The art of the Middle East : including Persia, Mesopotamia and Palestine /
: Translation of : Mesopotamien und Vorderasien : die Kunst des Mittleren Ostens. : 259 pages, color plates : illustrations (some color), map ; 24 cm. : Includes bibliographical references (pages 247-250) and index. : Sara.lib
Treasures of the Holy Land : ancient art from the Israel Museum.
: Exhibition held at the Metropolitan Museum of Art, September 25, 1986 to January 4, 1987 ; Los Angeles County Museum of Art, April 9, 1987 to July 5, 1987, and Museum of Fine Arts, Houston, October 31, 1987 to January 17, 1988. : 280 pages : illustrations (some color) ; 29 cm. : Bibliography : page 280. : 0870994719 (pbk.)
Splendors of the ancient East : antiquities from The al-Sabah Collection = Rawāʼiʻ al-Sharq al-qadīm : tuḥaf atharīyah min Majmūʻat al-Ṣabāḥ /
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"Dar al-Athar al-Islamiyyah, The al-Sabah Collection." :
208 pages : illustrations (chiefly color), color map ; 28 cm. :
Includes bibliographical references. :
9780500970522
0500970521 (pbk.)
Bilderwelten : ägyptische Bilder und ägyptologische Kunst : Vorarbeiten für eine bildwissenschaftliche Ägyptologie /
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Egyptologists have been debating for decades about whether or not Egyptian images classify as art . Nevertheless, the term 'art' still serves as a guiding concept for Egyptology. Kai Widmaier offers an overview of how different art-historical interpretive methods influence Egyptological research. His study demonstrates that, due to its adherence to the term art , Egyptology has considerably dissociated Egyptian images from their original contexts. Bilderwelten combines the analysis of Egyptian images from the 6th to the 18th Dynasty with methodological reflection. This leads to both a new terminology of style as well as to an alternative approach to Egyptian images. By differentiating systematically between Egyptian images and Egyptological art , this book lays the foundation for an Egyptology that follows the path of Visual Studies instead of adhering to questionable art-historical methods.
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1 online resource. :
Includes bibliographical references and index. :
9789004347748 :
0169-9601 ; :
Available to subscribing member institutions only.
Conservation and Documentation of the Tomb Chapel of Menna (TT 69)
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The Tomb of Menna, Theban Tomb number 69, is located in the Theban necropolis of Sheikh Abd el-Qurna in Luxor, Upper Egypt. The rock-cut tomb is famous for the completeness and superb quality of the paintings that adorn its walls. Structurally, the tomb chapel takes the form of an inverted T, with a forecourt, broad hall, and inner hall leading to a statue shrine. The painted decoration is organized symbolically along a central axis that reflected the deceased’s transition from the land of the living in the east to the land of the dead in the west. As such, the walls in the broad hall are concerned primarily with the official duties and celebrations of Menna’s life, while the walls in the long hall depict scenes of his transition to and life in the hereafter. Menna was an elite official recognized and honored by King Amenhotep III with the Gold of Honor collar, a collar of golden disc-shaped beads, which he wears in most scenes. Menna’s official titles reveal that he was a Scribe, and Overseer of the Fields of the Lord of Two Lands and the Temple of Amun. These titles indicate that Menna administered both state and temple fields, which was an unusual occurrence in the 18th Dynasty. The Broad Hall Near Left wall, abbreviated as BHNL, is also known as the “Agricultural Wall,” and depicts some of Menna’s official responsibilities. Menna’s wife, Henuttawy, appears alongside him on most of the tomb’s walls and bore the titles of “Chantress of Amun” and “Mistress of the House.” Also notable is the intentional damage inflicted on Menna’s likeness in an act of damnatio memoriae, and later destruction to the name of Amun by the agents of Akhenaten. The project, directed by Dr. Melinda Hartwig, set an unprecedented standard for the conservation and non-invasive documentation of ancient Egyptian tombs. Dr. Hartwig led an interdisciplinary team of experts that undertook the conservation, archaeometric examination, and digital recording of the tomb. The project resulted in an invaluable collection of high-resolution, digital images that were stitched together to create an exact copy of the tomb walls, which were then traced as vector drawings to create line drawings of the decoration. The collection also includes reports, slides, and digital images shot with raking light and ultraviolet light.
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The conservation of the Tomb of Menna was made possible with funding by the United States Agency for International Development (USAID) Agreement No. 263-A-00-04-00018-00 and administered by the Egyptian Antiquities Conservation Project (EAC) Agreement No. EAC-11-2007 of the American Research Center in Egypt (ARCE). The Interuniversity Attraction Poles Program provided additional financial support.