Tarjuma-yi manẓūm-i waṣiyyat-i Imām ʿAlī (ʿalayhi al-salām) bih Imām Ḥusayn (ʿalayhi al-salām) : Kuhantarīn tarjuma-yi manẓūm-i Fārsī az kalām-i ʿAlawī /
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In Shīʿī literature, there exist several texts containing the last will ( waṣiyya ) of ʿAlī b. Abī Ṭālib, son-in-law of the Prophet and, in Shīʿism, his rightful successor. These last wishes were addressed to his sons Ḥasan and Ḥusayn and to the Muslim community at large. Transmitted through various sources, they are important insofar as each of them, in its own way, justifies the Shīʿī view on ʿAlī's succession after he was murdered in Kufa in the year 40/661. This volume contains two Persian versions-one in verse, the other in prose-of ʿAlī's last will and injunctions addressed to Ḥusayn, the third imam. The original Arabic prose text has come down to us through various ancient sources, the oldest one dating from the fourth/tenth century. The Persian translation in verse was made by the poet Sayyid Ḥasan Ghaznawī (d. 556/1161), the prose version possibly around 910/1504 by a scribe named Muʿīn al-Dīn Munshī Shīrāzi.
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1 online resource. :
9789004405653
9786002030023
Burzū-nāma : Bakhsh-i kuhan /
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Firdawsī's (d. 411/1020) Shāh-nāma , this famous epic poem in celebration of the history of the kings and dynasties of Persia, was not written in a void. Indeed, before him there had been other epic works in Persian, more or less similar to it, by authors otherwise unknown, and now lost: by Masʿūdī Marwazī (before 355/966), by Abu ʼl-Muʾayyad Balkhī (before 352/963), by Abū ʿAlī Balkhī (before 390/1000), and the Shāh-nāma-yi Abū Manṣūrī (346/947). It has been said that Firdawsī may have taken some of his inspiration from this latter work. After Firdawsī, others wrote similar works, in imitation of him: Asadī Ṭūsī's Garshāsp-nāma (completed in 458/1066) and Īrānshāh b. Abi ʼl-Khayr's Bahman-nāma (501/1107-08) are just two examples of this. The present work by Shams al-Dīn Kawsaj (8th/14th century) is another epic poem in Firdawsī's style. The add-on found in some manuscripts, by a later author of lesser talent, is not included here.
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Poetry. :
1 online resource. :
9789004405028
9789648700626
Dīwān-i Ishrāq /
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In early Islamic philosophy, poetry was regarded as a means to transmit the eternal truths of philosophy to the masses and to move them to virtuous conduct by the use of poetical syllogisms. We find this theory for the first time in the works of Abū Naṣr al-Fārābī (d. 339/950). In another application, poetry was used as a didactic tool in the philosophical curriculum, like Avicenna's (d. 428/1037) Urjūza fi ʼl-manṭiq or, much later, Mullā Hādī Sabzavārī's (d. 1289/1873) Manẓūma on logic and philosophy. Finally, there are the many poems which, while philosophical in spirit, were not written to be learned by heart by others but rather from personal motives. Here we can mention some of the Persian poetry ascribed to Avicenna or the philosophical poetry of Nāṣir Khusraw (d. 481/1088). The poems in this collection by Mīr Dāmād (d. 1040/1631), a prominent member of the Isfahan School in philosophy, belong to this latter category.
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Poems :
1 online resource. :
9789004404762
9789648700190
Dīwān-i ghazaliyāt-i Asīr-i Shahristānī /
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Persian poetry of the pre-modern era is divided into three successive styles, each belonging to a different period: Khurāsānī, ʿIrāqī and Hindī. The Hindī style's name comes from Safavid times, during which it developed; poets no longer enjoyed the shah's patronage, so that many of them went to India, where Persian poetry had flourished from Ghaznavid times (11th-12th cent.). The Hindī style is often regarded as being of a lesser kind than the Khurāsānī or ʿIrāqī ones, but has the merit of having ended the decline that Persian poetry was suffering from at the time and also, by its accessible language and subject matter, of having brought poetry within reach of the ordinary man. The poems of Asīr Shahristānī (11th/17th cent.), whose ghazal s are published here, are written in the Hindī style. Popular in India, even if he never went there, their appreciation in Iran has varied.
