Khulāṣat al-ashʿār wa-zubdat al-afkār. Volume 6.2 : Bakhsh-i Iṣfahān /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The work by Mīr Taqī al-Dīn Kāshānī (alive in 1016/1607) published here is an important example of this. It consists of an introduction, four divisions, and an epilogue ( khātima ), six volumes in all. From among these volumes, the epilogue listing some 394 poets from specific cities and regions in the Persianate world, many of whom were contemporaries of the author, is of special interest. Having met with many of them on his literary travels, their biographies contain a lot of information on the social and cultural climate of the time, besides new poets and poems. This volume: 6.2, Isfahan.
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1 online resource. :
9789004404694
9789648700312
Khulāṣat al-ashʿār wa-zubdat al-afkār. Volume 6.1 : Bakhsh-i Kāshān /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The work by Mīr Taqī al-Dīn Kāshānī (alive in 1016/1607) published here is an important example of this. It consists of an introduction, four divisions, and an epilogue ( khātima ), six volumes in all. From among these volumes, the epilogue listing some 394 poets from specific cities and regions in the Persianate world, many of whom were contemporaries of the author, is of special interest. Having met with many of them on his literary travels, their biographies contain a lot of information on the social and cultural climate of the time, besides new poets and poems. This volume: 6.1, Kashan.
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1 online resource. :
9789004404670
9789646781979
Khulāṣat al-ashʿār wa-zubdat al-afkār. Volume 6.9 : Bakhsh-i Shīrāz wa nawāḥi-yi ān /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The work by Mīr Taqī al-Dīn Kāshānī (alive in 1016/1607) published here is an important example of this. It consists of an introduction, four divisions, and an epilogue ( khātima ), six volumes in all. From among these volumes, the epilogue listing some 394 poets from specific cities and regions in the Persianate world, many of whom were contemporaries of the author, is of special interest. Having met with many of them on his literary travels, their biographies contain a lot of information on the social and cultural climate of the time, besides new poets and poems. This volume: 6.9, Shiraz.
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1 online resource. :
9789004404922
9786002030719
Dīwān-i Munjīk Tirmidhī : Ashʿār-i parākanda /
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Abu ʼl-Ḥasan Munjīk Tirmidhī was a Persian poet of the second half of 4th/10th century. Not much is known about his personal life, just that he sang the praise of some of the members of the ruling Muḥtājid dynasty of Chaghāniyān in Transoxania, a region just north of his hometown of Tirmidh. He was a contemporary of other poets at the Muḥtājid court, such as Daqīqī (d. ca. 365/976) and Farrukhī (d. before 432/1041). Tirmidhī is especially known for his panegyrics and his satire. In Nāṣir Khusraw's (d. 481/1088) Safar-nāma it is stated that Tirmidhī's divan was extant. Today his divan is lost. What verses we have were gleaned from biographical dictionaries, poetical anthologies and works on eloquence. The present edition contains a listing of everything found in such sources, supplemented by additional information taken from modern authors. The collection contains 410 verses, 50 of which were hirtherto unknown.
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[Collection of poems by Monjeek Termazi, who was a court poet for the Choghani kings.]
In Persian.
Romanized title from cover, page 4. :
1 online resource. :
9789004406100
9786002030405
Orality and textuality in the Iranian world : patterns of interaction across the centuries /
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The volume demonstrates the cultural centrality of the oral tradition for Iranian studies. It contains contributions from scholars from various areas of Iranian and comparative studies, among which are the pre-Islamic Zoroastrian tradition with its wide network of influences in late antique Mesopotamia, notably among the Jewish milieu; classical Persian literature in its manifold genres; medieval Persian history; oral history; folklore and more. The essays in this collection embrace both the pre-Islamic and Islamic periods, both verbal and visual media, as well as various language communities (Middle Persian, Persian, Tajik, Dari) and geographical spaces (Greater Iran in pre-Islamic and Islamic medieval periods; Iran, Afghanistan and Tajikistan of modern times). Taken as a whole, the essays reveal the unique blending of oral and literate poetics in the texts or visual artefacts each author focuses upon, conceptualizing their interrelationship and function.
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1 online resource (xx, 456 pages) : illustrations (some color) :
Includes bibliographical references and index. :
9789004291973 :
1570-078X ; :
Available to subscribing member institutions only.
Muntakhab-i risālāt-i Ṣafāʾ al-Ḥaqq /
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Ṣafāʾ al-Ḥaqq (1879-1962) is the artist's name of an Iranian Kurd whose family had moved from Kurdistan to Hamadan when he was still a child. His father was a respected businessman and a follower of the ideas of Shaykh Aḥmad Aḥsāʾī (d. 1241/1826). Though well-educated, having studied traditional and herbal medicine and animal husbandry, as an adolescent Ṣafāʾ al-Haqq spent a lot of time in his father's business in the bazaar. Due to his convictions, his father lost his livelyhood and Ṣafāʾ al-Ḥaqq started travelling. He spent several years in India, where he worked in a British hospital in Bombay. He then returned to Hamadan, where he settled as a physician. As a poet Ṣafāʾ al-Ḥaqq wrote in the Hindī style. He was an amateur musicologist as well as an accomplished calligrapher. This volume contains his autobiography, a treatise on animal husbandry, and two further treatises on various aspects of Shaykhism and music.
