Nefertiti's sun temple : a new cult complex at Tell el-Amarna /
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Nefertiti's Sun Temple publishes stone relief fragments excavated from the site of Kom el-Nana at Tell el-Amarna, Egypt, dating to approximately 1350 BCE. This is the first time relief fragments can be associated with a specific wall from a specific temple at Tell el-Amarna. Jacquelyn Williamson reconstructs the architecture, art, and inscriptions from the site to demonstrate Kom el-Nana is the location of Queen Nefertiti's 'Sunshade of Re' temple and another more enigmatic structure that served the funerary needs of the non-royal courtiers at the ancient city. The art and inscriptions provide new information about Queen Nefertiti and challenge assumptions about her role in Pharaoh Akhenaten's religious movement dedicated to the sun god Aten.
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1 online resource (2 volumes (436 pages)) : illustrations (some color), maps. :
Includes bibliographical references and index. :
9789004325555 :
2352-7501 ; :
Available to subscribing member institutions only.
Nefertiti's sun temple : a new cult complex at Tell El-Amarna /
:
2 volumes (436 pages) : illustrations (some color), maps ; 25 cm. :
Includes bibliography and index. :
9789004325524 (hardback, set : alk. paper)
9789004325531 (hardback, volume 1 : alk. paper)
9789004325548 (hardback, volume 2 : alk. paper)
Nefertiti, queen and pharaoh of Egypt : her life and afterlife /
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During the last half of the fourteenth century BC, Egypt was perhaps at the height of its prosperity. It was against this background that the "Amarna Revolution" occurred. Throughout, its instigator, King Akhenaten, had at his side his Great Wife, Nefertiti. When a painted bust of the queen found at Amarna in 1912 was first revealed to the public in the 1920s, it soon became one of the great artistic icons of the world. Nefertiti's name and face are perhaps the best known of any royal woman of ancient Egypt and one of the best recognized figures of antiquity, but her image has come in many ways to overshadow the woman herself. 0Nefertiti's current world dominion as a cultural and artistic icon presents an interesting contrast with the way in which she was actively written out of history soon after her own death. This book explores what we can reconstruct of the life of the queen, tracing the way in which she and her image emerged in the wake of the first tentative decipherment of Egyptian hieroglyphs during the 1820s-1840s, and then took on the world over the next century and beyond. 0All indications are that her final fate was a tragic one, but although every effort was made to wipe out Nefertiti's memory after her death, modern archaeology has rescued the queen-pharaoh from obscurity and set her on the road to today's international status.
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xii, 172 pages : illustrations (some color), maps ; 25 cm. :
Includes bibliographical references and index. :
9789774169908
Alone before the God: Gender, Status, and Nefertiti’s Image /
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Two architectural elements from Akhenaten’s early buildings at Karnak temple, a gateway and a set of pillars, are decorated with scenes of Nefertiti worshipping the Aten alone with only her daughters in attendance. Assumed to be examples of Nefertiti acting independently in the Aten cult, these monuments are sometimes hailed as precursors to the Sunshade of Re/sun temple structures so popular at Tell el-Amarna, most of which are associated with Akhenaten’s female family members. In this article these monuments are studied in the context of scenes reconstructed from Kom el-Nana, a Sunshade of Re at Tell el-Amarna, and other examples of women shown as the sole ritualist before a deity. It is proposed that images of Nefertiti acting alone are an indication of her lower status in the early part of Akhenaten’s reign, and that her status was elevated after the erection of the gateway and pillars. Nefertiti did not yet have enough status to act along side Akhenaten before year 6, and the gateway and pillars from Karnak cannot be considered precursors of Sunshade of Re temples, or as evidence for her independence in the Aten cult. In conclusion it is suggested that conversations about ancient women in religious hierarchies should be shifted from discussions about agency and power to discussions about importance, as a means to avoid the anachronistic application of western feminist thought to ancient evidence.
Pharaohs of the sun : Akhenaten, Nefertiti, Tutankhamen /
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Catalog of an exhibition organized by and held at the Museum of Fine Arts, Boston, Novolume14, 1999-Feb. 6, 2000 ; and also shown at the Los Angeles County Museum of Art, March 19-June 6 [i.e. 4], 2000; the Art Institute of Chicago, July 17-Sept. 24, 2000; and the Rijksmuseum van Oudheden, Leiden, Novolume23, 2000-Feb. 18, 2001. :
316 pages : illustrations (some color), maps ; 29 cm. :
Includes bibliographical references (pages 291-304) and index. :
0821226207 (cloth)
0878464700 (paper)