Musical and socio-cultural anecdotes from Kitab al-aghani al-kabir
:
The present volume consists of translated anecdotes, on musicological and socio-cultural topics, from al-Iṣbahānī's Kitāb al-Aghānī al-Kabīr ( The Grand Book of Songs ) with annotations and commentaries. It deals with musical rhythmic and melodic modes, technical terms and treatises; music instruments; composition techniques and processes; education and oral/written transmissions; vocal and instrumental performances and their aesthetics; solo and ensemble music; change and its inevitability; musical and textual improvisations; ṭarab and the acute emotions of joy or grief; medieval dances; social status. Though extracts from The Grand Book of Songs have been translated in European languages since 1816, this work presents a much larger and more comprehensive scope that will benefit musicologists, medievalist and Middle Eastern scholars as well as the general reader.
:
1 online resource. :
Includes bibliographical references and index. :
9789004383654 :
0929-2403 ;
Henry George Farmer and the First International Congress of Arab Music (Cairo 1932) /
:
Henry George Farmer (1882-1965) was a pioneering musicologist who specialized in Arab music. In 1932, he participated in the First International Congress of Arab Music in Cairo, during which he maintained a journal recording his daily activities, interactions with fellow delegates and dignitaries, and varied perambulations throughout the city. This journal, and the detailed minutes he kept for his chaired Commission on History and Manuscripts, were never published. They reveal aspects and inner-workings of the Congress that have hitherto remained unknown. The illustrations and photos contained therein, as well as additional photos that were never seen, provide visual documentation of the Congress's participants and musical ensembles.
:
1 online resource (xxvi, 430 pages) : illustrations. :
Includes bibliographical references and index. :
9789004284142 :
Available to subscribing member institutions only.
An Arabic musical and socio-cultural glossary of Kitab al-aghani /
:
George Dimitri Sawa's Arabic Musical and Socio-Cultural Glossary of Kitāb al-Aghānī is the first comprehensive lexicographical study of Umayyad and early Abbāsid-era music theory and practices. It defines melodic and rhythmic modes, musical forms, instruments, technical terms and metaphors used in evaluating compositions and performances, and the emotional effects of ṭarab. It explains the processes of composition and learning, performance practice, musical change and aesthetics, and addresses the behavior of court musicians to help understand societal views of music. Medieval dictionaries, reference works on Arabic literature, theoretical treatises as well as full quotations from the Aghānī are used. This glossary will be of interest to scholars and students of the music and socio-cultural history of the early Islamic era.
:
1 online resource (9, 556, 6 pages) : illustrations. :
Includes bibliographical references (p. 3-6 ). :
9789004279094 :
0929-2403 ; :
Available to subscribing member institutions only.
Höfische Musikkultur im klassischen Islam : Ibn Faḍlallāh al-'Umarī (gest. 749/1349) über die dichterische und musikalische Kunst der Sängersklavinne /
:
"In Der Ṭarab der Sängersklavinnen gibt Yasemin Gökpinar einen Einblick in Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) über Hofmusik von den Abbasiden bis zu den Mamluken mit Schwerpunkt auf den Sängersklavinnen (qiyān). Die interdisziplinäre Studie stellt Autor und Werk vor und etabliert das Liederbuch als historische Quelle. Zudem werden unterschiedliche strukturelle und inhaltliche Aspekte kombiniert: eine Untersuchung der Liedtextüberlieferer und des soziokulturellen Kontextes des Hoflebens im Lichte von Thomas Bauer's Ambiguitätstheorie, eine musikwissenschaftliche Analyse des Verhältnisses zwischen poetischem Metrum der Lieder und ihren musikalischen Rhythmen, schliesslich eine Betrachtung des Handlungsspielraumes der Sängerinnen und ihrer (relativen) Macht über ihre Besitzer durch ihre hervorragende Ausbildung und natürlichen Anlagen. In this volume Yasemin Gökpinar provides insight into Ibn Faḍl-Allāh al-'Umarī's Masālik al-abṣār fīmamālik al-amṣār (vol. 10) about court music from the Abbasids to the Mamluks, with special emphasis on the subject of high ranking singing slave-girls (qiyān). Her interdisciplinary study focuses on the author and his work, and presents the songbook as a historical source. Different aspects concerning structure and contents are combined: an investigation of the song transmitters, a study into the socio-cultural context of courtly life with an application of Thomas Bauer's theory of ambiguity, a musicological analysis of the relation between metre of song texts and rhythmic modes in music, and finally an exploration of the singing-girls' leeway and even power over their owners, through education".
:
1 online resource. :
Includes bibliographical references and index. :
9789004417649
Arab music ; a survey of its history and its modern practice /
:
Offering a comprehensive survey of the history and the development of Arab music and musical theory from its pre-Islamic roots until 1970, this book also offers a discussion of the major genres and forms practiced today, such as the Egyptian gil, the Algerian raï and Palestinian hip hop; it also touches upon musical instruments and folk music.
:
Also issued in print: 2021. :
1 online resource (viii, 200 pages) : illustrations :
Specialized. :
Includes bibliographical references, discography and index. :
9781789699333 (PDF ebook) :
Harmonics /
:
Ptolemy's comprehensive treatises on astronomy and geography were influential for nearly two millennia. Equally influential was his treatise on harmonics, the ancient science which combined and brought to completion the study of philosophy and science. This volume offers a comprehensive English translation and commentary of Ptolemy's Harmonics . The treatise begins with Ptolemy's study of pitches and intervals, for which he extracts both an idealized musical scale and a new acoustical tool. After discussing modulation, he expands his horizons by applying musical intervals to the human soul and celestial bodies, ultimately describing a cosmic harmony. The English translation faithfully reproduces Ptolemy's style and includes all the charts surviving in the manuscript tradition. The commentary offers a full exegesis of the text, loci paralleli, and citations of modern scholarly sources.
:
1 online resource (xxxvii, 192 pages) : illustrations. :
Includes bibliographical references (p. 167-179) and indexes. :
9789004351165 :
0169-8958 ; :
Available to subscribing member institutions only.
The Ottoman tanbūr : the long-necked lute of Ottoman art music /
:
Tanbūrs are long-necked lute-like instruments played in the art, Sufi, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbūr, its role in Ottoman music, construction and playing technique.
:
Also issued in print: 2022. :
1 online resource (168 pages) : illustrations :
Specialized. :
Includes bibliographical references, discography and index. :
9781803271071 (PDF ebook) :
Latin and Music in the Early Modern Era : Education, Theory, Composition, Performance and Reception /
:
Situating the close relationship between Latin and music within its historical context, this volume presents an overview of Latin and music in the educational system of the time - schools, choir schools and universities - and the development and pervasive influence of musical humanism. This influence is seen primarily in the writings of music theorists, the documents of dedication found in music publications and above all in the settings of classical and Neo-Latin texts as well as in some liturgical and extra-liturgical ones. Discussion of this repertoire forms the centre of the volume. The emphasis is on practical matters: the study of Latin and music, and the music's composition, performance and reception.
:
1 online resource. :
Includes bibliographical references and index. :
9789004463332
9789004463301