The Gospel "according to Homer and Virgil " cento and canon /
:
In the fourth century C.E. some Christians paraphrased the stories about Jesus' life in the style of classical epics. Imitating the genre of centos, they stitched together lines taken either from Homer (Greek) or Virgil (Latin). They thus created new texts out of the classical epics, while they still remained fully within the confines of their style and vocabulary. It is the aim of this study to put these attempts into a historical and rhetorical context. Why did some Christians rewrite the Gospel stories in this way, and what came out of this? On the basis of these Christian centos, it is natural to address the view held by some scholars, namely that New Testaments narratives are imitations of the epics.
:
1 online resource. :
Includes bibliographical references (p. [245]-259) and indexes. :
9789004194427 :
Available to subscribing member institutions only.
Rhetorical Adaptation in the Greek Historians, Josephus, and Acts vol.I : Embedded Speeches, Audience Responses, and Authorial Persuasion /
:
Greco-Roman rhetorical theorists insist that speakers must adapt their speeches to their audiences in order to maximize persuasiveness and minimize alienation. Ancient historians adorn their narratives with accounts of attempts at such rhetorical adaptation, the outcomes of which decisively impact the subsequent course of events. These depictions of speaker-audience interactions, moreover, convey crucial didactic/persuasive insights to the historians' own audiences. This monograph presents a detailed comparative analysis of the intra- and extra-textual functions of speeches and audience responses in Greek historiography, Josephus, and Acts, with special emphasis on Luke's distinctive depiction of the apostles as adaptable yet frequently alienating orators. This is volume I of a set of two volumes.
:
1 online resource :
Includes bibliographical references and index. :
9789004524002
9789004524033
Rhetorical Adaptation in the Greek Historians, Josephus, and Acts vol II : Embedded Speeches, Audience Responses, and Authorial Persuasion /
:
Greco-Roman rhetorical theorists insist that speakers must adapt their speeches to their audiences in order to maximize persuasiveness and minimize alienation. Ancient historians adorn their narratives with accounts of attempts at such rhetorical adaptation, the outcomes of which decisively impact the subsequent course of events. These depictions of speaker-audience interactions, moreover, convey crucial didactic/persuasive insights to the historians' own audiences. This monograph presents a detailed comparative analysis of the intra- and extra-textual functions of speeches and audience responses in Greek historiography, Josephus, and Acts, with special emphasis on Luke's distinctive depiction of the apostles as adaptable yet frequently alienating orators. This is volume II of a set of two volumes.
:
1 online resource :
Includes bibliographical references and index. :
9789004524040
9789004524057
The theatre of justice : aspects of performance in Greco-Roman oratory and rhetoric /
:
The Theatre of Justice contains 17 chapters that offer a holistic view of performance in Greek and Roman oratorical and political contexts. This holistic view consists of the examination of two areas of techniques. The first one relates to the delivery of speeches and texts: gesticulation, facial expressions and vocal communication. The second area includes a wide diversity of techniques that aim at forging a rapport between the speaker and the audience, such as emotions, language and style, vivid imagery and the depiction of characters. In this way the volume develops a better understanding of the objectives of public speaking, the mechanisms of persuasion, and the extent to which performance determined the outcome of judicial and political contests.
:
1 online resource. :
Includes bibliographical references and index. :
9789004341876 :
Available to subscribing member institutions only.
Emotions and Narrative in Ancient Literature and Beyond : Studies in Honour of Irene de Jong /
:
Emotions are at the core of much ancient literature, from Achilles' heartfelt anger in Homer's Iliad to the pangs of love of Virgil's Dido. This volume applies a narratological approach to emotions in a wide range of texts and genres. It seeks to analyze ways in which emotions such as anger, fear, pity, joy, love and sadness are portrayed. Furthermore, using recent insights from affective narratology, it studies ways in which ancient narratives evoke emotions in their readers. The volume is dedicated to Irene de Jong for her groundbreaking research into the narratology of ancient literature.
:
Taking its cue from Irene de Jong's groundbreaking narratological analyses of classical texts, this volume studies emotions in a wide range of ancient genres, focusing on emotions as they are described within narratives and on ways in which narratives trigger the emotions of their readers. :
1 online resource. :
Includes bibliographical references and index. :
9789004506053
9789004506046
Voice and voices in antiquity /
:
Voice and Voices in Antiquity draws together 18 studies of the changing concept of voice and voices in the oral traditions and subsequent literate genres of the ancient world. Ranging from the poet's voice to those of characters as well as historically embodied communities, and from the interface between the Greek and Near Eastern worlds to the western reaches of the Roman Empire, the scholars assembled here offer a methodologically rich and diverse series of approaches to locating the power of voice as both poetic construct and communal memory. The results not only enrich our understanding of the strategies of epic, lyric, and dramatic voices but also illuminate the rhetorical claims given voice by historians, orators, philosophers, and novelists in the ancient world.
:
1 online resource. :
9789004329737 :
Available to subscribing member institutions only.
