The city in the Islamic world /
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The purpose of this book, is to draw attention to the sites of life, politics and culture where current and past generations of the Islamic world have made their mark. Unlike many previous volumes dealing with the city in the Islamic world, this one has been specially expanded not only to include snapshots of historical fabric but also to deal with the transformation of this fabric into modern and contemporary urban entities.
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1 online resource. :
Includes bibliographical references and indexes. :
9789047442653 :
Available to subscribing member institutions only.
Qānūn-i Shāhanshāhī /
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Idrīs Bidlīsī (d. 926/1520) was the son of a munshī (secretary) in the chancery of the court of the Aq Qoyunlu ruler Uzun Ḥasan (d. 882/1478) first in Diyarbakır and then Tabriz. Idrīs must have enjoyed the usual education for an adolescent of his social background. He was fluent in Persian and Arabic, knowing Kurdish as well. He started his career in Tabriz under Yaʿqūb Beg (d. 896/1490), and served him and his descendants for seventeen years in various high administrative offices. When Tabriz was conquered by the Safavids in 907/1501, he fled to the court of the Ottoman emperor Bāyazīd II (d. 918/1512) in Istanbul, serving him and Selīm I (d. 926/1520) in different positions and capacities. Bidlīsī authored more than twenty works but is best known for his Hasht Bihisht , a history of the Ottoman empire written for Bāyazīd II. The present work is a mirror for princes type of composition with a strong religious colouring.
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1 online resource. :
9789004405011
9789648700633
The performing arts in medieval Islam : shadow play and popular poetry in Ibn Daniyal's Mamluk Cairo /
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This is a study of the life and work of Ibn Dāniyāl (d. 1310), a Cairo-based eye doctor, poet, playwright, court jester, and arguably one of the most controversial cultural figures of his time. Drawing on medieval Arabic sources, many still in manuscript and some used for the first time, the author further contextualizes Ibn Dāniyāl's work with respect to poetry production and popular culture in the Islamic Near East in the post-Mongol period. The book also presents the first full English translation of "The Phantom," one of Ibn Dāniyāl's three shadow plays, the only surviving pre-Ottoman Arabic theatrical texts.
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1 online resource (xiii, 240 pages) :
Includes bibliographical references (p. [229]-233) and index. :
9789004218802 :
0929-2403 ; :
Available to subscribing member institutions only.