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1 online resource. :
9789004404892
9789648700466
Maḥakk-i Khusrawī /
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When the founder of the Qajar dynasty of Iran, Āqā Muḥammad Khān Qājār (r. 1789-97), conquered the capital of Georgia Tiflis in 1795, two infant sons of the defeated king Heraclius II were captured. Of these, the eldest died on the way. The other, Khusraw Khān, the later Mīrzā Khusraw Bayg Gurjī (d. 1277/1860), was taken back to Tehran by the commander of the Persian forces, Ḥājjī Ibrāhīm, who treated him as if he were his own child, calling him Mīrzā. When Ḥājjī Ibrāhīm was executed in 1803 on the orders of Fatḥ ʿAlī Shāh (d. 1249/1834), Mīrzā Khusraw first lived with a family in Shiraz and then, in 1805, he was adopted by the childless Talpur ruler of Sind, Mīr Karam ʿAlī Khān (r. 1227-44/1812-28). It is there at the court in Hyderabad that he developed into a refined man of letters and where he compiled this poetical anthology, then only 27 years old.
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1 online resource. :
9789004405776
9786002030146
Metaphor and imagery in Persian poetry /
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This volume is a collection of essays on classical Persian literature, focusing on Persian rhetorical devices, especially imagery and metaphors. The various contributions discuss the origin and the development of debate poetry, the transmission of Persian and Arabic tales to the works of Europeans medieval authors such as Boccaccio and Chaucer, but also the development of Aristotelian poetics and epistemology in Persian philosophical tradition. Furthermore, the baroque style of the Shiʿite author Ḥusayn Vāʾiẓ Kāshifī, the use of wine metaphors by mystics such as Jalāl al-Dīn Rūmī, Ḥāfiẓ's original use of candle metaphors, the translation of Khayyām's metaphors into English, and the importance of a single metaphor in the epic Barzū-nāma are discussed. Contributors include: F. Abdullaeva, G.R. van den Berg, J. Landau, F.D. Lewis, N. Pourjavady, Ch. van Ruymbeke, A. Sedighi and S. Sharma
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1 online resource (viii, 281 pages) : illustrations. :
Includes bibliographical references and index. :
9789004217645 :
1569-7401 ; :
Available to subscribing member institutions only.
Dīwān-i ghazaliyāt-i Asīr-i Shahristānī /
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Persian poetry of the pre-modern era is divided into three successive styles, each belonging to a different period: Khurāsānī, ʿIrāqī and Hindī. The Hindī style's name comes from Safavid times, during which it developed; poets no longer enjoyed the shah's patronage, so that many of them went to India, where Persian poetry had flourished from Ghaznavid times (11th-12th cent.). The Hindī style is often regarded as being of a lesser kind than the Khurāsānī or ʿIrāqī ones, but has the merit of having ended the decline that Persian poetry was suffering from at the time and also, by its accessible language and subject matter, of having brought poetry within reach of the ordinary man. The poems of Asīr Shahristānī (11th/17th cent.), whose ghazal s are published here, are written in the Hindī style. Popular in India, even if he never went there, their appreciation in Iran has varied.
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1 online resource. :
9789004404137
9789646781733
Āthār-i Fatḥallāh Khān-i Shaybānī. Volume 1 : Jild-i avval Dīwān-i ashʿār, Fatḥ u ẓafar /
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Fatḥallāh Khān Shaybānī (d. 1308/1891) was a major poet of the Qajar era who belonged to the so-called 'return' movement, which wanted to break free from the Sabk-i Hindī or 'Indian style' in poetry, that was popular in Iran since Safavid times. Shaybānī was born in a suburb of Kashan around 1241/1825. Having completed his education there and thanks to his father's connections, he became a companion of the future Nāṣir al-Dīn Shāh Qājār (r. 1264-1313/1848-96). However, due to courtly intrigues he was soon expelled, an expulsion which would last a full 35 years before relations were restored. In that period he served in various official capacities, lastly as the governor of Mashhad. Between assigments, he lived in the countryside near Natanz for around 25 years. Shaybānī's work, here published in full, is characterized by an aversion of undue embellishments, his choice of subjects, his criticism of politics and society, and his concrete suggestions for change. 2 vols; volume 1.
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1 online resource. :
9789004406384
9786002030870
Āthār-i Fatḥallāh Khān-i Shaybānī. Volume 2 : Jild-i duvum Zubat al-āthār, Maqālāt-i Shaybānī, Fawākih al-siḥr /
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Fatḥallāh Khān Shaybānī (d. 1308/1891) was a major poet of the Qajar era who belonged to the so-called 'return' movement, which wanted to break free from the Sabk-i Hindī or 'Indian style' in poetry, that was popular in Iran since Safavid times. Shaybānī was born in a suburb of Kashan around 1241/1825. Having completed his education there and thanks to his father's connections, he became a companion of the future Nāṣir al-Dīn Shāh Qājār (r. 1264-1313/1848-96). However, due to courtly intrigues he was soon expelled, an expulsion which would last a full 35 years before relations were restored. In that period he served in various official capacities, lastly as the governor of Mashhad. Between assigments, he lived in the countryside near Natanz for around 25 years. Shaybānī's work, here published in full, is characterized by an aversion of undue embellishments, his choice of subjects, his criticism of politics and society, and his concrete suggestions for change. 2 vols; volume 2.
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1 online resource. :
9789004406391
9786002030887