Sharḥ dīwān Imriʼ al-Qays ; wa-maʻahu, Akhbār al-Marāqisah wa-ashʻāruhum fī al-Jāhilīyah wa-ṣadr al-Islām /
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Akhbār al-Marāqisah ... : al-Ṭabʻah 2, with date of publication given as 1954.
With : Akhbār al-Nawābigh wa-āthārihim [sic] fī al-Jāhilīyah wa-ṣadr al-Islām : wa-huwa mulḥaq bi-kitāb Akhbār al-Marāqisah wa-ashʻāruhum fī al-Jāhilīyah wa-ṣadr al-Islām / kilāhumā taʼlīf Ḥasan al-Sandūbī. :
431 pages ; 25 cm. :
Includes bibliographical references.
The cutting edge of the poet's sword : Muslim poetic responses to the Crusades /
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In this comprehensive analysis of Arabic poetry during the period of the crusades (sixth/twelfth-seventh/thirteenth centuries), Osman Latiff provides an insightful examination of the poets who inspired Muslims to unite in the jihād against the Franks. The Cutting Edge of the Poet's Sword not only contributes to our understanding of literary history, it also illuminates a broad spectrum of religiosity and the role of political propaganda in the anti-Frankish Muslim struggle. Latiff shows how poets, often used by the ruling elite to promote their rule, emphasised the centrality of Islam's holy sites to inspire the Muslim response to the occupation and later reconquest of Jerusalem, and expressed some surprising views of Frankish Christians.
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1 online resource. :
Includes bibliographical references and index. :
9789004345225 :
Available to subscribing member institutions only.
Heirs of the Apostles : Studies on Arabic Christianity in Honor of Sidney H. Griffith /
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Heirs of the Apostles offers a panoramic survey of Arabic-speaking Christians-descendants of the Christian communities established in the Middle East by the apostles-and their history, religion, and culture in the early Islamic and medieval periods. The subjects range from Arabic translations of the Bible, to the status of Christians in the Muslim-governed lands, Muslim-Christian polemic, and Christian-Muslim and Christian-Jewish relations. The volume is offered as a Festschrift to Sidney H. Griffith, the doyen of Christian Arabic Studies in North America, on his eightieth birthday. Contributors are: David Bertaina, Elie Dannaoui, Stephen Davis, Nathan P. Gibson, Cornelia Horn, Sandra Toenies Keating, Juan Pedro Monferrer-Sala, Johannes Pahlitzsch, Andrew Platt, Thomas W. Ricks, Barbara Roggema, Harald Suermann, Mark N. Swanson, Shawqi Talia, Jack Tannous, David Thomas, Jennifer Tobkin, Alexander Treiger, Ronny Vollandt, Clare Wilde, and Jason Zaborowski.
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1 online resource. :
Includes bibliographical references and indexes. :
9789004383869 :
2468-2454 ;
The Qurʼān in context : historical and literary investigations into the Qurʼānic milieu /
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Although recent scholarship has increasingly situated the Qur'ān in the historical context of Late Antiquity, such a perspective is only rarely accompanied by the kind of microstructural literary analysis routinely applied to the Bible. The present volume seeks to redress this lack of contact between literary and historical studies. Contributions to the first part of the volume address various general aspects of the Qur'an's political, economic, linguistic, and cultural context, while the second part contains a number of close readings of specific Qur'ānic passages in the light of Judeo-Christian tradition and ancient Arabic poetry, as well as discussions of the Qur'ān's internal chronology and transmission history. Throughout, special emphasis is given to methodological questions. This title is available as paperback .
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"This volume has emerged from the conference 'Historische Sondierungen und methodische Reflexionen zur Korangenese: Wege zur Rekonstruktion des vorkanonischen Koran' January 2004, Berlin"--T.p. verso. :
1 online resource. :
Includes bibliographical references and indexes. :
9789047430322 :
Available to subscribing member institutions only.
