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Published 1967
Art and civilization /

: 423 pages : illustrations (part color) ; 30 cm. : Bibliography : pages 413-419.

Performance and drama in ancient Egypt /

: 182 pages : illustrations ; 24 cm. : 0715634046 (pbk.)

Published 2015
Body language in Hellenistic art and society /

: Revision of the author's thesis (Ph. D.--University of Oxford, 1980) under the title : Gestures, postures and body actions in Hellenistic art. : xxiv, 362 pages : illustrations (black and white) ; 25 cm. : Includes bibliographical references (pages 329-355) and index. : 9780198723592 (hardback)
0198723598 (hardcover)

Published 2011
Islamic Art and Visual Culture : An Anthology of Sources /

: "This edition first published 2011." : ix, 186 pages : illustrations ; 26 cm : Includes bibliographical references and index. : 9781405154017 (hardcover : alk. paper)
1405154012 (hardcover : alk. paper)
9781405154024 (pbk. : alk. paper)
1405154020 (pbk. : alk. paper)

Published 2019
Cartooning for a modern Egypt /

: The Egyptian caricature is generally studied as part of Egyptian mass culture, and mainly discussed in the context of Egypt's anti-colonial resistance to British foreign rule, as part of the forging of a "national style". In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt's foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years, that was designated for, and reflected, a colonial and cosmopolitan culture of a few. Keren Zdafee illustrates how Egyptian foreign-local caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism, by adopting a theoretical, semiotic, and historical approach.
: 1 online resource. : Includes bibliographical references. : 9789004410381

Published 2020
Caught in a whirlwind : a cultural history of Ottoman Baghdad as reflected in its illustrated manuscripts /

: Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and the Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.
: Revision of the author's thesis (doctoral)--Harvard University, 2016, under the title: Caught in a whirlwind : painting in Baghdad in the late sixteenth-early seventeenth centuries. : 1 online resource. : Includes bibliographical references and index. : 9789004412804

Published 2015
Museum archetypes and collecting in the ancient world /

: Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
: 1 online resource (xiv, 222 pages) : illustrations. : Includes bibliographical references (p. 163-192) and index. : 9789004283480 : Available to subscribing member institutions only.

Published 2015
Receptions of antiquity, constructions of gender in European art, 1300-1600 /

: Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
: 1 online resource (XV, 467 pages) : illustrations. : Includes bibliographical references and index. : 9789004289697 : Available to subscribing member institutions only.

Published 2023
Art as ritual engagement in the funerary programme of Watetkhethor at Saqqara, c. 2345 BC /

: Art as ritual engagement is examined through a case study of feminised funerary representation in the repertoire of Watetkhethor, an elite woman interred in the mastaba tomb of her spouse, Mereruka, at Saqqara, c.2345-2181 BCE.
: Also issued in print: 2023. : 1 online resource (vi, 62 pages) : illustrations (black and white, and colour). : Specialized. : Includes bibliographical references. : 9781803275543 (PDF ebook) : : Open access.