Jewish historiography and iconography in early and Medieval Christianity /
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Series: Compendia Rerum Iudaicarum ad Novum Testamentum Section 1 - The Jewish people in the first century Historical geography, political history, social, cultural and religious life and institutions Edited by S. Safrai and M. Stern in cooperation with D. Flusser and W.C. van Unnik Section 2 - The Literature of the Jewish People in the Period of the Second Temple and the Talmud Section 3 - Jewish Traditions in Early Christian Literature
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1 online resource (xviii, 307 pages) : illustrations. :
Includes bibliographical references (p. 265-277) and indexes. :
9789004275157 :
Available to subscribing member institutions only.
Art and architecture of the synagogue in late antique Palestine : in the shadow of the church /
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This study examines the material evidence for synagogues and churches in the Holy Land from the age of Constantine in the fourth century CE to the Arab conquest of the eastern provinces in the seventh century CE. Whereas scholars once viewed the growth of the Byzantine empire as time of persecution, a re-evaluation of the archaeological evidence indicates that Jews prospered along with their Christian neighbours. What influence did Christian art and architecture have on ancient synagogues? In the sixth century, one-third of all known synagogues in Palestine bear features similar to early Byzantine churches: basilical layouts, mosaic floors, apses, and chancel screens. Focusing on these features sheds light on how Jewish communities met the challenges posed by the Church's development into a major religious and political power. This book provides a critical analysis of the archaeological evidence as a basis for our better understanding of Jewish identity and community in late Antique Palestine.
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1 online resource. :
Includes bibliographical references (p. [273]-297) and index. :
9789047418719 :
Available to subscribing member institutions only.
Mughal Occidentalism, Artistic Encounters between Europe and Asia at the Courts of India, 1580-1630.
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In Mughal Occidentalism , Mika Natif elucidates the meaningful and complex ways in which Mughal artists engaged with European art and techniques from the 1580s-1630s. Using visual and textual sources, this book argues that artists repurposed Christian and Renaissance visual idioms to embody themes from classical Persian literature and represent Mughal policy, ideology and dynastic history. A reevaluation of illustrated manuscripts and album paintings incorporating landscape scenery, portraiture, and European objects demonstrates that the appropriation of European elements was highly motivated by Mughal concerns. This book aims to establish a better understanding of cross-cultural exchange from the Mughal perspective by emphasizing the agency of local artists active in the workshops of Emperors Akbar and Jahangir.
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1 online resource. :
9789004374997
In the shadow of the church : the building of mosques in early medieval Syria /
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In his book In the Shadow of the Church: The Building of Mosques in Early Medieval Syria Mattia Guidetti examines the establishment of Muslim religious architecture within the Christian context in which it first appeared in the Syrian region, contributing to the debate on the transformation of late antique society to a Muslim one. He scrutinizes the slow process of conversion to Islam of the most important town centers by looking at religious places of both communities between the seventh and the eleventh century. The author assesses the relevancy of churches by analyzing the location of mosques and by researching phenomena of transfer of marble material from churches to mosques.
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1 online resource. :
Includes bibliographical references and index. :
9789004328839 :
Available to subscribing member institutions only.
Egyptianizing figurines from Delos : a study in Hellenistic religion /
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This book investigates Hellenistic popular religion through an interdisciplinary study of terracotta figurines of Egyptian deities, mostly from domestic contexts, from the trading port of Delos. A comparison of the figurines' iconography to parallels in Egyptian religious texts, temple reliefs, and ritual objects suggests that many figurines depict deities or rituals associated with Egyptian festivals. An analysis of the objects' clay fabrics and manufacturing techniques indicates that most were made on Delos. Additionally, archival research on unpublished notes from early excavations reveals new data on many figurines' archaeological contexts, illuminating their roles in both domestic and temple cults. The results offer a new perspective on Hellenistic reinterpretations of Egyptian religion, as well as the relationship between "popular" and "official" cults.
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1 online resource (xix, 731 pages, [80] pages of plates) : illustrations (some color) :
Includes bibliographical references and indexes. :
9789004222663 :
Available to subscribing member institutions only.
The Nile mosaic of Palestrina : early evidence of Egyptian religion in Italy /
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The famous Nile Mosaic of Palestrina, ancient Praeneste in central Italy, dating to c. 100 B.C., is one of the earliest large mosaics which have been preserved from the classical world. It presents a unique, comprehensive picture of Egypt and Nubia. The interpretation of the mosaic is disputed, suggestions ranging from an exotic decoration to a topographical picture or a religious allegory. The present study demonstrates that the mosaic depicts rituals connected with Isis and Osiris and the yearly Nile flood. The presence of these Egyptian religious scenes at Praeneste can be explained by the assimilation of isis and Fortuna, the tutelary goddess of Praeneste, and by the interpretation of the mosaic as a symbol of divine providence.
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1 online resource (viii, 409 pages, [78] pages of plates) : illustrations (some color) :
Includes bibliographical references (p. 383-398) and index. :
9789004283831 :
0927-7633 ; :
Available to subscribing member institutions only.
Barbaric splendour : the use of image before and after Rome /
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This text comprises a collection of essays comparing late Iron Age and Early Medieval art. Fundamentally, the work asks what making images meant on the fringe of the expanding or contracting Roman empire, particularly as the art from both periods drew heavily from - but radically transformed - imperial imagery.
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"Available in both print and Open Access"--Homepage.
Also issued in print: 2020. :
1 online resource (152 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789696608 (ebook) :