Avicenna in medieval Hebrew translation : Todros Todrosi's translation of Kitab al-najat, on psychology and metaphysics /
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In this volume, Gabriella Elgrably-Berzin offers an analysis of the fourteenth-century Hebrew translation of a major eleventh-century philosophical text: Avicenna's Kitāb al-Najāt (The Book of Salvation), focusing on the psychology treatise on physics. The translator of this work was Ṭodros Ṭodrosi, the main Hebrew translator of Avicenna's philosophical writings. This study includes a critical edition of Ṭodrosi's translation, based on two manuscripts as compared to the Arabic edition (Cairo, 1938), and an appendix featuring the section on metaphysics. By analyzing Ṭodrosi's language and terminology and making his Hebrew translation available for the first time, Berzin's study will help enable scholars to trace the borrowings from Todrosi's translations in Jewish sources, shedding light on the transmission and impact of Avicenna's philosophy.
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1 online resource. :
Includes bibliographical references and index. :
9789004281974 :
0169-8729 ; :
Available to subscribing member institutions only.
Genre in archaic and classical Greek poetry : theories and models /
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Genre in Archaic and Classical Greek Poetry foregrounds innovative approaches to the question of genre, what it means, and how to think about it for ancient Greek poetry and performance. Embracing multiple definitions of genre and lyric, the volume pushes beyond current dominant trends within the field of Classics to engage with a variety of other disciplines, theories, and models. Eleven papers by leading scholars of ancient Greek culture cover a wide range of media, from Sappho's songs to elegiac inscriptions to classical tragedy. Collectively, they develop a more holistic understanding of the concept of lyric genre, its relevance to the study of ancient texts, and its relation to subsequent ideas about lyric.
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1 online resource. :
Includes bibliographical references and index. :
9789004412590
A commentary on the letters of M. Cornelius Fronto /
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This is the first commentary on the letters of Marcus Cornelius Fronto (c. 90-95 - c. 167). It aims at an extensive grammatical, stylistic and historical interpretation of the letters and the ancient testimonies on Fronto. The author demonstrates where Fronto stands in Latin literature; hence the numerous quotations of parallel, similar and dissentient passages from Fronto and other writers. The letters are written in a pure, simple style, with a great deal of colloquialisms and many a post-classical turn of phrase. The many archaisms show how Fronto as a philologist had a comprehensive knowledge of pre-Cicero Latin. This commentary, based on the Teubner-edition by the author (Leipzig 1988), offers a thorough explanation of Fronto's style and language, e.g. of his archaisms and colloquialisms, identification of the persons mentioned, and the chronology of the letters. Seven elaborate indices complete this book.
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1 online resource (xi, 725 pages) :
Includes bibliographical references (p. 701-717) and indexes. :
9789004351301 :
0169-8958 ; :
Available to subscribing member institutions only.
Speech and thought in Latin war narratives : words of warriors /
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In Speech and Thought in Latin War Narratives , Suzanne Adema offers linguistic and narratological tools to analyse and interpret narratorial choices in speech and thought representation in Latin narratives. Her approach combines insights from (cognitive) linguistic and narratological theories and has been tested and adjusted through corpus based research (Caesar, Vergil, Sallust). The approach is a useful tool to unveil rhetorical uses of speech and thought representation in Latin war narrative by means of close readings of Caesar's Bellum Gallicum 1 and 7, and Vergil's Aeneid 11 and 12. Focusing on the attitudes of the narrators towards war, Adema provides new insights into these texts and offers linguistic and narratological contributions to literary and historical discussions about the Bellum Gallicum and the Aeneid .
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1 online resource. :
Includes bibliographical references and index. :
9789004347120 :
Available to subscribing member institutions only.
Narrators, narratees, and narratives in ancient Greek literature /
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This is the first in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees, time, focalization, characterization, description, speech, and plot. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The first volume lays the foundation for all volumes to come, discussing the definition and boundaries of narrative, and the roles of its producer, the narrator, and recipient, the narratees.
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1 online resource (xvii, 583 pages) :
Includes bibliographical references and index. :
9789047405702 :
0169-8958 ; :
Available to subscribing member institutions only.
Free speech in classical antiquity /
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This book contains a collection of essays on the notion of "Free Speech" in classical antiquity. The essays examine such concepts as "freedom of speech," "self-expression," and "censorship," in ancient Greek and Roman culture from historical, philosophical, and literary perspectives. Among the many questions addressed are: what was the precise lexicographical valence of the ancient terms we routinely translate as \'Freedom of Speech,\' e.g., Parrhesia in Greece, Licentia in Rome? What relationship do such terms have with concepts such as isêgoria , dêmokratia and eleutheria ; or libertas , res publica and imperium ? What does ancient theorizing about free speech tell us about contemporary relationships between power and speech? What are the philosophical foundations and ideological underpinnings of free speech in specific historical contexts?
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Consists of a collection of papers presented at the second Penn-Leiden Colloquium on Ancient Values, held in June 2002 at the University of Pennsylvania. :
1 online resource (xii, 450 pages) :
Includes bibliographical references and indexes. :
9789047405689 :
0169-8958 ; :
Available to subscribing member institutions only.