Pragmatic Approaches to Drama : Studies in Communication on the Ancient Stage /
:
This volume collects papers on pragmatic perspectives on ancient theatre. Scholars working on literature, linguistics, theatre will find interesting insights on verbal and non-verbal uses of language in ancient Greek and Roman Drama. Comedies and Tragedies spanning from 5th B.C.E. to 1st C.E. are investigated in terms of im/politeness, theory of mind, interpersonal pragmatics, body language, to name some of the approaches which afford new interpretations of difficult textual passages or shed new light into nuances of characterisation, or possibilities of performance. Words, silence, gestures, do things, all the more so in dramatic dialogues on stage.
:
1 online resource. :
Includes bibliographical references and index. :
9789004440265
9789004440197
Roman Satire /
:
How do you insert yourself into an artistic canon? How do you establish yourself as a worthy successor to your predecessors while making your own mark on a genre? How do you police a genre's boundaries to keep out the unwanted? With particular attention to authorial and national identity, artistic self-definition, and literary reception, this volume shows how four ancient Latin poets-Lucilius, Horace, Persius, and Juvenal-asked and answered these questions between the second century BCE and the second century CE as they invented and reinvented the genre of Roman verse Satire.
:
This volume, from an innovative scholar of Latin Literature and Greek Old Comedy, distills the modern corpus of scholarship on Roman Satire, presenting the genre in particular through the themes of literary ambition, self-fashioning, and poetic afterlife. :
1 online resource. :
Includes bibliographical references and index. :
9789004453470
9789004453463
Plutarch's Unexpected Silences : Suppression and Selection in the Lives and Moralia /
:
The act of recording anything is at the same time an act of silencing. Choices are made at every step about what to keep and what to discard. Examining what Plutarch has left out enriches our understanding of what he has chosen to say, and both deepens our knowledge of the literary practices of this influential writer and opens new and fruitful lines of enquiry about Plutarch, his work, and his world.
:
This book examines passages in Plutarch's works that foil expectations and whose silence invites closer examination. The contributors question omissions of authors, works, people, and places, and they examine Plutarch's reticence to comment where he usually would. :
1 online resource. :
Includes bibliographical references and index. :
9789004514249
9789004514256
Framing Classical Reception Studies : Different Perspectives on a Developing Field /
:
Framing Classical Reception Studies contains a representative number of analytic and synthetic contributions by scholars from diverse parts of the field of Classical Reception Studies. Together, they afford a synoptic view and typology of an extremely large and continuously diversifying discipline. Attentive to questions such as what, by whom, in what contexts and to what ends Classics have functioned and are functioning in our culture, all contributors ask themselves from what conceptual or disciplinary frame they approach the reception of the cultures of classical Greek and Roman antiquity. Within this questioning format, the book also contains suggestions for future agendas of research, and forcefully argues for the political, cultural and cognitive relevance of classical receptions in the Academy.
:
1 online resource. :
9789004427020
9789004427013
The reception of Greek lyric poetry in the ancient world : transmission, canonization and paratext /
:
In The Reception of Greek Lyric Poetry in the Ancient World: Transmission, Canonization and Paratext, a team of international scholars consider the afterlife of early Greek lyric poetry (iambic, elegiac, and melic) up to the 12th century CE, from a variety of intersecting perspectives: reperformance, textualization, the direct and indirect tradition, anthologies, poets' Lives, and the disquisitions of philosophers and scholars. Particular attention is given to the poets Tyrtaeus, Solon, Theognis, Sappho, Alcaeus, Stesichorus, Pindar, and Timotheus. Consideration is given to their reception in authors such as Aristophanes, Herodotus, Plato, Plutarch, Athenaeus, Aelius Aristides, Catullus, Horace, Virgil, Ovid, and Statius, as well as their discussion by Peripatetic scholars, the Hellenistic scholia to Pindar, Horace's commentator Porphyrio, and Eustathius on Pindar.
:
Most of the chapters in this volume were originally presented at a conference organized by Oxford University and Reading University under the auspices of the Network of Archaic Greek Song at the University of Reading in 2013. :
1 online resource. :
Includes bibliographical references and index. :
9789004414525
Pain and Pleasure in Classical Times.
:
Pain and Pleasure in Classical Times attempts to blaze a trail for the cross-disciplinary humanistic study of pain and pleasure, with literature scholars, historians and philosophers all setting out to understand how the Greeks and Romans experienced, managed and reasoned about the sensations and experiences they felt as painful or pleasurable. The book is intended to provoke discussion of a wide range of problems in the cultural history of antiquity. It addresses both the physicality of erôs and illness, and physiological and philosophical doctrines, especially hedonism and anti-hedonism in their various forms. Fine points of terminology (Greek is predictably rich in this area) receive careful attention. Authors in question run from Homer to (among others) the Hippocratics, Plato, Aristotle, Lucretius, Seneca, Plutarch, Galen and the Aristotle-commentator Alexander of Aphrodisias.
