Ethik und Ästhetik bei Fichte und Sartre : eine vergleichende Studie über den Zusammenhang von Ethik und Ästhetik in der Transzendentalphilosophie Fichtes und dem Existenzialismus...
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Fichte wie auch später Sartre gewinnen vergleichbare Resultate auf der theoretischen Ebene hinsichtlich der ethischen Fundierung der Intersubjektivität im Selbstbewusstsein. Die Rolle der Ästhetik wird von beiden Denkern aufgrund ethischer Implikationen so bestimmt, dass sie die durch sie bestimmte Intersubjektivität auf praktischer Ebene zum Vorschein bringt. Die Ästhetik stellt bei beiden Autoren nicht einen Selbstzweck dar, sondern spielt eine herausragende Rolle für die Bildung der Menschen. Sartre wie auch Fichte brauchen die Ästhetik, um die Ethik zu fundieren. Während Sartre ein unmittelbar lebensbezogenes ästhetisches Denken hat, in dem er ethische Aspekte in seiner Literatur anhand konkreter Beispiele verarbeitet, geht es Fichte in seinen Ausführungen zur Ästhetik vornehmlich um die Frage nach der Bedingung der Möglichkeit des ästhetischen Bewusstseins und darum, dieses als Voraussetzung des ethischen Bewusstseins zu bestimmen. Sartres Ethik offenbart sich vor allem in seinem ästhetischen Schaffen. Dem ästhetischen Moment in Sartres Ethik kommt die zentrale Aufgabe für die Entwicklung des ethischen Individualismus des Menschen und der gesamten Menschheit zu. Die Analogie zu Fichtes transzendentalkritischem Idealismus liegt in der Fundierungsrolle der Ästhetik für die Ethik in beiden philosophischen Konzeptionen, woraus eine aussagefähige Ethik in Sartres Existenzphilosophie resultiert. So zeigt sich In Sartres Literatur der direkte Wechselbezug zwischen praktischer Ethik und produktiver Ästhetik. Die Funktion der Ästhetik wird von Sartre dadurch bestimmt, dass in seinem Konzept mittels der Ästhetik die Vermittlung zwischen theoretischer und praktischer Vernunft geleistet wird.
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1 online resource (x, 254 pages, [5] pages of plates) : 5 illustrations. :
Includes bibliographical references. :
9789042028982 :
Available to subscribing member institutions only.
Beauty, responsibility, and power : ethical and political consequences of pragmatist aesthetics /
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This book addresses the interrelations between aesthetics, ethics, and politics in the framework of pragmatist aesthetics, offering a comprehensive panorama of the ways and fields in which pragmatist aesthetics ties in with vital social and ethical problems of modernity. Most of the contributors refer to the model propounded by Richard Shusterman. Following in Dewey's footsteps, Shusterman has elaborated and expanded his concept, adding new dimensions to it. The most important supplement is the idea of aesthetic experience being constituted by our bodiliness. In somaesthetics , pragmatism has acquired a new dimension - a fully developed, comprehensive aesthetic theory. Pragmatist aesthetics with its essential notion of the body engages in critical dialogue with many key concepts of modernity which locate the body in social and cultural frameworks. The articles collected in this volume illustrate the complex range of pragmatist aesthetics and its impact on the understanding of crucial issues in social and moral philosophy.
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1 online resource (viii, 195 pages) :
Includes bibliographical references and index. :
9789401211628 :
Available to subscribing member institutions only.
Practicing pragmatist aesthetics : critical perspectives on the arts /
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This is the first collection in English devoted exclusively to pragmatist aesthetics. Its main aim is to employ the resources of that rich and exciting tradition in studying artistic phenomena such as film, sculpture, bio-art, poetry, the novel, cuisine, and various body arts. But it also attempts to provide a wider background for such studies by sketching the history of pragmatist reflection on the aesthetic and by discussing some of the main positions that this history has produced: the aesthetic conceptions of C.S. Peirce, William James, John Dewey, Joseph Margolis, Richard Shusterman (somaesthetics in particular), and others.
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1 online resource (vi, 224 pages) : illustrations (chiefly color) :
Includes bibliographical references and index. :
9789401210812 :
Available to subscribing member institutions only.
