Islamic art and culture : timeline and history /
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The artistic achievements of the Islamic world chronicled over fourteen centuries.
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Originally published as: The Timeline History of Islamic Art and Architecture. -- Worth Press Ltd, 2005.
Includes semi-detached compass card following p. 186.
Dar el Kutub no.: 4356/08. :
186 p. : col. ill. ; 33 cm. :
Includes bibliographical references (p. 180-182) and index.
The art and architecture of Islam, 650-1250 /
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Overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar's original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
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Continued by : The art and architecture of Islam 1250-1800 / Sheila S. Blair and Jonathan M. Bloom. New Haven, Conn. : Yale University Press, 1994. (Yale University Press Pelican history of art) :
448 pages : illustrations ; 22 cm. :
Includes bibliographical references (pages [415]-428) and index. :
0300053304
The restoration and conservation of Islamic monuments in Egypt /
: Proceedings of the International Conference on the Restoration and Conservation of Islamic Monuments in Egypt, 12-15 June 1993, Cairo, sponsored by the American Research Center in Egypt. : ix, 194 pages : illustrations, map ; 25 cm. : Includes bibliographical references and index. : 9774243560
Islamic art, architecture and material culture : new perspectives /
: "This collection of papers sprang from a workshop hosted in 2007 by the Centre for Advanced Study of the Arab World (CASAW) at the University of Edinburgh."--page iii. : vii, 147 pages : illustrations, maps, plans, facsimiles ; 30 cm. : Includes bibliographical references. : 9781407310350
The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam /
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"In tenth-century Iraq, a group of Arab intellectuals and scholars known as the Ikhwan al-Safa began to make their intellectual mark on the society around them. A mysterious organisation, the identities of its members have never been clear. But its contribution to the intellectual thought, philosophy, art and culture of the era - and indeed subsequent ones - is evident. In the visual arts, for example, Hamdouni Alami argues that the theory of human proportions which the Ikwan al-Safa propounded (something very similar to those of da Vinci), helped shape the evolution of the philosophy of aesthetics, art and architecture in the tenth and eleventh centuries CE, in particular in Egypt under the Fatimid rulers. With its roots in Pythagorean and Neoplatonic views on the role of art and architecture, the impact of this theory of specific and precise proportion was widespread. One of the results of this extensive influence is a historic shift in the appreciation of art and architecture and their perceived role in the cultural sphere. The development of the understanding of the interplay between ethics and aesthetics resulted in a movement which emphasised more abstract and pious contemplation of art, as opposed to previous views which concentrated on the enjoyment of artistic works (such as music, song and poetry). And it is with this shift that we see the change in art forms from those devoted to supporting the Umayyad caliphs and the opulence of the Abbasids, to an art which places more emphasis on the internal concepts of 'reason' and 'spirituality'. Using the example of Fatimid art and views of architecture (including the first Fatimid mosque in al-Mahdiyya, Tunisia), Hamdouni Alami offers analysis of the debates surrounding the ethics and aesthetics of the appreciation of Islamic art and architecture from a vital time in medieval Middle Eastern history, and shows their similarity with aesthetic debates of Italian Renaissance." -- Publisher's website.
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xiii, 184 pages : illustrations, plans ; 23 cm. :
Includes bibliographical references and index. :
1784530409
9781784530402