Shaping regionality in socioeconomic systems : late Hellenistic-late Roman ceramic production, circulation, and consumption in Boeotia, Central Greece (c. 150 BC-AD 700) /
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This volume sheds some necessary light on local economies from the (late) Hellenistic to the Late Roman period. The concepts of regions and regionality are employed to explore the complexity of ancient economies and (ceramic) variability and change in Boeotia (Central Greece), largely on the basis of the survey data generated by the Boeotia Project for Thespiae, Askra, Hyettos, Tanagra and their surroundings. The analysis illustrates the existence of a range of (micro-)regions within Boeotia that are characterised by patterns and differences in ceramic production, variable intensities of interaction in larger networks, and consumer preferences and/or variability in aspects of consumption.
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Also issued in print: 2023. :
1 online resource (x, 381 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781803272207 (PDF ebook) :
Stone carving of the Hospitaller period in Rhodes : displaced pieces and fragments /
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This work presents 230 stone carvings of the Hospitaller period in Rhodes (1309-1522), which for various reasons are no longer in their original setting.
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Previously issued in print:. :
1 online resource : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references and index. :
9781784914790 (ebook) :
Glassware and glassworking in Thessaloniki : 1st century BC - 6th century AD /
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A detailed examination of the production of glass and glass vessels in the eastern Mediterranean from the Hellenistic Age to the Early Christian period, analysing production techniques and decoration.
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Previously issued in print: 2017. :
1 online resource (viii, 384 pages) : illustrations (black and white, and colour). :
Specialized. :
9781784916800 (ebook) :
Imágenes de centauros en los vasos áticos de figuras negras y de figuras rojas : siglos VIII A.C.-IV A.C. /
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The centaur, a hybrid being with the body of horse and a human head and torso, first appeared in the mountains of Thessaly. This book is composed of a catalogue divided into nine chapters. Each chapter comprises catalogue entries for a number of black-figure and red-figure Attic vases.
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Previously issued in print: 2017. :
1 online resource (298 pages) : illustrations (colour) :
Specialized. :
Includes bibliographical references. :
9781784916848 (ebook) :
The lamps of late antiquity from Rhodes : 3rd-7th centuries AD /
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This study focuses on the recording, study and publication of the corpus of the Late Antique lamps dating from the 3rd to the 7th centuries as found in rescue excavations in the town of Rhodes. The aim here is to present the diachronic changes in the artistic sensibility and preferences of this particular market.
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Previously issued in print: 2017. :
1 online resource (ii, 676 pages) : illustrations (black and white) :
Specialized. :
Includes bibliographical references. :
9781784917470 (ebook) :
Henry Hunter Calvert's collection of amphora stamps and that of Sidney Smith Saunders /
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Henry Hunter Calvert was a British consul in Alexandria from 1857 to 1882, at which date he and many others fled from the riots in the city. The consulate was sacked, destroying Calvert's collections, but an annotated list of the Greek amphora stamps had been sent to the British Museum, published here for the first time.
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Also issued in print: 2020. :
1 online resource (118 pages) : illustrations :
Specialized. :
Includes bibliographical references. :
9781789696448 (PDF ebook) :
Large scale Rhodian sculpture of Hellenistic and Roman times /
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This volume presents the large-scale Rhodian sculpture of the Hellenistic and Roman period through the publication of 60 unpublished sculptures of life size or larger than life size, together with 45 sculptures already published.
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Previously issued in print: 2017. :
1 online resource : illustrations (black and white, and colour), maps (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781784915773 (ebook) :
Greek art : from Oxford to Portugal and back again /
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One of the most fascinating topics in the study of ancient art concerns artistic practices and models and the means of transmission of iconographic designs and decorative compositions. This phenomenon, although well known, has not drawn much attention of scholars of the ancient art. Apart from copies of originals, the practice dates back to the first civilizations and may be even older. The media used could be painted vignettes on papyri, paint on leather, or sketches painted on ostraca, used as pattern books. This issue is practically unheard of regarding ancient Greece, although a few media have been found which may have facilitated the transmission of iconographic designs and decorative compositions. In this study we present some examples that suggest the existence of pattern books in the Greek world.