:
1 online resource. :
9789004379503
The classical commentary : histories, practices, theory /
:
This collection explores the issues raised by the writing and reading of commentaries on classical Greek and Latin texts. Written primarily by practising commentators, the papers examine philosophical, narratological, and historiographical commentaries; ancient, Byzantine, and Renaissance commentary practice and theory, with special emphasis on Galen, Tzetzes, and La Cerda; the relationship between the author of the primary text, the commentary writer, and the reader; special problems posed by fragmentary and spurious texts; the role and scope of citation, selectivity, lemmatization, and revision; the practical future of commentary-writing and publication; and the way computers are changing the shape of the classical commentary. With a genesis in discussion panels mounted in the UK in 1996 and the US in 1997, the volume continues recent international dialogue on the genre and future of commentaries.
:
1 online resource (xxi, 427 pages) :
Includes bibliographical references and index. :
9789047400943 :
0169-8958 ; :
Available to subscribing member institutions only.
Rhetorical strategies in late antique literature : images, metatexts and interpretation /
:
Rhetorical Strategies in Late Antique Literature: Images, Metatexts and Interpretation is a collection of essays that survey the rhetorical tropes and the metaliterary dimension of works by important authors in a period marked by intense and thriving contact between Classical paideia and Christian culture. The contributions of this volume dissect the reuse of Classical literature and the deployment of rhetorical techniques in the creation of texts and images meant for use in cultural and religious debates by building on recent interpretations of the late antique cultural landscape as a milieu in which our understanding of religious dichotomies requires a more nuanced reassessment. The authors treated in this volume include Eusebius of Caesarea, Methodius of Olympus, Gregory of Nazianzus, Nonnus and the emperor Julian.
:
1 online resource. :
Includes bibliographical references and index. :
9789004340114 :
Available to subscribing member institutions only.
Writing exile : the discourse of displacement in Greco-Roman antiquity and beyond /
:
Exile and displacement are central topics in classical literature. Previous research has been mostly biographical and has focused on the three most prominent exiles: Cicero, Ovid, and Seneca. By shifting focus to a discourse of exile and displacement in early Greek poetry, Greek historiography, Cynicism, consolatory literature, Latin epic, Greek literature of the empire, and Medieval Latin literature, the present volume questions the notion of a distinct, psychologically conditioned 'genre' or 'mode' of exile literature. It shows how ancient and medieval authors perceive and present their exile according to pre-existent literary paradigms, style themselves or others as 'typical' exiles, and employ 'exile' as a powerful trope to express estrangement, elicit readerly sympathy, and question political power structures.
:
1 online resource. :
Includes bibliographical references and index. :
9789047418948 :
Available to subscribing member institutions only.
Free speech in classical antiquity /
:
This book contains a collection of essays on the notion of "Free Speech" in classical antiquity. The essays examine such concepts as "freedom of speech," "self-expression," and "censorship," in ancient Greek and Roman culture from historical, philosophical, and literary perspectives. Among the many questions addressed are: what was the precise lexicographical valence of the ancient terms we routinely translate as \'Freedom of Speech,\' e.g., Parrhesia in Greece, Licentia in Rome? What relationship do such terms have with concepts such as isêgoria , dêmokratia and eleutheria ; or libertas , res publica and imperium ? What does ancient theorizing about free speech tell us about contemporary relationships between power and speech? What are the philosophical foundations and ideological underpinnings of free speech in specific historical contexts?
:
Consists of a collection of papers presented at the second Penn-Leiden Colloquium on Ancient Values, held in June 2002 at the University of Pennsylvania. :
1 online resource (xii, 450 pages) :
Includes bibliographical references and indexes. :
9789047405689 :
0169-8958 ; :
Available to subscribing member institutions only.
Fakes and Forgers of Classical Literature : Ergo decipiatur! /
:
Right from the beginning, classical literature has been embroiled with questions of authenticity, fakes, frauds, and, of course, scandal. Issues of dubious authorship, and contested authority confront philologists, critics and publishers today as surely as they did in the classical era itself. The new era of postmodernism, however, encourages us to look at the work of the forger with fresh eyes, and recent scholarship reflects this in an interdisciplinary approach which goes well beyond the conventional academic endeavor to separate the authentic from the fake. Fakes and Forgers of Classical Literature comprises essays from an international cast of scholars who, in their diverse and creative approaches to questions of authenticity both old and new, radically revise the position of the forged text in the literary tradition and, in light of modern approaches of philology and literary criticism, offer exciting new strategies for understanding forgery and the play with authenticity within ancient literature itself.
:
1 online resource. :
9789004266421
Brill's companion to prequels, sequels, and retellings of classical epic /
:
The epics of ancient Greece and Rome are unique in that many went unfinished, or if they were finished, remained open to further narration that was beyond the power, interest, or sometimes the life-span of the poet. Such incompleteness inaugurated a tradition of continuance and closure in their reception. Brill's Companion to Prequels, Sequels, and Retellings of Classical Epic explores this long tradition of continuing epics through sequels, prequels, retellings and spin-offs. This collection of essays brings together several noted scholars working in a variety of fields to trace the persistence of this literary effort from their earliest instantiations in the Iliad and Odyssey of Homer to the contemporary novels of Ursula K. Le Guin and Margaret Atwood.
:
1 online resource. :
Includes bibliographical references and index. :
9789004360921 :
Available to subscribing member institutions only.