The look of lyric : Greek song and the visual studies in archaic and classical Greek song /
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The Look of Lyric: Greek Song and the Visual addresses the various modes of interaction between ancient Greek lyric poetry and the visual arts as well as more general notions of visuality. It covers diverse poetic genres in a range of contexts radiating outwards from the original performance(s) to encompass their broader cultural settings, the later reception of the poems, and finally also their understanding in modern scholarship. By focusing on the relationship between the visual and the verbal as well as the sensory and the mental, this volume raises a wide range of questions concerning human perception and cultural practices. As this collection of essays shows, Greek lyric poetry played a decisive role in the shaping of both.
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1 online resource. :
Includes bibliographical references and index. :
9789004314849 :
Available to subscribing member institutions only.
A companion to the Greek lyric poets /
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This handbook for the reading of early Greek poetry is intended to be both a manual for teachers and a guide for advanced undergraduate and graduate students. It covers poetry in the elegiac and iambic genres, as well as melic poetry which is provisionally divided into the personal and the public. The book takes a critical look at scholarly trends applied in interpreting this poetry, exploring, for example, the problems of defining the nature of the elegiac genre, the origins of iambic poetry, the personal voice used by the poets, and the validity of historical criticism. Appearing in the Classical Tradition series, it considers the impact of modern literary theory on the reading of these texts - for instance the new interpretations suggested by feminism - and guides readers to a full bibliography on scholarly debates from the 19th century to the present.
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First series statement from book jacket. :
1 online resource (viii, 287 pages) :
Includes bibliographical references and indexes. :
9789004217614 :
0169-8958 ; :
Available to subscribing member institutions only.
The reception of Greek lyric poetry in the ancient world : transmission, canonization and paratext /
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In The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext, a team of international scholars consider the afterlife of early Greek lyric poetry (iambic, elegiac, and melic) up to the 12th century CE, from a variety of intersecting perspectives: reperformance, textualization, the direct and indirect tradition, anthologies, poets' Lives, and the disquisitions of philosophers and scholars. Particular attention is given to the poets Tyrtaeus, Solon, Theognis, Sappho, Alcaeus, Stesichorus, Pindar, and Timotheus. Consideration is given to their reception in authors such as Aristophanes, Herodotus, Plato, Plutarch, Athenaeus, Aelius Aristides, Catullus, Horace, Virgil, Ovid, and Statius, as well as their discussion by Peripatetic scholars, the Hellenistic scholia to Pindar, Horace's commentator Porphyrio, and Eustathius on Pindar.
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Most of the chapters in this volume were originally presented at a conference organized by Oxford University and Reading University under the auspices of the Network of Archaic Greek Song at the University of Reading in 2013. :
1 online resource. :
Includes bibliographical references and index. :
9789004414525
I am large, I contain multitude s lyric cohesion and conflict in Second Isaiah /
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This book joins the notion that Second Isaiah is a poetic text with the task of interpreting it as a unified whole. In so doing, it makes methodological suggestions for applying a lyric poetic approach to biblical texts. The practical application of this approach shows Second Isaiah to be characterized by tension, conflict, and juxtaposition. The lyric model shows these conflicts, such as the presence of searing indictments in the 'book of comfort,' to be integral elements of the mode by which Second Isaiah addresses its audience. This book highlights the tonalities of the divine voice as central to Second Isaiah's particularly poetic mode of cohesion and essential to the conflicted comfort Second Isaiah offers its reader.
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Revised version of the author's thesis (Ph.D.)--Emory University, 2009. :
1 online resource. :
Includes bibliographical references (p. [301]-313) and indexes. :
9789004194441 :
Available to subscribing member institutions only.
Seneca's Phoenissae : introduction and commentary /
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This is the first commentary to be written in English on Seneca's Phoenissae , an intriguing work on account of its unusual structure and state of incompletion. The substantial introduction deals, inter alia , with the question of the unity and purpose of the work; the absence of an ending and of choral lyrics; the philosophical, rhetorical, and political content; Seneca's treatment of the Theban legend. The commentary is primarily a literary analysis of the text, but textual, linguistic, metrical, and grammatical difficulties are also elucidated. With the resurgence of interest in Senecan drama in the last two decadese, this book is a valuable addition to English commentaries that appeared on most of the plays.
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Originally presented as the author's thesis (doctoral--University of St. Andrews, 1989). :
1 online resource (xvii, 268 pages) :
Includes bibliographical references (p. xi-xvii) and indexes. :
9789004329430 :
0169-8958 ; :
Available to subscribing member institutions only.
Gender and communication in Euripides' plays : between song and silence /
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The prominent role of women in Greek drama has always fascinated readers. This book proposes that women in Euripides' plays communicate in ways constructed by the tragic genre itself as 'female.' Yet these women's words are surprisingly not uniformly dangerous or excessively emotional, as has traditionally been thought. Rather, Euripides' women resort to 'female' ways of talking in order to enable others to understand them and their unique point-of-view. Aspects of women's speech-song, silence and secret-keeping as female verbal genres, and the challenges of speaking out of place-contribute to Euripides' portrayal of women as different from men. Originating in a culture where putting women under scrutiny was part of daily life, Euripides' tragedies dramatise women's constant struggle to control language.
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1 online resource. :
Includes bibliographical references (p. [247]-254) and indexes. :
9789047442769 :
Available to subscribing member institutions only.
Space in ancient Greek literature : studies in ancient Greek narrative /
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This is the third volume in the series Studies in Ancient Greek narrative. It deals with the narratological category of space: how is space, including objects which function as 'props', presented in Greek narrative texts and what are its functions (thematic, symbolic, psychologising, or characterising)?How are longer descriptions organised and integrated into the story? Long deemed a mere ancilla narrationis, especially in narratives which precede the age of the realist novel, space turns out to play an important and multifaceted role in Greek literature.