Narrative setting and dramatic poetry /
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This volume evaluates a single element of tragic art, namely the way in which narrative descriptions of place participate in the poetry of tragedy. They join together structures of the theater to create a context for tragic performance, and ultimately reflect upon tragedy's connection to earlier narrative forms and to the traditional tales that regularly supply tragic plots. The first part of this book examines the introductory function of spatial descriptions and the peculiar resources offered to the playwright by cult settings. In the second part, the spatial oppositions, that are inherent structuring devices in traditional tales, are taken up in chapters treating the motif of exile in extant tragedy.
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Revision of the author's thesis (doctoral--Yale), presented in 1985 under the title, Setting and theme in Greek tragedy. :
1 online resource (178 pages) :
Includes bibliographical references (p. 162-168) and index. :
9789004329201 :
0169-8958 ; :
Available to subscribing member institutions only.
Speaking volumes : orality and literacy in the Greek and Roman world /
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This volume examines orality and literacy in the ancient Greek and Roman world through a range of perspectives and in various genres. Four essays on the Homeric epics present recent research into performative aspects of language, cognitive theory and oral composition, a re-evaluation of Parry's oral-formulaic theory, and a new perspective on the poem's transmission. These are complemented by studies of the oral nature of Greek proverbial expressions, and of poetic authority within a fluid oral tradition. Two essays consider the significance of the written word in a predominantly oral culture, in relation to star calendars and to Panathenaic inscriptions. Finally, two chapters consider the ongoing influence of oral tradition in the ancient novel and in Roman declamation. These essays illustrate the importance of considering ancient texts in the context of fluctuating oral and literate influences.
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1 online resource (xvi, 235 pages) :
Includes bibliographical references (p. 216-228) and index. :
9789004351028 :
Available to subscribing member institutions only.
Ainoi, logoi, mythoi : fables in archaic, classical, and Hellenistic Greek literature : with a study of the theory and terminology of the genre /
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The first study to focus on the numerous ancient Greek fables occurring outside (and predating) the extant fable collections. Divided into three parts, its core is an intertextual analysis of the functions of fables and their allusions. Here the author covers many different authors and a variety of genres in Archaic, Classical and Hellenistic Greek Literature, ranging from lyric to historiography, from Aristotle to Hesiod and from Agamemnon to Zopyrus. This analysis is based on a study of both modern and ancient fable theory - the latter having hitherto never been studied in toto , and incorporating the Graeco-Roman terminology of the genre. The book's third part is a collection of all texts (and contexts) studied, which greatly facilitates cross-referencing.
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Title romanized.
Includes indexes. :
1 online resource (xxx, 683 pages) :
Includes bibliographical references (p. 577-610). :
9789004330306 :
0169-8958 ; :
Available to subscribing member institutions only.
Authorship and Greek song : authority, authenticity, and performance /
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Authorship and Greek Song is a collection of papers dealing with various aspects of authorship in the song culture of Ancient Greece. In this cultural context the idea of the poet as author of his poems is complicated by the fact that poetry in archaic Greece circulated as songs performed for a variety of audiences, both local and "global" (Panhellenic). The volume's chapters discuss questions about the importance of the singers/performers; the nature of the performance occasion; the status of the poet; the authority of the poet/author and/or that of the performer; and the issues of authenticity arising when poems are composed under a given poet's name. The volume offers discussions of major authors such as Pindar, Sappho, and Theognis.
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Selected papers presented at a conference entitled "Authorship, Authority, and Authenticity in Archaic and Classical Greek Song," which was held June 6-9, 2011 at Yale University, organized by the Network for the Study of Archaic and Classical Greek Song. :
1 online resource. :
Includes bibliographical references and index. :
9789004339705 :
0169-8958 ; :
Available to subscribing member institutions only.
Mythical and legendary narrative in Ovid's Fasti /
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This book analyses the mythical and legendary narratives in Ovid's Fasti as narrative and concentrates on the neglected literary aspects of these stories. It combines traditional tools of literary criticism with more modern techniques (taken especially from narratology and intertextuality). From a narratological viewpoint it covers important features such as aperture, closure, characterization, internal narrators, description, space, time and cinematic technique. On the intertextual level it examines the narratives' complex relationship with Virgil, Livy and Ovid's own earlier works. Recent criticism on the Fasti has addressed various elements (religious, historical, political, astronomical et cetera), but detailed narrative study has been wanting. This book fills that gap, to provide a more informed and balanced appreciation of this multifaceted poem aimed at classicists and literary critics in general (for whom all the Latin is translated).
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1 online resource (xiii, 299 pages) :
Includes bibliographical references (p. 289-294) and indexes. :
9789047407225 :
0169-8958 ; :
Available to subscribing member institutions only.
The narrative voice in the Theogony of Hesiod /
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This volume offers analysis of the narratological structure of the Theogony with the purpose of elucidating a major, unifying theme in this poem: the relationship between the divine and mortal realms. The techniques of narratology are herein employed to support the argument that Hesiod portrays the cosmos as sharply divided between gods and men. The Theogony should therefore be read as a didactic poem explaining primarily the position of man vis-à-vis the gods. The first half of this book discusses relevant scholarship and introduces the theme of relationship of gods to men in the Theogony . The second half of the book discusses how Hesiod employs Character-Text, Attributive Discourse, Embedded Focalization, Anachrony, and Commentary to achieve his didactic purposes.
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1 online resource (xv, 206 pages) :
Includes bibliographical references (p. 193-202) and indexes. :
9789047413851 :
0169-8958 ; :
Available to subscribing member institutions only.