Catalogue of Arabic manuscripts in the Library of the University of Leiden and other collections in the Netherlands /
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Accompanied by "A general introduction to the catalogue"
At head of title : Bibliotheca Universitatis Leidensis.
English and Arabic. :
volume <1> : illustrations ; 24 cm. :
Includes bibliographical references (pages 15-16 of accompanying item) and index. :
9004068473 (pbk. : set)
The technique of Islamic bookbinding : methods, materials and regional varieties /
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The Technique of Islamic Bookbinding is the first monograph dedicated to the technical development of the bookbinding tradition in the Islamic world. Based on an assessment of the extensive oriental collections in the Leiden University Library, the various sewing techniques, constructions and the application of covering materials are described in great detail. A comparative analysis of the historic treatises on bookbinding provides further insight into the actual making of the Islamic book. In addition, it is demonstrated that variations in time and place can be established with the help of distinctive material characteristics. Karin Scheper's work refutes the perception of Islamic bookbinding as a weak structure, which has generally but erroneously been typified as a case-binding. Instead, the author argues how diverse methods were used to create sound structures, thus fundamentally challenging our understanding of the Islamic bookbinding practice. Karin Scheper has been awarded the De La Court Award 2016 by The Royal Netherlands Academy of Arts and Sciences for her study of the bookbinding tradition in the Islamic world.
The Technique of Islamic Bookbinding is the first monograph dedicated to the technical development of the bookbinding tradition in the Islamic world. Based on an assessment of the extensive oriental collections in the Leiden University Library, the various sewing techniques, constructions and the application of covering materials are described in great detail. A comparative analysis of the historic treatises on bookbinding provides further insight into the actual making of the Islamic book. In addition, it is demonstrated that variations in time and place can be established with the help of distinctive material characteristics. Karin Scheper's work refutes the perception of Islamic bookbinding as a weak structure, which has generally but erroneously been typified as a case-binding. Instead, the author argues how diverse methods were used to create sound structures, thus fundamentally challenging our understanding of the Islamic bookbinding practice. Karin Scheper has been awarded the De La Court Award 2016 by The Royal Netherlands Academy of Arts and Sciences for her study of the bookbinding tradition in the Islamic world.
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1 online resource (xi, 428 pages) : illustrations (chiefly color) :
Includes bibliographical references (p. 413-423), appendices, glossary, and index. :
9789004291119 :
1877-9964 ; :
Available to subscribing member institutions only.
Catalogue of Turkish manuscripts in the library of Leiden University and other collections in the Netherlandss.
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From as early as the 1600s, Dutch scholars and scholarship have displayed a keen interest in the studies of the Islamic world. Over the centuries, they have collected a wealth of source texts in various languages, Turkish texts being prominent among them. The present catalogue is the fourth and final volume in a series that covers the Turkish manuscripts preserved in public libraries and museums in the Netherlands. The volume gives a detailed description of Turkish manuscripts in minor Dutch collections, found in libraries and museums in Amsterdam, Groningen, The Hague, Leiden, Rotterdam and Utrecht, which hitherto have received little or no attention.
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1 online resource (xxii, 410 pages) : illustrations. :
Includes bibliographical references and index. :
9789004221918 :
Available to subscribing member institutions only.
L'art du livre en Asie centrale de la fin du xvie siècle au début du xxe siècle : Étude des manuscrits coraniques de l'Institut d'orientalisme Abu Ray?an Biruni /
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Dans L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou met en lumière le riche patrimoine manuscrit de cette région encore mal connue. Traditionnellement rattaché au seul monde iranien, il apparaît au confluent de riches transferts culturels et de vastes circuits d'échanges, où émerge le rôle majeur de l'Inde du Nord et d'importantes spécificités locales. Grâce à l'analyse méticuleuse des manuscrits coraniques de l'Institut Al Bīrūnī, Marie Efthymiou décrit les mutations des techniques de fabrication du livre, renouvelant la connaissance du papier de Samarcande et révélant le dynamisme de Kokand comme centre de production. Un questionnement novateur des usages du livre en restitue la place dans la société et les pratiques de dévotion. In L'art du livre en Asie centrale de la fin du XVIe au début du XXe siècle , Marie Efthymiou sheds light on the rich cultural heritage of Central Asia, a still relatively unknown region. Traditionally considered part of a single Persian cultural domain, it in fact bears witness to a rich convergence of cultural transmissions and trade routes, with strong external influences from North India as well as strong local characteristics. By a meticulous analysis of the Quranic manuscripts of the Al Bīrūnī Institute of Oriental Studies, Marie Efthymiou depicts the technical changes of bookmaking, providing new evidence on Samarcand paper and revealing Kokand as a major centre of production. An innovative approach of the manuscripts' uses traces their place in society and in the everyday life of worshippers.
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1 online resource (271 pages) : color illustrations, photographs. :
Includes bibliographical references and index. :
9789004284012 :
1877-9964 ;
1877-9964 :
Available to subscribing member institutions only.