The Berlin-Baghdad express : the Ottoman Empire and Germany's bid for world power /
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The modern Middle East was forged in the crucible of the First World War, but few know the full story of how war actually came to the region. As Sean McMeekin reveals in this startling reinterpretation of the war, it was neither the British nor the French but rather a small clique of Germans and Turks who thrust the Islamic world into the conflict for their own political, economic, and military ends. The Berlin-Baghdad Express tells the fascinating story of how Germany exploited Ottoman pan-Islamism in order to destroy the British Empire, then the largest Islamic power in the world. Meanwhile the Young Turks harnessed themselves to German military might to avenge Turkey's hereditary enemy, Russia. Told from the perspective of the key decision-makers on the Turco-German side, many of the most consequential events of World War I -- Turkey's entry into the war, Gallipoli, the Armenian massacres, the Arab revolt, and the Russian Revolution -- are illuminated as never before. Drawing on a wealth of new sources, McMeekin forces us to re-examine Western interference in the Middle East and its lamentable results. It is an epic tragicomedy of unintended consequences, as Turkish nationalists give Russia the war it desperately wants, jihad begets an Islamic insurrection in Mecca, German sabotage plots upend the Tsar delivering Turkey from Russia's yoke, and German Zionism midwifes the Balfour Declaration. All along, the story is interwoven with the drama surrounding German efforts to complete the Berlin to Baghdad railway, the weapon designed to win the war and assure German hegemony over the Middle East. - Publisher.
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"First published in the United Kingdom by Penguin Books Ltd. 2010"--T.p. verso.
Digital copy is on the Internet Archive website. :
xv, 460 p., [16] p. of plates : ill., maps ; 25 cm. :
Includes bibliographical references (p. 413-[426]) and index. :
9780674057395 (cloth : alk. paper)
The Diez albums /
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The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their "parent" albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book marks an important contribution to the understanding of the development of illustrative imagery in the Persianate world and its later perception. Contributors are: Serpil Bağcı, Barbara Brend, Massumeh Farhad, Julia Gonnella, Claus-Peter Haase, Oliver Hahn, Robert Hillenbrand, Yuka Kadoi, Charles Melville, Gülru Necipoğlu, Bernard O'Kane, Filiz Ҫakır Phillip, Yves Porter, Julian Raby, Christoph Rauch, Simon Rettig, David J. Roxburgh, Karin Rührdanz, Zeren Tanındı, Lâle Uluç, Ching-Ling Wang, and Friederike Weis.
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1 online resource. :
Includes bibliographical references and index. :
9789004323483 :
Available to subscribing member institutions only.
Die Rifa'iya aus Damaskus : Eine Privatbibliothek im Osmanischen Syrien und ihr kulturelles Umfeld /
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In Die Rifāʽīya spürt Boris Liebrenz der Buchkultur des Osmanischen Syrien (16. - 19. Jahrhundert) durch den Fokus der einzig überlebenden Privatbibliothek der Epoche nach. Er fragt nach der Produktion und Transmission von Wissen sowie dem sozialen Hintergrund der Leserschaft im Zeitalter der Handschrift. Studien der arabischen Bibliotheksgeschichte haben oft nur das Mittelalter in den Blick genommen und basierten fast ausschließlich auf literarischen Quellen. Dies ist die erste Monographie, die eine einzige Region während der Osmanischen Periode in den Fokus nimmt und deren auf uns gekommene Handschriften und Notizen ihrer Leser und Besitzer systematisch als dokumentarische Quelle benutzt. So erhellt sie die materiellen, rechtlichen und sozialen Voraussetzungen von Buchbesitz und Lesepraxis. In Die Rifāʽīya Boris Liebrenz explores the book culture of Ottoman Syria (16th to 19th century), using the only surviving Damascene private library of the time as a vantage point. He asks about the production and transmission of knowledge as well as the social background of the reading audience in a manuscript age. Scholarship on Arabic libraries has often focussed on the medieval period and relied nearly exclusively on literary accounts. This is the first book-length study that focuses on a single region in the Ottoman period and systematically uses the vast number of surviving manuscripts as a documentary source by means of the notes left by their readers and possessors. Thus, it sheds light on the material, juridical, and social basis of book-ownership and reading.
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1 online resource. :
Includes bibliographical references and indexes. :
9789004314894 :
Available to subscribing member institutions only.