موضوعات ذات صلة
Bridging the Gulf : Maritime Cultural Heritage of the Western Indian Ocean /
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The volume presents papers by archaeologists, anthropologists, historians and heritage specialists and highlights the multi-layered meaning of maritime cultural landscapes. The authors shift the emphasis from understanding heritage in its local context to discussing it across the waters of the Arabian Sea. The relationship between the sea and the land underlines the centrality of the coast; the communities who inhabited the space between the ocean and the hinterland; their histories and attempts at constructing their cultural environment. An important component of this cultural landscape is monumental architecture and archaeological sites, as also their inter-linkage with travelling groups who moved both across the sea, as well as on routes into the interior. A common concern that all papers share is with definitions of maritime heritage; different articulations of social and political power; and regional and local nautical traditions. One of the objectives of this volume is to underscore the important role of World Heritage, especially sites and monuments located along the coasts that have already been identified as national treasures by individual Nation States. The objective is to bring these coastal monuments and structures into dialogue with those located across the Ocean for a holistic understanding of maritime cultural heritage of the western Indian Ocean. It is suggested that this dialogue across the seas, would help in the protection and preservation of a maritime heritage known for its 'outstanding universal value'.
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1 online resource (228 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753235
Sacred Landscapes in Asia : Shared Traditions, Multiple Histories /
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Throughout history the peoples of Asia have been known for their mobility and interactions. The notion of territorially defined nations is historically recent. There was a continuing dialogue between Asian cultures which functioned at both the spatial and the temporal level, propelled by the movement of the great religions of Asia across continents via trading communities, clergies, Buddhist and Sufi scholars and communities of artisans. The present volume explores the aesthetic theories underlying many genres of the Asian arts. These characterize the dialogue between and amongst different Asian regions. The same Asian notions of space and time are manifested in architectural form as also in a wide variety of visual arts. The contributors in this volume identify the multi-layered discourse comprising the nature of monuments, as also the movement of motifs and symbols through sculptured and picturised representation. Some essays focus on fundamental notions such as Śūnyata as common to the Indian, Korean and other Asian countries. Also, the papers bear testimony to the phenomena of dialogue and distinctiveness, continuity and change. This is evident in architectural structures, sculptural forms, particularly in iconography, and of course in the performing arts. The IIC-Asia Project in its second phase has, with purpose, traced the trajectory of transmission systems in Asian civilization in different domains and at different levels, be it the vertical transmission from generation to generation in education, or the artistic transmission and diffusion through the arts. It is hoped that this volume will add to the meager literature that exists on the subject and will stimulate further research and study.
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1 online resource (408 pages) : illustrations. :
Includes bibliographical references and index. :
9789004753228