A commentary on the letters of M. Cornelius Fronto /
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This is the first commentary on the letters of Marcus Cornelius Fronto (c. 90-95 - c. 167). It aims at an extensive grammatical, stylistic and historical interpretation of the letters and the ancient testimonies on Fronto. The author demonstrates where Fronto stands in Latin literature; hence the numerous quotations of parallel, similar and dissentient passages from Fronto and other writers. The letters are written in a pure, simple style, with a great deal of colloquialisms and many a post-classical turn of phrase. The many archaisms show how Fronto as a philologist had a comprehensive knowledge of pre-Cicero Latin. This commentary, based on the Teubner-edition by the author (Leipzig 1988), offers a thorough explanation of Fronto's style and language, e.g. of his archaisms and colloquialisms, identification of the persons mentioned, and the chronology of the letters. Seven elaborate indices complete this book.
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1 online resource (xi, 725 pages) :
Includes bibliographical references (p. 701-717) and indexes. :
9789004351301 :
0169-8958 ; :
Available to subscribing member institutions only.
Clause combining in ancient Greek narrative discourse : the distribution of subclauses and participial clauses in Xenophon's Hellenica and Anabasis /
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This study describes the usage of subclauses and participial clauses in Xenophon's Hellenica and Anabasis , with additional examples from other texts, using a text grammar-oriented approach, which can map more factors underlying the distribution of these clauses, and offers a more satisfactory explanation of a larger number of instances than is possible using the traditional sentence-level approach. The discourse-analytic description of the different clause types focuses on how relations are coded by means of subordinating conjunctions, the differences in form and function as discourse boundary markers between preposed, sentence-initially placed subclauses and participles, and the differences between clause types with respect to the information flow in on-going discourse. The discussion of many examples from the work of Xenophon makes this book interesting for both linguists and classical philologists.
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1 online resource (x, 277 pages) :
Includes bibliographical references (p. 261-268) and index. :
9789047406976 :
0169-8958 ; :
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Euripides' Bacchae : the play and its audience /
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The purpose of this book is to investigate what it was Euripides intended to convey to the theatre-going public of his day when he wrote his most exciting and most gruesome play, the Bacchae . The meanings which are to be attached to the action of a play are woven by an audience, both during and after the performance, into a single dramatic experience, labelled in this book as 'audience response'. After some introductory chapters dealing with the history of the interpretation of the Bacchae and with the theory of audience response, the main part of the book is devoted to a detailed analysis of the action of the play (chapters 4 and 5), and to a study of Dionysus in his various apects in Athenian life and in his appearances in earlier literature and on the tragic stage. The discussion of the choruses concentrates on the choruses' repeated utterances about cleverness and wisdom, which form the core of the Dionysian propaganda of the play. The most immediate results of this new interpretation of the Bacchae are that the widely-accepted view of Pentheus as a dark puritan, a man possessed by the Dionysian qualities of his divine opponent, proves to be untenable, and that that which in the past has been rightly called the overriding theme of the play - the god's epiphany - also contains the poet's most serious and ironical discussion of divinity and of man's treatment of it. The problems of the Greek text are given full discussion, mainly in the nots and appendices. In many cases new solutions are proposed; some new problems are however added.
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Originally presented as the author's thesis (doctoral)--Free University of Amsterdam. :
1 online resource (200 pages) :
Includes bibliographical references (p. 192-198) and index. :
9789004328051 :
Available to subscribing member institutions only.
Narrators, narratees, and narratives in ancient Greek literature /
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This is the first in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees, time, focalization, characterization, description, speech, and plot. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The first volume lays the foundation for all volumes to come, discussing the definition and boundaries of narrative, and the roles of its producer, the narrator, and recipient, the narratees.
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1 online resource (xvii, 583 pages) :
Includes bibliographical references and index. :
9789047405702 :
0169-8958 ; :
Available to subscribing member institutions only.
Free speech in classical antiquity /
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This book contains a collection of essays on the notion of "Free Speech" in classical antiquity. The essays examine such concepts as "freedom of speech," "self-expression," and "censorship," in ancient Greek and Roman culture from historical, philosophical, and literary perspectives. Among the many questions addressed are: what was the precise lexicographical valence of the ancient terms we routinely translate as \'Freedom of Speech,\' e.g., Parrhesia in Greece, Licentia in Rome? What relationship do such terms have with concepts such as isêgoria , dêmokratia and eleutheria ; or libertas , res publica and imperium ? What does ancient theorizing about free speech tell us about contemporary relationships between power and speech? What are the philosophical foundations and ideological underpinnings of free speech in specific historical contexts?
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Consists of a collection of papers presented at the second Penn-Leiden Colloquium on Ancient Values, held in June 2002 at the University of Pennsylvania. :
1 online resource (xii, 450 pages) :
Includes bibliographical references and indexes. :
9789047405689 :
0169-8958 ; :
Available to subscribing member institutions only.
Narrative setting and dramatic poetry /
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This volume evaluates a single element of tragic art, namely the way in which narrative descriptions of place participate in the poetry of tragedy. They join together structures of the theater to create a context for tragic performance, and ultimately reflect upon tragedy's connection to earlier narrative forms and to the traditional tales that regularly supply tragic plots. The first part of this book examines the introductory function of spatial descriptions and the peculiar resources offered to the playwright by cult settings. In the second part, the spatial oppositions, that are inherent structuring devices in traditional tales, are taken up in chapters treating the motif of exile in extant tragedy.
