ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 6, Qāf-Mīm /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405554
9789648700855
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 2, Bāʾ-Khāʾ /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
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1 online resource. :
9789004405226
9789648700817
Metaphor and imagery in Persian poetry /
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This volume is a collection of essays on classical Persian literature, focusing on Persian rhetorical devices, especially imagery and metaphors. The various contributions discuss the origin and the development of debate poetry, the transmission of Persian and Arabic tales to the works of Europeans medieval authors such as Boccaccio and Chaucer, but also the development of Aristotelian poetics and epistemology in Persian philosophical tradition. Furthermore, the baroque style of the Shiʿite author Ḥusayn Vāʾiẓ Kāshifī, the use of wine metaphors by mystics such as Jalāl al-Dīn Rūmī, Ḥāfiẓ's original use of candle metaphors, the translation of Khayyām's metaphors into English, and the importance of a single metaphor in the epic Barzū-nāma are discussed. Contributors include: F. Abdullaeva, G.R. van den Berg, J. Landau, F.D. Lewis, N. Pourjavady, Ch. van Ruymbeke, A. Sedighi and S. Sharma
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1 online resource (viii, 281 pages) : illustrations. :
Includes bibliographical references and index. :
9789004217645 :
1569-7401 ; :
Available to subscribing member institutions only.
Dīwān-i Mukhliṣ-i Kāshānī /
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Persian poetry of the pre-modern era is divided into three successive styles, each belonging to a different period: Khurāsānī, ʿIrāqī and Hindī. The Hindī style is called such because in Safavid times, during which it developed, poets no longer enjoyed the shah's patronage so that many of them went to India, where Persian poetry had flourished since Ghaznavid times (11th-12th cent.). The Hindī style is often regarded as being of a lesser kind than the Khurāsānī or ʿIrāqī ones, but has the merit of having put a halt to the decline that Persian poetry was suffering from at the time and also, by its accessible language and subject matter, of having brought poetry within reach of the ordinary man. The Hindī style of those who never went to India is commonly described as 'Iṣfahānī'. Mukhliṣ Kāshānī's (d. 1150/1737) poetry is Hindī in the Iṣfahānī variant and is published here for the very first time.
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1 online resource. :
9789004402232
9789646781467
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 8, Indices /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405578
9789648700879
Dīwān-i Jāmī. Volume 2 : Wāsiṭat al-ʿaqd, khātimat al-ḥayāh /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. His Dīwān , published here in two volumes, underwent various changes before he finalized it in 896/1491. This best edition so far is based on some of the oldest surviving manuscripts. 2 vols; volume 2.
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1 online resource. :
9789004402409
9789646781146
Nāmahā va munshaʾāt-i Jāmī /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. The present volume, containing 433 of his letters and messages, bears witness to his great yet modest personality, his social engagement, and the expanse and variety of his network.
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1 online resource. :
9789004401839
9789646781313
Khulāṣat al-ashʿār wa-zubdat al-afkār. Volume 6.2 : Bakhsh-i Iṣfahān /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The work by Mīr Taqī al-Dīn Kāshānī (alive in 1016/1607) published here is an important example of this. It consists of an introduction, four divisions, and an epilogue ( khātima ), six volumes in all. From among these volumes, the epilogue listing some 394 poets from specific cities and regions in the Persianate world, many of whom were contemporaries of the author, is of special interest. Having met with many of them on his literary travels, their biographies contain a lot of information on the social and cultural climate of the time, besides new poets and poems. This volume: 6.2, Isfahan.
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1 online resource. :
9789004404694
9789648700312
Tarjuma-yi manẓūm-i waṣiyyat-i Imām ʿAlī (ʿalayhi al-salām) bih Imām Ḥusayn (ʿalayhi al-salām) : Kuhantarīn tarjuma-yi manẓūm-i Fārsī az kalām-i ʿAlawī /
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In Shīʿī literature, there exist several texts containing the last will ( waṣiyya ) of ʿAlī b. Abī Ṭālib, son-in-law of the Prophet and, in Shīʿism, his rightful successor. These last wishes were addressed to his sons Ḥasan and Ḥusayn and to the Muslim community at large. Transmitted through various sources, they are important insofar as each of them, in its own way, justifies the Shīʿī view on ʿAlī's succession after he was murdered in Kufa in the year 40/661. This volume contains two Persian versions-one in verse, the other in prose-of ʿAlī's last will and injunctions addressed to Ḥusayn, the third imam. The original Arabic prose text has come down to us through various ancient sources, the oldest one dating from the fourth/tenth century. The Persian translation in verse was made by the poet Sayyid Ḥasan Ghaznawī (d. 556/1161), the prose version possibly around 910/1504 by a scribe named Muʿīn al-Dīn Munshī Shīrāzi.