Wittgenstein as philosophical tone-poet : philosophy and music in dialogue /
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This book provides the first in-depth exploration of the importance of music for Ludwig Wittgenstein's life and work. Wittgenstein's remarks on music are essential for understanding his philosophy: they are on the nature of musical understanding, the relation of music to language, the concepts of representation and expression, on melody, irony and aspect-perception, and, on the great composers belonging to the Austrian-German tradition. Biography and philosophy, this work suggests that Wittgenstein was a composer of philosophy who used the musical form as a blueprint for his own writing and thought. For Wittgenstein music is not alone, but connects and resonates with our cultural forms of life. His relation to composers, especially to Richard Wagner and Gustav Mahler, enables Wittgenstein to address the question of how to do philosophy and compose music in the breakdown of tradition. Unlike his conservative musical sensibility, Wittgenstein's philosophy is open to musical experiments. Reflecting on his remarks on music makes it possible to compare the therapeutic aim of his philosophical activity with that of music, and thus notice affinities between Wittgenstein and John Cage.
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1 online resource (225 pages) :
Includes bibliographical references and index. :
9789401210997 :
0167-4102 ; :
Available to subscribing member institutions only.
Beyond Aesthetics and Politics : Philosophical and Axiological Studies on the Avant-Garde, Pragmatism, and Postmodernism.
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The book presents five philosophical and axiological studies devoted to the relationship between aesthetics and politics . It shows this relationship throughout the works of some avant-gardists, pragmatists, and postmodernists. It is also a voice in the discussion about the meaning of the fine arts and aesthetics in the context of the political aims and norms. This voice claims that the political dimension of art and aesthetics should be studied much more seriously than it has been till today, and needs more courageous re-interpretations and re-readings.
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7. Deformation of Facial Images as Social Degradation (Gombrowicz). :
1 online resource (176 pages) :
Includes bibliographical references and index. :
9789401209441 :
0929-8436 ; :
Available to subscribing member institutions only.
Shusterman's pragmatism : between literature and somaesthetics /
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This book is the first essay collection on Richard Shusterman, the foremost representative of contemporary pragmatist aesthetics, a philosopher whose books have been translated into more than fifteen languages. The 12 essays, which cover the wide-ranging scope of Shusterman's pragmatist thought, divide into three sections: Literary Theory and Philosophy of Art; Epistemology, Metaphysics, Ethics, and Politics; and Somaesthetics. Written by an international group of authors from different philosophical perspectives, the book's essays not only provide a good introduction to Shusterman's innovative pragmatist theories, but show their useful applications to important and controversial topics in philosophy, politics, religious and gender studies, the arts, and somaesthetics. The book also includes two new texts by Shusterman: an introductory essay in which he explains the trajectory of his intellectual development and a detailed response to the other contributors, which closes the book.
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1 online resource (vi, 236 pages) :
Includes bibliographical references and index. :
9789401207638 :
0929-8436 ; :
Available to subscribing member institutions only.
Rethinking Plato : a Cartesian quest for the real Plato /
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No new book on Plato can surprise Plato scholars. For there is nothing new under the sun, nor inside the cave. We have grown complacent in our preconceptions of Plato, habitually adopting the web of belief that comes with the canonical corpus. Yet it is not the web itself that stands in the way of progress, but the tendency to adopt it without question. Rethinking Plato is, as the subtitle suggests, a Cartesian quest for the real Plato. What makes it Cartesian is that it looks for Plato independently of the prevailing paradigms on where we are supposed to find him. The result of the quest is a complete pedagogical platform on Plato. This does not mean that the book leaves nothing out, covering all the dialogues and all the themes, but that it provides the full intellectual apparatus for doing just that. It consists of two parts. The first is a general orientation in three chapters, one each pertaining to the life, thought, and works of Plato. The second is a dialogic companion covering the four dialogues built around the last days of Socrates, with a separate chapter devoted to each: Euthyphro , Apology , Crito , and Phaedo .
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1 online resource (620 pages) :
Includes bibliographical references and index. :
9789401208123 :
Available to subscribing member institutions only.