Mediterranean Captivity through Arab Eyes, 1517-1798 /
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The post-Lepanto Mediterranean was the scene of "small wars," to use Fernand Braudel's phrase, which resulted in acts of piracy and captivity. Thousands upon thousands of Europeans, Arabs, and Turks were seized into bagnios stretching from Cadiz to Valletta and from Salé to Tripoli. After returning to their homelands, dozens from England and France, Germany and Spain, Malta and Italy wrote about their captivities. Their accounts were printed, distributed, translated, and plagiarized, making captivity a key subject in Europe's Mediterranean history. While Europeans wrote extensively about their ordeals, the Arabs wrote little because their religious culture militated against such writings, which would be construed as expressing disaffection with the will of God. Nor were there detailed records and registers of captives - their names, places of origin, and ransom prices - similar to what was kept in the European archives. Contrary, however, to what some historians have claimed, there was a distinct Arabic narrative of captivity that survives in anecdotes, recollections, reports, miracles, letters, fatawa, exempla and short biographies in both verse and prose. Cumulatively, these sources constitute the Arabic qiṣṣas al-asrā, or stories of the captives, in the native language and idiom of the men and women of the early modern Mediterranean.
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1 online resource. :
Includes bibliographical references and index. :
9789004440258
9789004440241
Henry George Farmer and the First International Congress of Arab Music (Cairo 1932) /
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Henry George Farmer (1882-1965) was a pioneering musicologist who specialized in Arab music. In 1932, he participated in the First International Congress of Arab Music in Cairo, during which he maintained a journal recording his daily activities, interactions with fellow delegates and dignitaries, and varied perambulations throughout the city. This journal, and the detailed minutes he kept for his chaired Commission on History and Manuscripts, were never published. They reveal aspects and inner-workings of the Congress that have hitherto remained unknown. The illustrations and photos contained therein, as well as additional photos that were never seen, provide visual documentation of the Congress's participants and musical ensembles.
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1 online resource (xxvi, 430 pages) : illustrations. :
Includes bibliographical references and index. :
9789004284142 :
Available to subscribing member institutions only.
'His pen and ink are a powerful mirror' : Andalusi, Judaeo-Arabic, and other Near Eastern studies in honor of Ross Brann /
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"'His Pen and Ink are a Powerful Mirror' is a volume of collected essays in honor of Ross Brann, written by his students and friends on the occasion of his 70th birthday. The essays engage with a diverse range of Andalusi and Mediterranean literature, art, and history. Each essay begins from the organic hybridity of Andalusi literary and cultural history as its point of departure, introduce new texts, ideas, and objects into the disciplinary conversation or radically reassesses well-known ones, and represent the theoretical, methodological, and material impacts Brann has had and continues to have on the study of the literature and culture of Jews, Christians, and Muslims in al-Andalus. Contributors include: Ali Humayn Akhtar, Esperanza Alfonso, Peter Cole, Jonathan Decter, Elisabeth Hollender, Uriah Kfir, S.J. Pearce, F.E. Peters, Arturo Prats, Cynthia Robinson, Tova Rosen, Aurora Salvatierra, Raymond P. Scheindlin, Jessica Streit, Shawkat M. Toorawa, David Torollo".
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1 online resource. :
Includes bibliographical references and index. :
9789004407541