Barbaric splendour : the use of image before and after Rome /
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This text comprises a collection of essays comparing late Iron Age and Early Medieval art. Fundamentally, the work asks what making images meant on the fringe of the expanding or contracting Roman empire, particularly as the art from both periods drew heavily from - but radically transformed - imperial imagery.
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"Available in both print and Open Access"--Homepage.
Also issued in print: 2020. :
1 online resource (152 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789696608 (ebook) :
Barbaric splendour : the use of image before and after Rome /
:
This text comprises a collection of essays comparing late Iron Age and Early Medieval art. Fundamentally, the work asks what making images meant on the fringe of the expanding or contracting Roman empire, particularly as the art from both periods drew heavily from - but radically transformed - imperial imagery.
:
"Available in both print and Open Access"--Homepage.
Also issued in print: 2020. :
1 online resource (152 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789696608 (ebook) :
Motus mixti et compositi: The Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500-1700 /
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This book examines deployments of mixed emotion in the literary and pictorial arts of early modern Europe. It consists of two parts, the first focusing on portrayals of mixed emotion in theatre, poetry, and prose, the second on forms and functions of mixed emotion in spiritual exercises centering on pictorial images, and on the heuristic and/or restorative functions of portraying mixed emotion. Contributors are Stijn Bussels, Tom Conley, Wietse de Boer, Carolin A. Giere, Barbara A. Kaminska, Graham R. Lea, Walter S. Melion, Mitchell Merback, Ruth Sargent Noyes, Bram Van Oostveldt, Raphaèle Preisinger, Bart Ramakers, Lukas Reddemann, Ludovica Sasso, Aline Smeesters, Paul J. Smith, Anita Traninger, and Elliott D. Wise.
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1 online resource (728 pages) : illustrations. :
Includes bibliographical references and index. :
9789004694613
Gods and heroes of the European Bronze Age /
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"25th Council of Europe Art Exhibition"--Pages iv.
"Catalogue" : pages [207]-279.
OCLC 40609819
Published on the occasion of the exhibition "Gods and heroes of the Bronze Age. Europe at the time of Ulysses", etc., held from Dec. 19, 1998-April 5, 1999, at the National Museum of Denmark, Copenhagen; from May 13 to Aug. 22, 1999, at the Kunst- und Ausstellungshalle der Bundesrepublik Deutschlands, Bonn; from Sept. 28, 1999, to Jan. 9, 2000 at the Galeries nationales du Grand Palais, Paris; and from Feb. 11 to May 7, 2000 at the National Archaeological Museum, Athens. :
xi, 304 pages : illustrations (some color), maps ; 29 cm. :
Includes bibliographical references (p. 280-296). :
0500019150
Handbook of the theosophical current /
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Few religious currents have been as influential as the Theosophical. Yet few currents have been so under-researched, and the Brill Handbook of the Theosophical Current thus represents pioneering research. A first section surveys the main people and events involved in the Theosophical Society from its inception to today, and outlines the Theosophical worldview. A second, substantial section covers most significant religions to emerge in the wake of the Theosophical Society - Anthroposophy, the Point Loma community, the I AM religious activity, the Summit Lighthouse Movement, the New Age, theosophical UFO religions, and numerous others. Finally, the interaction of the Theosophical current with contemporary culture - including gender relations, art, popular fiction, historiography, and science - are discussed at length.
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1 online resource (xii, 494 pages) :
Includes bibliographical references and index. :
9789004235977 :
1874-6691 ; :
Available to subscribing member institutions only.
Japanese Art - Transcultural Perspectives /
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The transcultural approach to Japanese art history embraced by the contributors to this volume centers on the dynamic aesthetic, artistic, and conceptual negotiations across cultural, temporal, and spatial boundaries. It not only acknowledges material objects, people, and technologies as agents, but also intangible practices such as knowledge and concepts as vital agencies of interaction in transcultural processes. With its premise on connectivity, trans-territoriality, networks, and their transformative potential, this research destabilizes categorical configurations such as "center vs. periphery" and "high vs. low," calling into question the classical canon of Japanese art history. See Less
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1 online resource (420 pages) : illustrations. :
Includes bibliographical references and index. :
9789004704176
After one hundred years : the 1910 exhibition "Meisterwerke muhammedanischer Kunst" reconsidered /
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The exhibition \'Meisterwerke muhammedanischer Kunst\' that took place in Munich in 1910 marked a turning point in the approach to Islamic Art. The show attempted to break free of Orientalism and exotic fantasies and, in doing so, set a new standard for the reception of Islamic art in Europe. Moreover, naming the Islamic artefacts masterpieces, it layed claim to bestow upon Islamic art "a place equal to that of other cultural periods". This book is the first comprehensive study on this path-breaking exhibition. It includes a wealth of unpublished material and numerous novel ideas on the subject and addresses the exhibition's historical context, organization, realization and display as well as its reception in the West and its later influence on the study of Islamic art.
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Outgrowth of a scholarly conference held in Munich on the 24th and 25th of October 2008 in the International Meeting Centre (IBZ) of the Ludwig-Maximilians-University of Munich. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004191020 :
Available to subscribing member institutions only.