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1 online resource. :
9789004404137
9789646781733
Dīwān-i Fānī : Mawsūm bih Ganj Allāh /
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Born in Khūy (Azerbaidjan), Mīrzā Muḥammad Ḥasan Zunūzī Khūʾī (1172-1225/1758-1810) was a traditional Islamic scholar and man of letters who signed his poems as 'Fānī'. He received his basic education in Zunūz, Tabriz and Khūy, leaving for the holy cites of the Shīʿa in Iraq at the age of 23. There he attended the classes of, among others, Āqā Muḥammad Bāqir Bihbihānī (d. 1205/1790) and Mīrzā Muḥammad Mahdī Shahristānī (d. 1215-16/1800-01). He then returned to Khūy where he spent the rest of his life, save for a two-year 'sabbatical' in Mashhad. In Khūy Fānī was a protégé of the local ruler, Aḥmad Khān Dunbul (d. 1200/1785) and his son Ḥusayn Qulīkhān Dunbul (d. 1213/1799). He is the author of a number of works, among them the encyclopaedic Baḥr al-ʿulūm (Persian) and the spiritual Wasīlat al-najāh (Persian). The Persian poems published here are mostly mystical in tone, often inserting terms or concepts taken from astronomy.
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1 online resource. :
9789004405851
9786002030238
Dīwān-i Hātif-i Iṣfahānī /
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Persian poetry of the pre-modern era is divided into three successive styles, each belonging to a different period: Khurāsānī, ʿIrāqī and Hindī. The Hindī style is called such because in Safavid times, during which it developed, poets no longer enjoyed the shah's patronage so that many of them went to India, where Persian poetry had flourished since Ghaznavid times (11th-12th century CE). The Hindī style is often regarded as a lesser style, but has the merit of having put a halt to the decline that Persian poetry was suffering from at the time and also, by its accessible language and subject matter, of having brought poetry within reach of the ordinary man. The poetry of Hātif Iṣfahānī (d. 1198/1783) published here was written in the latter half of the 12th/18th century, at the beginning of the neo-classical period of return ( bāzgasht ) to the poetical styles of the pre-Safavid era.
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1 online resource. :
9789004407244
9786002031167
Rubāʿiyyāt-i Ḥakīm Khayyām /
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The rubāʿī or quatrain is a short Persian poem in a special metre with a rhyme suitable to its form. Its use is not bound to any specific field, there being philosophical, satirical, romantic, lyrical and other types of quatrain. In the past, it was believed that the rubāʿī was a special form of the hazaj metre of Arabic poetry. Meanwhile, it has been established that it is in fact Iranian, its origin being the pre-Islamic tarānah or song for feasting and wine. In the West the quatrain was rendered immortal through the work of ʿUmar al-Khayyām (d. ca. 517/1123). A native of Nishapur, he was a respected mathematician and astronomer, as well as a recognized expert in poetry. Many of the quatrains ascribed to him are, however, spurious. This volume contains a reprint of Yār Aḥmad Rashīdī's selection (dated 867/1460), first published in 1953, followed by two other works in Persian, also by Khayyām.
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Includes facsimile text originally published in Istanbul, 1953. :
1 online resource. :
9789004404885
9789648700374
Dīwān-i Ghālib-i Dihlawī : Mushtamil bar ghazaliyyāt u rubāʿiyyāt-i Fārsi /
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Mīrzā Asadallāh Khān, better known by his pen-name of Ghālib Dihlawī, is the last one of the great poets of the Mughal era. Born in Agra in 1212/1797, he traced his origins back to Tūrān, his paternal grandfather having emigrated from Transoxania to India during the reign of Shāh ʿĀlam (r. 1759-1806). While mostly known as one of the foremost Urdu poets, Ghālib's Persian work, poetry and prose, is of comparable quality. In his childhood days, his Persian had been greatly improved thanks to the teachings of a Persian immigrant by the name of ʿAbd al-Ṣamad. But even if Ghālib acknowledged ʿAbd al-Ṣamad's qualities as a teacher and a human being, as a writer of Persian poetry, he regarded his talents as God-given. Ghālib's life was full of drama: an unhappy marriage, the loss of all his children, alcoholism, depression, and years of financial hardship. Plagued by ill health, he died in Delhi, aged 71.
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1 online resource. :
9789004401877
9789648700299
Dīwān-i Jāmī. Volume 2 : Wāsiṭat al-ʿaqd, khātimat al-ḥayāh /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. His Dīwān , published here in two volumes, underwent various changes before he finalized it in 896/1491. This best edition so far is based on some of the oldest surviving manuscripts. 2 vols; volume 2.
