de l'approvisionnement des marchés, avec, en particulier, l'apparition de compagnies d'import-export. Contributors are: Michaelle Biddle, Evyn Kropf, Anne Regourd, Francis Richard, Alice Shafi-Leblanc, Jan Just Witkam, Olga Yastrebova. Foreword by Anna-Grethe Rischel.
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1 online resource. :
Includes bibliographical references and index. :
9789004360877 :
1877-9964 ; :
Available to subscribing member institutions only.
Imaging and Imagining Palestine : Photography, Modernity and the Biblical Lens, 1918-1948 /
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Imaging and Imagining Palestine is the first comprehensive study of photography during the British Mandate period (1918-1948). It addresses well-known archives, photos from private collections never available before and archives that have until recently remained closed. This interdisciplinary volume argues that photography is central to a different understanding of the social and political complexities of Palestine in this period. While Biblical and Orientalist images abound, the chapters in this book go further by questioning the impact of photography on the social histories of British Mandate Palestine. This book considers the specific archives, the work of individual photographers, methods for reading historical photography from the present and how we might begin the process of decolonising photography. " Imaging and Imagining Palestine presents a timely and much-needed critical evaluation of the role of photography in Palestine. Drawing together leading interdisciplinary specialists and engaging a range of innovative methodologies, the volume makes clear the ways in which photography reflects the shifting political, cultural and economic landscape of the British Mandate period, and experiences of modernity in Palestine. Actively problematising conventional understandings of production, circulation and the in/stability of the photographic document, Imaging and Imagining Palestine provides essential reading for decolonial studies of photography and visual culture studies of Palestine." - Chrisoula Lionis, author of Laughter in Occupied Palestine: Comedy and Identity in Art and Film " Imaging and Imagining Palestine is the first and much needed overview of photography during the British Mandate period. From well-known and accessible photographic archives to private family albums, it deals with the cultural and political relations of the period thinking about both the Western perceptions of Palestine as well as its modern social life. This book brings together an impressive array of material and analyses to form an interdisciplinary perspective that considers just how photography shapes our understanding of the past as well as the ways in which the past might be reclaimed." - Jack Persekian, Founding Director of Al Ma'mal Foundation for Contemporary Art in Jerusalem " Imaging and Imagining Palestine draws together a plethora of fresh approaches to the field of photography in Palestine. It considers Palestine as a central node in global photographic production and the ways in which photography shaped the modern imaging and imagining from within a fresh regional theoretical perspective." - Salwa Mikdadi, Director al Mawrid Arab Center for the Study of Art, New York University Abu Dhabi.
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1 online resource. :
Includes bibliographical references and index. :
9789004437944
9789004437937
Laṭāʾif al-ḥisāb : Risāla-ī dar bāra-yi sargarmīhā-yi riyāḍī /
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Quṭb al-Dīn Lāhījī (d. ca. 1088-95/1677-1684) was a philosopher and traditional Islamic scholar who also took an interest in mathematics. He was a student of Mīr Dāmād (d. 1040/1630-31) of the 'School of Isfahan' in philosophy, as well as a contemporary of the philosopher, traditionist and mystic Muḥsin Fayḍ Kāshānī (d. 1091/1680). After his studies in Isfahan, Lāhījī returned to Lāhījān. There he was entrusted with the office of Shaykh al-Islām which his elder brother had held for three years before him, in succession to their father, who had been Shaykh al-Islām of Lāhījān before then. He held this office for many years. Among his works are Maḥbūb al-qulūb (history of philosophy), Fānūs al-khayāl (the imaginal world in Illuminationist philosophy) and the Tafsīr-i sharīf-i Lāhījī (Qurʾān interpretation). The present collection of mathematical puzzles aims to show the fun and practical use of mathematics. As a Persian text, it is quite rare in its kind.
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1 online resource. :
9789004405639
9789648700947