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Previously issued in print: 2017. :
1 online resource : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781784915872 (ebook) :
Koukounaries I : Mycenaean pottery from selected contexts /
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The excavations on the Koukounaries Hill, Paros, Greece, conducted under the direction of Demetrius U. Schilardi for the Archaeological Society at Athens from 1976 to 1992, revealed a 12th century B.C.E. Mycenaean building, an Iron Age settlement, and an Archaic sanctuary. This book presents the pottery from five areas inside the building: three large storerooms, the main east-west corridor, and a small shrine, as well as the pottery from a limited reoccupation after the building's fire destruction and abandonment.
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Also issued in print: 2021. :
1 online resource (xxiv, 385 pages) : illustrations (black and white, and colour) :
Specialized. :
Includes bibliographical references and index. :
9781789698756 (PDF ebook) :
Polis and personification in classical Athenian art
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In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens-its people, government, and events-as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
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1 online resource. :
Includes bibliography (p. [xiii]-xxxix) and indexes. :
9789004214521 :
Available to subscribing member institutions only.
Epigraphy of art : ancient Greek vase-inscriptions and vase-paintings /
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Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts. By bringing together, for the first time, an international group of leading scholars in classical art and archaeology who have worked on vase-inscriptions, this book investigates both epigraphic technicalities of Attic and non-Attic inscriptions, and their broader, iconographic and sociocultural, significance. The ten chapters in this book propose original and expert methodological approaches to the study of vase-inscriptions and vase-paintings, while also foregrounding the outstanding but not fully examined importance of the area of vase-inscriptions for current research on ancient Greek visual representations.
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Previously issued in print: 2016. :
1 online resource : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references and index. :
9781784914875 (ebook) :
Kratos & krater : reconstructing an Athenian protohistory /
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Athenian governance and culture are reconstructed from the Bronze Age into the historical era based on traditions, archaeological contexts and remains, foremost the formal commensal and libation krater. Incorporated into this work is a monograph on the Athenian formal krater used by these primarily Neleid aristocratic houses in assembly and ritual.
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Previously issued in print: 2017. :
1 online resource : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781784916237 (ebook) :
Greek art in motion : studies in honour of Sir John Boardman on the occasion of his 90th birthday /
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Over 50 papers, first presented at the international congress 'Greek Art in Motion' (Lisbon, 2017) in honour of Sir John Boardman's 90th Birthday, are collected here under the following headings: Sculpture, Architecture, Terracotta & Metal, Greek Pottery, Coins, Greek History & Archaeology, Greeks Overseas, Reception & Collecting, Art & Myth.
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Festschrift for Sir John Boardman.
Previously issued in print: 2019. :
1 online resource (iv, 510 pages) : illustrations (black and white, and colour). :
Specialized. :
9781789690248 (ebook) :
Museum archetypes and collecting in the ancient world /
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Museum Archetypes and Collecting in the Ancient World offers a broad, yet detailed analysis of the phenomenon of collecting in the ancient world through a museological lens. In the last two decades this has provided a basis for exciting interdisciplinary explorations by archaeologists, art historians, and historians of the history of collecting. This compendium of essays by different specialists is the first general overview of the reasons why ancient civilizations from Archaic Greece to the Late Classical/Early Christian period amassed objects and displayed them together in public, private and imaginary contexts. It addresses the ranges of significance these proto-museological conditions gave to the objects both in sacred and secular settings.
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1 online resource (xiv, 222 pages) : illustrations. :
Includes bibliographical references (p. 163-192) and index. :
9789004283480 :
Available to subscribing member institutions only.