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1 online resource. :
9789004402409
9789646781146
Dīwān-i Jāmī. Volume 1 : Fātiḥat al-shabāb /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. His Dīwān , published here in two volumes, underwent various changes before he finalized it in 896/1491. This best edition so far is based on some of the oldest surviving manuscripts. 2 vols; volume 1.
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1 online resource. :
9789004402386
9789646781139
Āthār-i Fatḥallāh Khān-i Shaybānī. Volume 1 : Jild-i avval Dīwān-i ashʿār, Fatḥ u ẓafar /
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Fatḥallāh Khān Shaybānī (d. 1308/1891) was a major poet of the Qajar era who belonged to the so-called 'return' movement, which wanted to break free from the Sabk-i Hindī or 'Indian style' in poetry, that was popular in Iran since Safavid times. Shaybānī was born in a suburb of Kashan around 1241/1825. Having completed his education there and thanks to his father's connections, he became a companion of the future Nāṣir al-Dīn Shāh Qājār (r. 1264-1313/1848-96). However, due to courtly intrigues he was soon expelled, an expulsion which would last a full 35 years before relations were restored. In that period he served in various official capacities, lastly as the governor of Mashhad. Between assigments, he lived in the countryside near Natanz for around 25 years. Shaybānī's work, here published in full, is characterized by an aversion of undue embellishments, his choice of subjects, his criticism of politics and society, and his concrete suggestions for change. 2 vols; volume 1.
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1 online resource. :
9789004406384
9786002030870
Āthār-i Fatḥallāh Khān-i Shaybānī. Volume 2 : Jild-i duvum Zubat al-āthār, Maqālāt-i Shaybānī, Fawākih al-siḥr /
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Fatḥallāh Khān Shaybānī (d. 1308/1891) was a major poet of the Qajar era who belonged to the so-called 'return' movement, which wanted to break free from the Sabk-i Hindī or 'Indian style' in poetry, that was popular in Iran since Safavid times. Shaybānī was born in a suburb of Kashan around 1241/1825. Having completed his education there and thanks to his father's connections, he became a companion of the future Nāṣir al-Dīn Shāh Qājār (r. 1264-1313/1848-96). However, due to courtly intrigues he was soon expelled, an expulsion which would last a full 35 years before relations were restored. In that period he served in various official capacities, lastly as the governor of Mashhad. Between assigments, he lived in the countryside near Natanz for around 25 years. Shaybānī's work, here published in full, is characterized by an aversion of undue embellishments, his choice of subjects, his criticism of politics and society, and his concrete suggestions for change. 2 vols; volume 2.
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1 online resource. :
9789004406391
9786002030887
Dīwān-i Imāmī Hirawī /
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Abdallāh Imāmī Hirawī was born Herat where he grew up and received his education. Besides being a poet he possessed a wide knowledge in the sciences of his time and was respected for his learning. Like so many intellectuals and literary figures of his day, Imāmī led an itinerant life, moving from court to court, from patron to patron. Leaving Herat before 627/1229-30, we find him praise the Qarākhitāy rulers of Kirman, religious dignitaries and members of the Atabak court of Yazd, and also Bahāʾ al-Dīn Muḥammad (d. 678/1279), the governor of Isfahan, ʿIrāq-i ʿAjam and Yazd. In between literary patrons, Imāmī was also a judge in his hometown of Herat, dying in Isfahan in 686/1287. Praised by the poet laureate of the Atabak rulers of Fārs, Majd al-Dīn Hamgar (d. 686/1287), as being even better than Saʿdī (d. 691/1292), Imāmī's work shows the influence of the Khurāsānī and ʿIrāqī traditions in Persian poetry.
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1 online resource. :
9789004406520
9786002030993
Khānaqāh : Mathnawi-yi ʿirfānī u akhlāqī bih payrawī az Būstān-i Saʿdī /
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In the history of the arts, emulation has always been important, regardless of time and place. Indeed, even the greatest artists always turn out to have their idols. Emulation is usually a way to acquire a certain skill or style that will then be put to use in the artist's own, original creations. Sometimes, emulation is such that the work of the original artist is still very present in the later work, mostly as a result of structural or stylistic similarities. In the field of Persian literature, a case in point is Jāmī's (d. 898/1492) Bahāristān , a work on morals that was written in imitation of Saʿdī's (d.691/1291-92) Gulistān . Similarly, the present work by Faqīr Shīrāzī (d. 1351/1932) is a successful reproduction of the style and format of Saʿdī's ethical mathnawī , the Bustān . Still, their content is quite different, Khānaqāh being an ode on mysticism and the Bustān a poem on ethics.