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1 online resource. :
9789004405653
9786002030023
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 7, Nūn-Yāʾ /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfī Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405561
9789648700862
Sām-nāma /
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In Persian literary history, Firdawsī's (d. 411/1020) Shāh-nāma , the famous masnavi composed in celebration of the history of the kings and dynasties of Persia, is the archetypal epic poem. After the Shāh-nāma , many other epic poems saw the light, among them Asadī Ṭūsī's Garshāsp-nāma (dated 458/1066) and Īrānshāh b. Abi ʼl-Khayr's Bahman-nāma (dated 501/1107-08), but also Shīʿī adaptations celebrating the wondrous exploits of ʿAlī b. Abī Ṭālib and the beginnings of Shīʿism, such as Rabīʿ's ʿAlī-nāma (dated 482/1089) or Ibn Ḥusām's Khawarān-nāma (completed in 830/1427). The present masnavi is an example of an epic poem in the form of a romance, turning around the love of Sām, the grandfather of Rustam, for the daughter of the emperor of China. Previously ascribed to the 8th/14th-century poet Khwāju-yi Kirmānī, it has now been established that it is a product of later Persian folklore, blending parts of Kirmānī's Humāy u Humāyūn with elements from other tales and romances.
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1 online resource. :
9789004406247
9786002030498
ʿArafāt al-ʿāshiqīn wa-ʿaraṣāt al-ʿārifīn. Volume 1, Āʾ-Alif /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The present work by Taqī al-Dīn Awḥadī (alive in 1042/1632-33) is a good example of this. Born in Isfahan in 973/1565, as a young man his poetical talent was commended by, among others, the poet ʿUrfi-yi Shīrāzī (d. 999/1591). After some time in the entourage of Shāh ʿAbbās I and a six-year stay in Iraq, he left Persia to try his luck at one of the courts in India. The present work, completed in 1024/1615, was written for a high official at the court of Jahāngīr. It contains about 3500 entries on Persian poets from the earliest times until his own day.
:
1 online resource. :
9789004405219
9789648700800
Tadhkirat al-shuʿarāʾ /
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Born into a family of scholars and literati in Samarqand, Muḥammad 'Sulṭān' Muṭribī Samarqandī (d. 1040/1630) regarded himself as a descendant of Arghūn Āqā (d. 673/1275), viceroy of the Mongols in Khurāsān. He received a broad education with an emphasis on literature and music, first in Samarqand and then in Bukhara. His major teacher in literature in Bukhara was Ḥasan Nithārī Bukhārāʾī (d. 1004/1596). Muṭribī is well-known for his Khāṭirāt , recollections of his highly-polished conversations with the Mughal emperor Jahāngīr (d. 1627), which took place during his visit to him in Lahore in 1036/1626. The other work for which he is known is his Persian Tadhkirat al-shuʿarāʾ , a biographical dictionary of some 343 poets, emirs, and sultans, mainly from Transoxania and Badakhshān. A unique source of information on its time and modelled on a similar work by his teacher, it is based on his direct acquaintance with most of the people it describes.
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1 online resource. :
9789004402164
9789649073354
Khulāṣat al-ashʿār wa-zubdat al-afkār. Volume 6.9 : Bakhsh-i Shīrāz wa nawāḥi-yi ān /
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In Persian literature, tadhkira ('note', 'memorandum') works are for the most part collections of biographies of poets, combined with selections from their writings. The earliest such work is Dawlatshāh Samarqandī's Tadhkirat al-shuʿarāʾ (completed in 892/1487), which set a standard for posterity. The tadhkira genre was especially popular in the 10th/16th century and following. The work by Mīr Taqī al-Dīn Kāshānī (alive in 1016/1607) published here is an important example of this. It consists of an introduction, four divisions, and an epilogue ( khātima ), six volumes in all. From among these volumes, the epilogue listing some 394 poets from specific cities and regions in the Persianate world, many of whom were contemporaries of the author, is of special interest. Having met with many of them on his literary travels, their biographies contain a lot of information on the social and cultural climate of the time, besides new poets and poems. This volume: 6.9, Shiraz.
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1 online resource. :
9789004404922
9786002030719
Dīwān-i Jāmī. Volume 1 : Fātiḥat al-shabāb /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. His Dīwān , published here in two volumes, underwent various changes before he finalized it in 896/1491. This best edition so far is based on some of the oldest surviving manuscripts. 2 vols; volume 1.
:
1 online resource. :
9789004402386
9789646781139