Dionysos in archaic Greece : an understanding through images /
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For the Greek, Dionysos was a very important god: for individuals as well as for the community as a whole. As there are only a few written sources dating from before the 5th Century BC the many images of Dionysos on Greek vases may well offer a genuine approach to the meaning given by the ancient viewer. This book explores the earliest images followed by those on small vases for private use, on mixing bowls of the symposion, on amphoras, on later drinking cups and on archaic sculptures. It gives an overview of Dionysian iconography of the 5th Century BC as well as an overall interpretation. The reader will learn why this god of vine and wine, of theatre and ecstasy, was so important for humans and why he played a key role in the life of the polis. Dionysos war für die Griechen ein Gott von zentraler Bedeutung, sowohl im Leben des Einzelnen wie der Gemeinschaft. Weil vor dem 5. Jahrhundert volumeChr. sehr wenige Schriftzeugnisse existieren, können uns die vielen Darstellungen des Dionysos auf griechischen Vasen am ehesten einen Zugang zu dem vermitteln, was der antike Mensch über ihn dachte. Analysiert werden zuerst die frühesten Bilder, dann jene auf kleinen individuell gebrauchten Vasen, auf grossen, beim Symposion verwendeten Mischgefässen, auf Amphoren, auf den späteren Trinkschalen und schliesslich in der archaischen Skulptur. Das Buch schliesst mit einem Ausblick auf die Bildgeschichte des Dionysos im 5. Jahrhundert volumeChr. und einer umfassenden Deutung. Diese Interpretation hilft zu verstehen, warum Dionysos, der Gott der Rebe und des Weins, des Theaters, der Ekstase, für den antiken Menschen so wichtig war und auch im öffentlichen Leben der klassischen Polis eine so grosse Rolle gespielt hat.
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1 online resource (xx, 291 pages, [68] pages of plates) : illustrations. :
Includes bibliographical references (p. 255-266) and indexes. :
9789047418825 :
0927-7633 ; :
Available to subscribing member institutions only.
Not the Classical Ideal : Athens and the Construction of the Other in Greek Art /
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A vision of reality in which a pre-eminent human type was defined in opposition to non-ideal 'Others' characterized ancient Greece. In democratic Athens the social structure privileged male citizens, and women, resident aliens, and slaves were marginalized. The Persian Wars polarized the opposition of Greeks and Barbarians. This anthology provides the first investigation of the delineation of otherness across a broad spectrum of the imagery of Greek art. An international cast of authors, with methodologies ranging from traditional to avant-garde, examines manifestations of the Other in Late Archaic and Classical Greek representations that particularly interest them. The 17 chapters develop a nuanced picture of the visual criteria that denoted otherness in regard to gender, class, and ethnicity and also reveal the social and political functions of this remarkable Greek imagery. Also available in paperback (ISBN 9789004117129).
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1 online resource. :
Includes bibliographical references and index. :
9789004493742
9789004116184
The early black-figured pottery of Attika in context (c. 630-570 BCE) /
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Setting as a starting point the introduction of the black-figure technique in Attic workshops at around 630 BCE, this book attempts a contextual analysis of Attic pottery until late in the first quarter of the sixth century BCE. The shapes and their functions, as well as the iconographic themes are explored through this perspective. This offers an interesting insight into funerary, cultic and profane activities in Athens and the Attic countryside, which is completed by an extensive study of the trade and distribution of Attic vases during this period. The result is a complete overview of early black-figure Attic production, enabling an afresh archaeological approach to late seventh-and early sixth-century Attic society.
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1 online resource. :
Includes bibliographical references (p. [xii]-xxxix) and indexes. :
9789004192317 :
0169-8850 ; :
Available to subscribing member institutions only.
The art of the Hekatompedon inscription and the birth of the stoikhedon style /
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The purpose of this book is to present the Hekatompedon Inscription at Athens ( IG I³ 4) as a major monument of Greek art, legitimately on a par with more famous landmarks of the Greek aesthetic tradition like the Parthenon Frieze. Inscribed most probably in the middle of the decade that saw the Greek response to the Persian invasion, the Hekatompedon Inscription has long been recognized for its historical and religious importance. This study looks at the inscription on its own terms: the unique fusion of its visual and textual content in that most Greek of epigraphical layouts, the stoikhedon style. Such an approach leads to the question of origins: where and why was the stoikhedon style formulated and where does the Hekatompedon Inscription stand in that development? Egypt's influential system of proportions and use of grids will be considered determinative for the very first time.
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Based the author's thesis (doctoral--University of Southern California, Los Angeles, 1995) under the title: The 'Hekatompedon Inscription' at Athens. :
1 online resource. :
Includes bibliographical references and indexes. :
9789004193277 :
Available to subscribing member institutions only.