Die Eroberung von Damaskus : Quellenkritische Untersuchung zur Historiographie in klassisch-islamischer Zeit /
:
The conquest of Damascus is one of the main events of the Islamic conquests in bilād al-Shām. Consequently, it appears with approximately 1000 narratives in the Islamic literature. This book shows the dependencies of these narratives. It therefore exemplifies the historiography from 700-1300 CE using one single event. Using the method of isnād-cum-matn-analysis the oldest forms of Islamic historiography are reconstructed. Among them are not only the version by Ibn Ishāq, but also the narratives in the futūh-work ascribed to al-Waqidī and in al-Azdī's Futūh al-Sham. Finally, the course of the events is described on the basis of the oldest reconstructed versions. Die Eroberung von Damaskus gehört zu den bedeutendsten Ereignissen der futūh im historischen Syrien. Folglich ist sie mit circa 1000 Einzelüberlieferungen ein häufig vorkommendes Element in der islamischen Literatur. Die Zusammenhänge und Abhängigkeiten der Überlieferungen zu analysieren, ist das Hauptanliegen dieser Studie. So können Aussagen über die Historiography von 700-1300 n. Chr. an Hand eines historischen Beispiels getroffen werden. Mit Hilfe der isnād-cum-matn-Analyse gelingt es zudem die frühesten Formen muslimischer Geschichtsschreibung zu rekonstruieren. Zu diesen gehören neben der Version Ibn Ishāqs auch die Erzählungen, die sich in dem Futūḥ-Werk, das al-Waqidī zugeschrieben wird, und dem Futūḥ al-Šhām al-Azdīs finden. Auf Grundlage dieser ältesten rekonstruierten Fassungen zeichnet diese Untersuchung abschließend die Eroberung von Damaskus nach.
:
1 online resource. :
Includes bibliographical references and indexes. :
9789047430285 :
Available to subscribing member institutions only.
The performing arts in medieval Islam : shadow play and popular poetry in Ibn Daniyal's Mamluk Cairo /
:
This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, poet, playwright, court jester, and arguably one of the most controversial cultural figures of his time. Drawing on medieval Arabic sources, many still in manuscript and some used for the first time, the author further contextualizes Ibn Dāniyāl's work with respect to poetry production and popular culture in the Islamic Near East in the post-Mongol period. The book also presents the first full English translation of "The Phantom," one of Ibn Dāniyāl's three shadow plays, the only surviving pre-Ottoman Arabic theatrical texts.
:
1 online resource (xiii, 240 pages) :
Includes bibliographical references (p. [229]-233) and index. :
9789004218802 :
0929-2403 ; :
Available to subscribing member institutions only.