Showing 1 - 6 results of 6 for search '(((hornet OR thorne) OR horne) OR horned) god', query time: 0.15s Refine Results
Published 2011
Current research in Egyptology 2010 : proceedings of the eleventh annual symposium /

: x, 205 pages : illustration ; 25 cm. : 9781842174296
1842174290 : http://olc1.ohiolink.edu/search~S0?/tCurrent+Research+in+Egyptology+2010/tcurrent+research+in+egyptology+2010/1%2C1%2C2%2CB/marc&FF=tcurrent+research+in+egyptology+2010+proceedings+of+the+eleventh+annual+symp&1%2C%2C2
https://dbellis.library.astate.edu/vwebv/staffView?searchId=131&recPointer=0&recCount=10&searchType=2&bibId=2291989
Hadeer

Published 2011
The Spirit of the Old Testament /

: 1 online resource. : Includes bibliographical references and index. : 9789004397118

Published 2018
Essays in contextual theology /

: Essays in Contextual Theology is a collection of essays that reflect on the doing of contextual theology from several perspectives. After a general introductory essay, subsequent essays reflect on topics such as contextual theology and prophetic dialogue, criteria for orthodoxy, the nature of tradition, the role of culture, the dynamics of conversion, and the way theology is being done in World Christianity. The collection closes with an autobiographical essay tracing the author's journey to becoming a "global theologian."
: 1 online resource. : Includes bibliographical references. : 9789004363083 : 2452-2953 ; : Available to subscribing member institutions only.

Published 2015
Transcendence and sensoriness : perceptions, revelation, and the Arts /

: Protestant theology and culture are known for a reserved, at times skeptical, attitude to the use of art and aesthetic forms of expression in a religious context. In Transcendence and Sensoriness , this attitude is analysed and discussed both theoretically and through case studies considered in a broad theological and philosophical framework of religious aesthetics. Nordic scholars of theology, philosophy, art, music, and architecture, discuss questions of transcendence, the human senses, and the arts in order to challenge established perspectives within the aesthetics of religion and theology.
: Description based upon print version of record. : 1 online resource (583 pages) : color illustrations. : Includes bibliographical references and index. : 9789004291690 : Available to subscribing member institutions only.

Published 2017
Senses of scripture, treasures of tradition : the Bible in Arabic among Jews, Christians and Muslims /

: Senses of Scripture, Treasures of Tradition offers recent findings on the reception, translation and use of the Bible in Arabic among Jews, Samaritans, Christians and Muslims from the early Islamic era to the present day. In this volume, edited by Miriam L. Hjälm, scholars from different fields have joined forces to illuminate various aspects of the Bible in Arabic: it depicts the characteristics of this abundant and diverse textual heritage, describes how the biblical message was made relevant for communities in the Near East and makes hitherto unpublished Arabic texts available. It also shows how various communities interacted in their choice of shared terminology and topics, and how Arabic Bible translations moved from one religious community to another. Contributors include: Amir Ashur, Mats Eskhult, Nathan Gibson, Dennis Halft, Miriam L. Hjälm, Cornelia Horn, Naḥem Ilan, Rana H. Issa, Geoffrey K. Martin, Roy Michael McCoy III, Juan Pedro Monferrer-Sala, Meirav Nadler-Akirav, Sivan Nir, Meira Polliack, Arik Sadan, Ilana Sasson, David Sklare, Peter Tarras, Alexander Treiger, Frank Weigelt, Vevian Zaki, Marzena Zawanowska.
: 1 online resource. : Includes bibliographical references and index. : 9789004347403 : 2213-6401 ; : Available to subscribing member institutions only.

Akhenaten Talatat Project Conservation

: Talatat blocks, possibly derived from the Arabic word talata meaning “three,” measure roughly three handspans long. Characterized by their Amarna style and smaller size compared to conventional building blocks, they are the result of King Akhenaten’s (1352-1336 BC) goal to urgently erect religious buildings for his “new supreme god” Aten, first in Thebes (ancient Luxor) and later the new city of Akhetaten in Middle Egypt. The talatat blocks were first discovered in the late 19th century and increasingly excavated from then onwards. There are currently approximately 60,000 known blocks, believed to be only a fraction of what exists. The largest repository of talatat blocks resides in the Pennsylvania Magazine in the Karnak Temple complex in Luxor. The Magazine is directly adjacent to the west wall of the Khonsu Temple and stores approximately 16,000 blocks, the majority of which are sandstone (with a few limestone examples). Used to construct temples for the god Aten, the blocks were subsequently dismantled by Akhenaten’s successors, who reused them in other structures. Previously, from the late 1960s to the mid-1970s, the blocks were photographed and documented in situ by Akhenaten Temple Project staff, under the auspices of the Penn Museum (also referred to as the University Museum, Pennsylvania). From 2008 to 2012, the American Research Center in Egypt (ARCE) Akhenaten Talatat Project Conservation staff cleaned, conserved, photographed, and recorded approximately 16,000 talatat blocks in the Magazine. The blocks had sustained damage which included dangerously leaning stacks; collapsed stacks; dust and bird droppings due to gaps in the roof; hornets’ nests and damage caused by animal burrowing. Matjaž Kačičnik photographed the preliminary conditions of the 28 stacks in the Magazine before project staff proceeded with removing, cleaning, and conserving blocks; some of the shattered blocks were reassembled with steel pins. Documentation included the use of digital photography and database recording. After structural interventions that addressed damage incurred from animal activity and dust accumulation, the blocks were restored in the Pennsylvania Magazine.
: 921pic : Conservation of the Akhenaten Talatat blocks in the Pennsylvania Magazine was funded by the United States Agency for International Development (USAID) Agreement No. 263-A-00-04-00018-00 under the Egyptian Antiquities Project (EAP), and through the administration and facilitation of the American Research Center in Egypt (ARCE).