Bih guzīn-i ʿAlī-nāma : Kuhantarīn manẓūma-yi Shīʿi-yi Fārsī /
:
Until the discovery of the Persian ʿAlī-nāma , Ibn Ḥusām's Khawarān-nāma (830/1427) was believed to be the oldest Persian epic poem involving the often wondrous exploits of ʿAlī b. Abī Ṭālib and the beginnings of Shīʿism. The Khawarān-nāma takes its inspiration from Firdawsī's Shāh-nāma , but then adapted to fit the Shīʿī theme, with ʿAlī and his companions often taking the place of Rustam and other heroes. The ʿAlī-nāma , extant in one manuscript in Konya, is a much older poem on the same subject. Composed by someone using the alias of Rabīʿ, it was completed in 482/1089 in Khurāsān, just seventy years after the completion of Firdawsī's Shāh-nāma . The text is important because long before others, it acknowledges the heroes of the Shāh-nāma , some of whom were actually written into the script. Different from the edition by Omidsalar (2010), this edition only reproduces verses deemed worthy of Rabīʿ, rejecting two-thirds as the work of some unknown 'poetaster'.
:
1 online resource. :
9789004405943
9786002030337
Taḥqīq dar majālis-i tafsīri-yi Faḍl b. Muḥibb-i Nīshābūrī wa abyāt-i Fārsi-yi ān : Ganjīnaʾī az surūdhā-yi Zāhidāna-yi Fārsī az sada-yi panjum-i hijrī /
:
In Persian literature, so-called ' majālis ' (sg. majlis , 'session') works typically evoke the atmosphere of a religious gathering. In some of these gatherings, a lecturer recounted parts of the history of Islam and the lives and times of its prominent representatives. In others, his focus was on the interpretation of the Qurʾān or some other subject. Sometimes, a speaker answered questions and at others, he sermonized. An early work in this genre is a majālis text on Qurʾān interpretation by Faḍl b. Muḥibb Nīshāpūrī (d. 472/1079). Issuing from a well-educated family of Nishapur, Faḍl was known for his learning and his virtue, earning him the nicknames of ustādh ('master') and wāʿiẓ ('preacher'). The lines of poetry published here were culled from a majālis text by him, the title of which remains unknown. Testimony to his use of rhetorical means to enhance the impact of his talk, these lines of poetry are also among the earliest in their genre in Khurāsān.
:
1 online resource. :
9789004406643
9786002031044
Dīwān-i Munjīk Tirmidhī : Ashʿār-i parākanda /
:
Abu ʼl-Ḥasan Munjīk Tirmidhī was a Persian poet of the second half of 4th/10th century. Not much is known about his personal life, just that he sang the praise of some of the members of the ruling Muḥtājid dynasty of Chaghāniyān in Transoxania, a region just north of his hometown of Tirmidh. He was a contemporary of other poets at the Muḥtājid court, such as Daqīqī (d. ca. 365/976) and Farrukhī (d. before 432/1041). Tirmidhī is especially known for his panegyrics and his satire. In Nāṣir Khusraw's (d. 481/1088) Safar-nāma it is stated that Tirmidhī's divan was extant. Today his divan is lost. What verses we have were gleaned from biographical dictionaries, poetical anthologies and works on eloquence. The present edition contains a listing of everything found in such sources, supplemented by additional information taken from modern authors. The collection contains 410 verses, 50 of which were hirtherto unknown.
:
[Collection of poems by Monjeek Termazi, who was a court poet for the Choghani kings.]
In Persian.
Romanized title from cover, page 4. :
1 online resource. :
9789004406100
9786002030405
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 5, ʿAyn-Fāʾ /
:
In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405547
9789648700848
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 3, Dal-Sīn /
:
In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405233
9789648700831
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 4, Shīn-Ẓāʾ /
:
In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405530
9789648700824
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 6, Qāf-Mīm /
:
In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405554
9789648700855
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 2, Bāʾ-Khāʾ /
:
In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405226
9789648700817
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 8, Indices /
:
In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405578
9789648700879
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 7, Nūn-Yāʾ /
:
In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405561
9789648700862
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 1, Āʾ-Alif /
:
In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfi-yi Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405219
9789648700800
Khulāṣat al-ashʿār wa-zubdat al-afkār. Volume 6.2 : Bakhsh-i Iṣfahān /
:
In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The work by Mīr Taqī al-Dīn Kāshānī (alive in 1016/1607) published here is an important example of this. It consists of an introduction, four divisions, and an epilogue ( khātima ), six volumes in all. From among these volumes, the epilogue listing some 394 poets from specific cities and regions in the Persianate world, many of whom were contemporaries of the author, is of special interest. Having met with many of them on his literary travels, their biographies contain a lot of information on the social and cultural climate of the time, besides new poets and poems. This volume: 6.2, Isfahan.
:
1 online resource. :
9789004404694
9789648700312
Khulāṣat al-ashʿār wa-zubdat al-afkār. Volume 6.1 : Bakhsh-i Kāshān /
:
In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The work by Mīr Taqī al-Dīn Kāshānī (alive in 1016/1607) published here is an important example of this. It consists of an introduction, four divisions, and an epilogue ( khātima ), six volumes in all. From among these volumes, the epilogue listing some 394 poets from specific cities and regions in the Persianate world, many of whom were contemporaries of the author, is of special interest. Having met with many of them on his literary travels, their biographies contain a lot of information on the social and cultural climate of the time, besides new poets and poems. This volume: 6.1, Kashan.
:
1 online resource. :
9789004404670
9789646781979
Khulāṣat al-ashʿār wa-zubdat al-afkār. Volume 6.9 : Bakhsh-i Shīrāz wa nawāḥi-yi ān /
:
In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The work by Mīr Taqī al-Dīn Kāshānī (alive in 1016/1607) published here is an important example of this. It consists of an introduction, four divisions, and an epilogue ( khātima ), six volumes in all. From among these volumes, the epilogue listing some 394 poets from specific cities and regions in the Persianate world, many of whom were contemporaries of the author, is of special interest. Having met with many of them on his literary travels, their biographies contain a lot of information on the social and cultural climate of the time, besides new poets and poems. This volume: 6.9, Shiraz.
:
1 online resource. :
9789004404922
9786002030719
The medieval reception of the Shahnama as a mirror for princes /
:
Nasrin Askari explores the medieval reception of Firdausī's Shāhnāma , or Book of Kings (completed in 1010 CE) as a mirror for princes. Through her examination of a wide range of medieval sources, Askari demonstrates that Firdausī's oeuvre was primarily understood as a book of wisdom and advice for kings and courtly elites. In order to illustrate the ways in which the Shāhnāma functions as a mirror for princes, Askari analyses the account about Ardashīr, the founder of the Sasanian dynasty, as an ideal king in the Shāhnāma . Within this context, she explains why the idea of the union of kingship and religion, a major topic in almost all medieval Persian mirrors for princes, has often been attributed to Ardashīr.
:
1 online resource (398 pages) :
Includes bibliographical references and index. :
9789004307919 :
Available to subscribing member institutions only.