An Arabic musical and socio-cultural glossary of Kitab al-aghani /
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George Dimitri Sawa's Arabic Musical and Socio-Cultural Glossary of Kitāb al-Aghānī is the first comprehensive lexicographical study of Umayyad and early Abbāsid-era music theory and practices. It defines melodic and rhythmic modes, musical forms, instruments, technical terms and metaphors used in evaluating compositions and performances, and the emotional effects of ṭarab. It explains the processes of composition and learning, performance practice, musical change and aesthetics, and addresses the behavior of court musicians to help understand societal views of music. Medieval dictionaries, reference works on Arabic literature, theoretical treatises as well as full quotations from the Aghānī are used. This glossary will be of interest to scholars and students of the music and socio-cultural history of the early Islamic era.
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1 online resource (9, 556, 6 pages) : illustrations. :
Includes bibliographical references (p. 3-6 ). :
9789004279094 :
0929-2403 ; :
Available to subscribing member institutions only.
Storytelling in Chefchaouen Northern Morocco : an annotated study of oral performance with transliterations and translations /
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Storytelling in Chefchaouen Northern Morocco includes two sets of tales told by two different storytellers with an annotated study of the oral performance, transliterations and translations. The purpose is to preserve a part of the region's oral tradition of storytelling in the vernacular language in which it has been transmitted, presenting the original texts with parallel English translation. In addition, the cultural, literary, and linguistic background necessary for understanding this body of oral performance is given. A combination of disciplines (anthropology, philology, sociolinguistics, dialectology, comparative literature, ethnography, typology) is applied to the linguistic and literary features of the present corpus.
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Consists of thirteen folktales and two poems narrated by a man, and nine folktales, four lullabies, and one song told by a woman. :
1 online resource. :
Includes bibliographical references and index. :
9789004279131 :
Available to subscribing member institutions only.
Al-Maqrīzī's al-Ḫabar 'an al-bašar.
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In The Arab Thieves , Peter Webb critically explores the classic tales of pre-Islamic Arabian outlaws in Arabic Literature. A group of Arabian camel-rustlers became celebrated figures in Muslim memories of pre-Islam, and much poetry ascribed to them and stories about their escapades grew into an outlaw tradition cited across Arabic literature. The ninth/fifteenth-century Egyptian historian al-Maqrīzī arranged biographies of ten outlaws into a chapter on 'Arab Thieves' in his wide-ranging history of the world before Muhammad. This volume presents the first critical edition of al-Maqrīzī's text with a fully annotated English translation, alongside a detailed study that interrogates the outlaw lore to uncover the ways in which Arabic writers constructed outlaw identities and how al-Maqrīzī used the tales to communicate his vision of pre-Islam. Via an exhaustive survey of early Arabic sources about the outlaws and comparative readings with outlaw traditions in other world literatures, The Arab Thieves reveals how Arabic literature crafted lurid narratives about criminality and employed them to tell ancient Arab history.
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1 online resource. :
Includes bibliographical references and index. :
9789004386952 :
2211-6737 ;
Patristic literature in Arabic translations /
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"Patristic Literature in Arabic Translations offers a panoramic survey of the Arabic translations of the Church Fathers, focusing on those produced in the Palestinian monasteries and at Sinai in the 8th-10th centuries and in Antioch during Byzantine rule (969-1084). These Arabic translations frequently preserve material lost in the original languages (mainly Greek and Syriac). They offer crucial information about the diffusion and influence of patristic heritage among Middle Eastern Christians from the 8th century to the present. A systematic examination of Arabic patristic translations paves the way to an assessment of their impact on Muslim and Jewish theological thought".
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1 online resource. :
Includes bibliographical references and indexes. :
9789004415041
Nūbat Ramal al-Māya in cultural context : the pen, the voice, the text /
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In this unique edition, Carl Davila takes an original approach to the texts of the modern Moroccan Andalusian music tradition. This volume offers a literary-critical analysis and English translation of the texts of this nūba , studies their linguistic and thematic features, and compares them with key manuscripts and published anthologies. Four introductory chapters and four appendices discuss the role of orality in the tradition and the manuscripts that lie behind the print anthologies. Two supplements cross-reference key poetic images in English and Arabic, and provide information on known authors of the texts. This groundbreaking contribution will interest scholars and students of pre-modern Arabic poetry, muwashshaḥāt , Andalusian music traditions, Arabic Studies, orality, and sociolinguistics.
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1 online resource (xxii, 624 pages) :
Includes bibliographical references and indexes. :
9789004294530 :
1571-5183 ; :
Available to subscribing member institutions only.