Pragmatic Nonviolence: Working toward a Better World /
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Written in dialogue format, Andrew Fitz-Gibbon's Pragmatic Nonviolence argues that nonviolence is the best hope for a better world. Human violence in all its forms-physical, psychological and systemic-cultural-is perhaps the greatest obstacle to well-being in personal and community life. Nonviolence as "a practice that, whenever possible, seeks the well-being of the Other, by refusing to use violence to solve problems, and by acting according to loving kindness" is the best antidote to human violence. By drawing on the philosophy of nonviolence, the American pragmatist tradition and recent empirical research, Pragmatic Nonviolence demonstrates that, rather than being merely theoretical, nonviolence is a truly practical approach toward personal and community well-being.
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1 online resource. :
Includes bibliographical references and index. :
9789004445994
9789004445987
Emotion in action : Thucydides and the tragic chorus /
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Emotion in Action: Thucydides and the Tragic Chorus offers a new approach to the tragic chorus by examining how certain choruses 'act' on their shared feelings. Eirene Visvardi redefines choral action, analyzes choruses that enact fear and pity, and juxtaposes them to the Athenian dêmos in Thucydides' History . Considered together, these texts undermine the sharp divide between emotion and reason and address a preoccupation that emerges as central in Athenian life: how to channel the motivational power of collective emotion into judicious action and render it conducive to cohesion and collective prosperity. Through their performance of emotion, tragic choruses raise the question of which collective voices deserve a hearing in the institutions of the polis and suggest diverse ways to envision passionate judgment and action.
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1 online resource (x, 287 pages) :
Includes bibliographical references (p. 249-268) and index. :
9789004285576 :
Available to subscribing member institutions only.
Performance in Greek and Roman theatre /
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In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.
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1 online resource (ix, 591 pages) :
Includes bibliographical references and index. :
9789004245457 :
Available to subscribing member institutions only.
The choruses of Sophokles' Antigone and Philoktetes : a dance of words /
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Dance of Words argues for a fundamental difference in the modes of expression of actor and chorus. The chorus views the action from the perspective of dancers and singers, while the actors' understanding is shaped by the responsibility they have to make things happen. While this responsibility fashions the actors' considerations of cause and effect, linear movement through time and space, and a sense of history, the chorus' sensibilities arise out of the rhythms of its song and movements. Its mode of expression is a particular way of communicating and elaborating on man's place in the larger order, and its view of the action is bounded by the way that song and dance mirror that order.
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1 online resource. :
Includes bibliographical references (p. [139]-142) and index. :
9789047432869 :
Available to subscribing member institutions only.