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1 online resource (xiv, 610 pages) : mappages. :
Includes bibliographical references and index. :
9789004224384 :
Available to subscribing member institutions only.
Emotions and Narrative in Ancient Literature and Beyond : Studies in Honour of Irene de Jong /
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Emotions are at the core of much ancient literature, from Achilles' heartfelt anger in Homer's Iliad to the pangs of love of Virgil's Dido. This volume applies a narratological approach to emotions in a wide range of texts and genres. It seeks to analyze ways in which emotions such as anger, fear, pity, joy, love and sadness are portrayed. Furthermore, using recent insights from affective narratology, it studies ways in which ancient narratives evoke emotions in their readers. The volume is dedicated to Irene de Jong for her groundbreaking research into the narratology of ancient literature.
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Taking its cue from Irene de Jong's groundbreaking narratological analyses of classical texts, this volume studies emotions in a wide range of ancient genres, focusing on emotions as they are described within narratives and on ways in which narratives trigger the emotions of their readers. :
1 online resource. :
Includes bibliographical references and index. :
9789004506053
9789004506046
Oral performance and its context /
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This volume is concerned with aspects of orality and literacy in the ancient world. It arises from the tremendous contemporary interest among scholars in questions of how literacy and orality co-exist and interact in the ancient world. The contents of the book are refereed papers originally presented at the fifth biennial 'Orality and Literacy in ancient Greece' held at The University of Melbourne in 2002. Papers are offered by scholars from Britain, the USA, Canada and Australia which deal with a range of periods and genres in antiquity, from Homer through to Roman literature. The book will be of great interest to students and scholars of the ancient world.
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Papers presented at the University of Melbourne conference in July 2002. :
1 online resource (viii, 208 pages) :
Includes bibliographical references. :
9789047412601 :
0169-8958 ; :
Available to subscribing member institutions only.
Authorship and Greek song : authority, authenticity, and performance /
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Authorship and Greek Song is a collection of papers dealing with various aspects of authorship in the song culture of Ancient Greece. In this cultural context the idea of the poet as author of his poems is complicated by the fact that poetry in archaic Greece circulated as songs performed for a variety of audiences, both local and "global" (Panhellenic). The volume's chapters discuss questions about the importance of the singers/performers; the nature of the performance occasion; the status of the poet; the authority of the poet/author and/or that of the performer; and the issues of authenticity arising when poems are composed under a given poet's name. The volume offers discussions of major authors such as Pindar, Sappho, and Theognis.
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Selected papers presented at a conference entitled "Authorship, Authority, and Authenticity in Archaic and Classical Greek Song," which was held June 6-9, 2011 at Yale University, organized by the Network for the Study of Archaic and Classical Greek Song. :
1 online resource. :
Includes bibliographical references and index. :
9789004339705 :
0169-8958 ; :
Available to subscribing member institutions only.
A vocabulary of desire : the Song of Songs in the early synagogue /
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In A Vocabulary of Desire , Laura Lieber offers a nuanced, multifaceted and highly original study of how the Song of Songs was understood and deployed by Jewish liturgical poets in Late Antiquity (ca. 4th-7th centuries CE). Through her examination of poems which embellish and even rewrite the Song of Songs, Lieber brings the creative spirit-liturgical, intellectual, and exegetical-of these poems vividly to the fore. All who are interested in the early interpretation of the Song of Songs, the ancient synagogue, early Jewish and Christian hymnography, and Judaism in Late Antiquity will find this volume both enriching and accessible. The volume consists of two interrelated halves. In the first section, four introductory essays establish the broad cultural context in which these poems emerged; in the second, each chapter consists of an analytical essay structured around a single, complete poetic cycle, presented in new Hebrew editions with annotated original English translations. \'The Hebrew text edition is accompanied by a lucid and poetic English translation with annotations and a commentary. In this excellent, scholarly text edition, the commentary is focused and to the point...This reviewer highly recommends this monograph to scholars interested in the early synagogue and its liturgy, late antique and medieval Hebrew poetry, rabbinic Judaism, and early Christianity. The book invites further comparative work in these areas.\' Rivka B. Ulmer, H-Judaic, H-Net Reviews. May, 2015.
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"This volume examines six piyyutim ... 1. An anonymous qedushta shel sheva for Passover (ca. fifth century) ; 2. A shivata for Passover by Yannai (sixth century) ; 3. A qerova for Passover by Yannai ; 4. A shivata for the Prayer for Dew by Eleazar birabbi Qallir (late sixth-early seventh century) ; 5. A qedushta for the first Sabbath following a wedding by Eleazar birabbi Qallir ; 6. A yotzer for Passover by Eleazar birabbi Qallir"--ECIP introduction. :
1 online resource (pages) :
Includes bibliographical references and index. :
9789004278592 :
1571-5000 ; :
Available to subscribing member institutions only.
Aelius Aristides between Greece, Rome, and the gods /
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Wealthy, conceited, hypochondriac (or perhaps just an invalid), obsessively religious, the orator Aelius Aristides (117 to about 180) is not the most attractive figure of his age, but because he is one of the best-known -- and he is intimately known, thanks to his Sacred Tales -- his works are a vital source for the cultural and religious and political history of Greece under the Roman Empire. The papers gathered here, the fruit of a conference held at Columbia in 2007, form the most intense study of Aristides and his context to have been published since the classic work of Charles Behr forty years ago.
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"Papers given at a conference organized ... by the Center for the Ancient Mediterranean at Columbia University on April 13th and 14th, 2007"--Pref. :
1 online resource. :
Includes bibliographical references (p. [295]-317) and index. :
9789047425366 :
Available to subscribing member institutions only.