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The sequential imperative : general cognitive principles and the structure of behaviour /
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In The Sequential Imperative William Edmondson explains how deep study of linguistics - from phonetics to pragmatics - can be the basis for understanding the organization of behaviour in any organism with a brain. The work demonstrates that Cognitive Science needs to be anchored in a linguistic setting. Only then can Cognitive Scientists reach out to reconsider the nature of consciousness and to appreciate the functionality of all brains. The core functionality of the brain - any brain, any species, any time - is delivery and management of the unavoidable bi-directional transformation between brain states and activity - the Sequential Imperative. Making it all work requires some general cognitive principles and close attention to detail. The book sets out the case in broad terms but also incorporates significant detail where necessary.
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1 online resource. :
Includes bibliographical references and index. :
9789004342996 :
0929-8436 ; :
Available to subscribing member institutions only.
The Origins of the Canon of the Hebrew Bible, An Analysis of Josephus and 4 Ezra.
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In The Origins of the Canon of the Hebrew Bible: An Analysis of Josephus and 4 Ezra , Juan Carlos Ossandón Widow examines the thorny question of when, how, and why the collection of twenty-four books that today is known as the Hebrew Bible was formed. He carefully studies the two earliest testimonies in this regard-Josephus' Against Apion and 4 Ezra-and proposes that, along with the tendency to idealize the past, which leads to consider that divine revelation to Israel has ceased, an important reason to specify a collection of Scriptures at the end of the first century CE consisted in the need to defend the received tradition to counter those that accepted more books.
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1 online resource. :
9789004381612
Excursions into Syntactic Databases /
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This book is about syntactic databases (a.k.a. treebanks), collections of text material in which the syntactic relations have been made visible. It starts off with a general intro-duction to the subject and then continues with three in-depth investigations of more specialized aspects. In the introduction, syntactic databases are first placed in the larger context of linguistic databases , text collections with a broader linguistic annotation than just a syntactic one. Then some examples of syntactic databases are given, illustrating the range of annotation actually encountered. The introduction is completed with an investigation of database management systems for syntactic databases. The first in-depth investigation concerns the treatment of ambiguous structures in syntactic analysis trees, focussing on a very efficient representation for such structures and the means to create this representation. Next, classroom use of syntactic databases is examined. A computer program for this purpose, CLUES, is discussed, along with a suggested series of syntax exercises. The final subject is the importance of including function and attribute information in the annotation of texts. The central line of investigation here is a probabilistic parsing experiment in which the use of function and attribute information is the main variable.
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1 online resource (192 pages) : illustrations. :
Includes bibliographical references and index. :
9789004657328
Word and Music Studies: Defining the Field : Proceedings of the First International Conference on Word and Music Studies at Graz, 1997 /
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The nineteen interdisciplinary essays assembled in WORD AND MUSIC STUDIES I were first presented in 1997 at the founding conference of the International Association for Word and Music Studies (WMA) in Graz, Austria. Diverse in subject matter, theoretical orientation, critical approach, and interpretive strategy, they share a keen scholarly interest in contemporary word-music reflection. Registering the impact of cultural studies on word-music relations, as manifested in the 'new musicology' and other 'historicist' approaches, the volume aims to assess the entire field of word and music studies, to define its subject, objectives, and methodology and to describe the field's state of the art. Within the broader context of generic, structural, performative, and ideological considerations concerning the manifold interrelations between literature and music, contributors explore wide-ranging topics, such as the vexing question of terminology (e.g. 'word and music', 'melopoetics', 'interart', 'intermedial', 'transmedial'); inquiry into the meaning, narrative potential, and verbalization of music; analysis of texted music (the Lied and opera) and instrumental music; and discussion of individual issues (e.g. 'ekphrasis', 'musicalization of fiction', 'word music', and 'verbal music') and interart loanwords (e.g. 'narrativity', 'counterpoint', and 'leitmotif'). See Less
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1 online resource (352 pages) : illustrations. :
Includes bibliographical references and index. :
9789004649217
