The Image of an Ottoman City : Imperial Architecture and Urban Experience in Aleppo in the 16th and 17th Centuries /
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This urban and architectural study of Aleppo, a center of early modern global trade, draws upon archival and narrative texts, architectural evidence, and contemporary theoretical discussions of the relation between imperial ideology, urban patterns and rituals, and architectural form. The first two centuries of Ottoman rule fostered tremendous urban development and reorientation through judiciously sited acts of patronage. Monumental structures endowed by Ottoman officials both introduced a new imperial architecture from Istanbul and incorporated formal elements from the local urban visual language. By viewing the urban and social contexts of these acts, tracing their evolution over two centuries, and examining their discussion in Ottoman and Arabic sources, this book proposes a new model for understanding the local reception and adaptation of imperial forms, institutions and norms.
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1 online resource. :
Includes bibliographical references and index. :
9789047404224
9789004124547
Caught in a whirlwind : a cultural history of Ottoman Baghdad as reflected in its illustrated manuscripts /
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Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and the Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.
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Revision of the author's thesis (doctoral)--Harvard University, 2016, under the title: Caught in a whirlwind : painting in Baghdad in the late sixteenth-early seventeenth centuries. :
1 online resource. :
Includes bibliographical references and index. :
9789004412804
Europa Postmediaevalis 2018 : post-medieval pottery between (its) borders /
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This anthology is a collection of works from the Europa Postmediaevalis conference held in Prague in the spring of 2018. As the name of the conference suggests, the subject of interest is the Early Modern period (15th to 18th century) and the manner in which this relatively young discipline in the field of archaeology is approached in Europe.
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Also issued in print: 2019.
Conference proceedings. :
1 online resource (viii, 298 pages) : illustrations (black and white, and colour) :
Specialized. :
9781789691894 (ebook) :
Receptions of antiquity, constructions of gender in European art, 1300-1600 /
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Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
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1 online resource (XV, 467 pages) : illustrations. :
Includes bibliographical references and index. :
9789004289697 :
Available to subscribing member institutions only.
Relational Iconography, Representational Culture at the Qaraquyunlu and Aqquyunlu Courts (853 / 1449 CE to 907 / 1501 CE) /
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In Relational Iconography: Representational Culture at the Qaraquyunlu and Aqquyunlu Courts (853 / 1449 CE to 907 / 1501 CE) , Georg Leube engages with courtly representation from an iconographical perspective, tracing the intersecting agencies of courtly actors negotiating multiple normativities and traditions. While the courtly culture of the Qaraquyunlu and Aqquyunlu dynasties (15th century C.E.) is commonly interpreted as an intermezzo in Persianate and Islamicate cultural history, it is here framed as an ideal field to explore a relational approach that challenges established dichotomies and ideal types. By reading multiple mediums and discourses into each other, Georg Leube shows how courtly performance is rooted in iconographical repertoires that resonated with different networks and groups inside the 'Turkmen' realms. .
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1 online resource (480 pages) : illustrations. :
Includes bibliographical references and index. :
9789004541511
9789004541528