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Revision of the author's thesis (doctoral--Yale), presented in 1985 under the title, Setting and theme in Greek tragedy. :
1 online resource (178 pages) :
Includes bibliographical references (p. 162-168) and index. :
9789004329201 :
0169-8958 ; :
Available to subscribing member institutions only.
Speaking volumes : orality and literacy in the Greek and Roman world /
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This volume examines orality and literacy in the ancient Greek and Roman world through a range of perspectives and in various genres. Four essays on the Homeric epics present recent research into performative aspects of language, cognitive theory and oral composition, a re-evaluation of Parry's oral-formulaic theory, and a new perspective on the poem's transmission. These are complemented by studies of the oral nature of Greek proverbial expressions, and of poetic authority within a fluid oral tradition. Two essays consider the significance of the written word in a predominantly oral culture, in relation to star calendars and to Panathenaic inscriptions. Finally, two chapters consider the ongoing influence of oral tradition in the ancient novel and in Roman declamation. These essays illustrate the importance of considering ancient texts in the context of fluctuating oral and literate influences.
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1 online resource (xvi, 235 pages) :
Includes bibliographical references (p. 216-228) and index. :
9789004351028 :
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Narrative in drama : the art of the Euripidean messenger-speech /
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This book, consisting of three self-contained studies, deals with the Euripidean messenger-speech. The first study concerns the form of the messenger-speech, which is that of a first-person narrative, and the consequences of this form. The second study analyses the messenger's style of presentation. In the third study the place and function of the messenger-speech within the play is discussed. Although scholars have dealt with the messenger-speech before, there is no single, up-to-date work of reference available. The present study aims at filling this void, while making use of analytical tools deriving from narratology and drama-theory. Eight appendices are added, which provide the reader with complete lists of phenomena discussed in the main text. Often considered transparent and self-explanatory, the messenger-speeches are now shown to be both complex and subtle texts.
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1 online resource (ix, 214 pages) :
Includes bibliographical references (p. 203-208) and index. :
9789004329126 :
0169-8958 ; :
Available to subscribing member institutions only.
Ainoi, logoi, mythoi : fables in archaic, classical, and Hellenistic Greek literature : with a study of the theory and terminology of the genre /
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The first study to focus on the numerous ancient Greek fables occurring outside (and predating) the extant fable collections. Divided into three parts, its core is an intertextual analysis of the functions of fables and their allusions. Here the author covers many different authors and a variety of genres in Archaic, Classical and Hellenistic Greek Literature, ranging from lyric to historiography, from Aristotle to Hesiod and from Agamemnon to Zopyrus. This analysis is based on a study of both modern and ancient fable theory - the latter having hitherto never been studied in toto , and incorporating the Graeco-Roman terminology of the genre. The book's third part is a collection of all texts (and contexts) studied, which greatly facilitates cross-referencing.
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Title romanized.
Includes indexes. :
1 online resource (xxx, 683 pages) :
Includes bibliographical references (p. 577-610). :
9789004330306 :
0169-8958 ; :
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Heroic measures : Hippocratic medicine in the making of Euripidean tragedy /
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This book demonstrates the importance of Greek medical thought in the work of Euripides. The first part of the book argues for the significance of the healing figure in Euripidean drama, while the second part analyzes the role of traditional and rationalist healing strategies in the construction of Euripidean plots and arguments. The work will be of interest to those pursuing studies in Greek drama, Greek intellectual history and Greek medicine.
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1 online resource (x, 229 pages) :
Includes bibliographical references (p. 199-209) and indexes. :
9789047405955 :
0925-1421 ; :
Available to subscribing member institutions only.
Mythical and legendary narrative in Ovid's Fasti /
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This book analyses the mythical and legendary narratives in Ovid's Fasti as narrative and concentrates on the neglected literary aspects of these stories. It combines traditional tools of literary criticism with more modern techniques (taken especially from narratology and intertextuality). From a narratological viewpoint it covers important features such as aperture, closure, characterization, internal narrators, description, space, time and cinematic technique. On the intertextual level it examines the narratives' complex relationship with Virgil, Livy and Ovid's own earlier works. Recent criticism on the Fasti has addressed various elements (religious, historical, political, astronomical et cetera), but detailed narrative study has been wanting. This book fills that gap, to provide a more informed and balanced appreciation of this multifaceted poem aimed at classicists and literary critics in general (for whom all the Latin is translated).
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1 online resource (xiii, 299 pages) :
Includes bibliographical references (p. 289-294) and indexes. :
9789047407225 :
0169-8958 ; :
Available to subscribing member institutions only.
The narrative voice in the Theogony of Hesiod /
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This volume offers analysis of the narratological structure of the Theogony with the purpose of elucidating a major, unifying theme in this poem: the relationship between the divine and mortal realms. The techniques of narratology are herein employed to support the argument that Hesiod portrays the cosmos as sharply divided between gods and men. The Theogony should therefore be read as a didactic poem explaining primarily the position of man vis-à-vis the gods. The first half of this book discusses relevant scholarship and introduces the theme of relationship of gods to men in the Theogony . The second half of the book discusses how Hesiod employs Character-Text, Attributive Discourse, Embedded Focalization, Anachrony, and Commentary to achieve his didactic purposes.
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1 online resource (xv, 206 pages) :
Includes bibliographical references (p. 193-202) and indexes. :
9789047413851 :
0169-8958 ; :
Available to subscribing member institutions only.