The archaistic style in Roman statuary /
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This book deals with the use of archaistic stylistic elements (i.e., those which revive or imitate features of Greek Archaic art) in free standing statuary dating from the second century B.C. to the third century A.C. The main objective of the study is to determine how the archaistic style was used, what prototypes were imitated, what subjects were represented, how the replicas of statue types were distributed, how these statues were displayed, and what prompted such stylistic anachronism. The introductory chapter deals with general problems of archaism in ancient art and the specific questions pertaining to statuary in the round. The body of material, nearly three hundred pieces in all, is organized by type on the basis of pose and garment arrangement. In a concluding chapter, evidence from the body of the study is collected and possible answers are suggested for the questions outlined above. This study contributes to the currently widespread scholarly interest in stylistic revivals (especially classicism and archaism) which occurred not only in Roman times, but in earlier and later periods as well.
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Revision of the author's thesis (Ph. D.)--Bryn Mawr College, 1982, entitled: Archaistic draped statuary in the round of the Classical, Hellenistic, and Roman periods. :
1 online resource (xiv, 215 pages) : illustrations. :
Includes bibliographical references (p. 207-210) and index. :
9789004329065 :
0169-8958 ; :
Available to subscribing member institutions only.
Hauran IV : Sahr Al-Ledja, recherches syro-européennes 1998-2008 = syrisch-europäische Forschungen 1998-2008 /
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"Un sanctuaire du désert basaltique à l'époque romaine"--Cover. :
volumes : illustrations ; 28 cm. :
Includes bibliographical references and index. :
9782351597293 (v. 1)
9782351591468 (v. 2)
From face to face : recarving of Roman portraits and the Late-Antique portrait arts /
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This book is based on an investigation of more than five hundred recarved portraits. It includes analyses of different recarving methods, some of which can be attributed to geographically localised workshops. The different recarving methods have made it possible to suggest classifiable categories, which together underpin a hypothesis that the late-antique portrait style is a consequence of the many recarved portraits at the time. The practice of portrait recarving emerged due to economic, political, religious and ideological factors, and was influenced by the cultural-historical changes of Late Antiquity. The conclusion gives a new understanding of how wide-ranging, culturally and politically encoded and comprehensive the practice of recarving was.
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1 online resource (xxii, 202 pages, 155 pages of plates) : illustrations. :
Includes bibliographical references (p. 159-176) and indexes. :
9789004324558 :
Available to subscribing member institutions only.
Recarving of Roman portraits in Late Antiquity : from face to face /
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This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.
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1 online resource. :
9789004192324 :
Available to subscribing member institutions only.
La mirada de Roma : retrats romans dels museus de Mérida, Toulouse, i Tarragona /
: Catalog of an exhibition organized by the Museo Nacional de Arte Romano, the Musée Saint-Raymond, and the Museu Nacional Arqueológico Provincial and held at various locations in France and Spain ca. 1995. : 287 pages : illustrations ; 22 x 24 cm. : Includes bibliographical references.
Hellenistic and Roman terracottas /
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Edited by G. Papantoniou, D. Michaelides and M. Dikomitou-Eliadou, Hellenistic and Roman Terracottas is a collection of 29 chapters with an introduction presenting diverse and innovative approaches (archaeological, stylistic, iconographic, functional, contextual, digital, and physicochemical) in the study of ancient terracottas across the Mediterranean and the Near East, from the Hellenistic period to Late Antiquity. The 34 authors advocate collectively the significance of a holistic approach to the study of coroplastic art, which considers terracottas not simply as works of art but, most importantly, as integral components of ancient material culture. The volume will prove to be an invaluable companion to all those interested in ancient terracottas and their associated iconography and technology, as well as in ancient artefacts and classical archaeology in general.
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1 online resource. :
Includes bibliographical references and index. :
9789004384835
The ceremonial sculptures of the Roman gods /
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The well-known formats of Roman sculpture are the ones best preserved, but inevitably limited to those designed to be permanent and immobile. A significant component of the Roman visual world missing from this record are those images which depict or stand in for the Roman gods during ceremonies. Statuary of this type is in some measure mobile, designed specifically to be carried about in processions, brought out for public viewing at throne ceremonies, or participate in divine banquets. In addition to defining the characteristics of these ceremonial sculptures, this study also addresses their performative qualities: where and how they appeared, who was responsible for handling them, with what conventions of decorum, and with what response from the audience.
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Title from PDF title page (viewed on Dec. 3, 2012). :
1 online resource (xxviii, 120 pages) :
Includes bibliographical references and index. :
9789004242265 :
Available to subscribing member institutions only.
Mutilation and Transformation : Damnatio Memoriae and Roman Imperial Portraiture /
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The condemnation of memory inexorably altered the visual landscape of imperial Rome. Representations of 'bad' emperors, such as Caligula, Nero, Domitian, Commodus, or Elagabalus were routinely reconfigured into likenesses of victorious successors or revered predecessors. Alternatively, portraits could be physically attacked and mutilated or even executed in effigy. From the late first century B.C. until the fourth century A.D., the recycling and destruction of images of emperors, empresses, and other members of the imperial family occurred on a vast scale and often marked periods of violent political transition. This volume catalogues and interprets the sculptural, glyptic, numismatic and epigraphic evidence for damnatio memoriae and ultimately reveals its praxis to be at the core of Roman cultural identity.
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1 online resource. :
Includes bibliographical references and index. :
9789047404705
9789004135772
Porträtreliefs stadtrömischer Grabbauten ein Beitrag zur Geschichte und zum Verständnis des spätrepublikanisch-frühkaiserzeitlichen Privatporträts
: Revision of the author's Habilitationsschrift, Darmstadt, 1989. : xi, 264 p., 138 p. of plates ill. 32 cm. : Includes bibliographical references. : 3805313055