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Poems. :
1 online resource. :
9789004402171
9789646781382
Dīwān-i Mukhliṣ-i Kāshānī /
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Persian poetry of the pre-modern era is divided into three successive styles, each belonging to a different period: Khurāsānī, ʿIrāqī and Hindī. The Hindī style is called such because in Safavid times, during which it developed, poets no longer enjoyed the shah's patronage so that many of them went to India, where Persian poetry had flourished since Ghaznavid times (11th-12th cent.). The Hindī style is often regarded as being of a lesser kind than the Khurāsānī or ʿIrāqī ones, but has the merit of having put a halt to the decline that Persian poetry was suffering from at the time and also, by its accessible language and subject matter, of having brought poetry within reach of the ordinary man. The Hindī style of those who never went to India is commonly described as 'Iṣfahānī'. Mukhliṣ Kāshānī's (d. 1150/1737) poetry is Hindī in the Iṣfahānī variant and is published here for the very first time.
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1 online resource. :
9789004402232
9789646781467
Miʿyār al-ashʿār wa-Mizān al-afkār fī sharḥ Miʿyār al-ashʿār /
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Naṣīr al-Dīn Ṭūsī (d. 672/1274) was an influential philosopher, theologian, mathematician and astronomer, besides being the first director of the famous observatory at Marāghah near Tabriz as well as a man of politics. Author of a large number of scholarly works, he is especially famous for such treatises as his Tajrīd al-iʿtiqād on theology, the Zīj-i Īlkhānī on astronomy, the Ḥall mushkilāt al-Ishārāt , his influential commentary on Avicenna's (428/1037) Kitāb al-ishārāt wal-tanbīhāt on philosophy and logic, and his Akhlāq-i Nāṣirī on ethics. The present work contains an edition of a compendium on Persian and Arabic metrics which Ṭūsī says he wrote at the request of some friends, probably at the time of his association with the Ismailis, before the Mongol invasion and the collapse of the Niẓārī state in 654/1256. It is followed by the edition of a detailed commentary on it by the Indian scholar Muḥammad Saʿdallāh Murādābādī (d. 1294/1877). Persian, interspersed with Arabic.
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1 online resource. :
9789004405714
9786002030115
Muntakhab-i risālāt-i Ṣafāʾ al-Ḥaqq /
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Ṣafāʾ al-Ḥaqq (1879-1962) is the artist's name of an Iranian Kurd whose family had moved from Kurdistan to Hamadan when he was still a child. His father was a respected businessman and a follower of the ideas of Shaykh Aḥmad Aḥsāʾī (d. 1241/1826). Though well-educated, having studied traditional and herbal medicine and animal husbandry, as an adolescent Ṣafāʾ al-Haqq spent a lot of time in his father's business in the bazaar. Due to his convictions, his father lost his livelyhood and Ṣafāʾ al-Ḥaqq started travelling. He spent several years in India, where he worked in a British hospital in Bombay. He then returned to Hamadan, where he settled as a physician. As a poet Ṣafāʾ al-Ḥaqq wrote in the Hindī style. He was an amateur musicologist as well as an accomplished calligrapher. This volume contains his autobiography, a treatise on animal husbandry, and two further treatises on various aspects of Shaykhism and music.
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1 online resource. :
9789004404892
9789648700466
Mathnawi-yi Haft awrang. Volume 1 : Silsilat al-dhahab, Salmān wa-Absāl, Tuḥfat al-aḥrār wa-suḥbat al-abrār /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. Highly imaginative in their treatment of the human condition, Jāmī's seven long mathnawī s contained in the present two-volume edition bear witness to his great artistic talents and wide intellectual horizon. 2 vols; volume 1.
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Poems.
Vol. 2 edited by: Aʻlākhān Afṣaḥʹzād and Ḥusayn Aḥmad Tarbiyat. :
1 online resource. :
9789004402423
9789646781030
Mathnawi-yi Haft awrang. Volume 2 : Yūsuf wa-Sulaykhā, Laylā wa-Majnūn, wa-Khiradnāma-yi Iskandar /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. Highly imaginative in their treatment of the human condition, Jāmī's seven long mathnawī s contained in the present two-volume edition bear witness to his great artistic talents and wide intellectual horizon. 2 vols; volume 2.
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Poems.
Vol. 2 edited by: Aʻlākhān Afṣaḥʹzād and Ḥusayn Aḥmad Tarbiyat. :
1 online resource. :
9789004402447
9789646781054