Aegyptiaca Romana : nilotic scenes and the Roman views of Egypt /
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This archaeological study investigates the meaning of the Egyptian and egyptianising artefacts that have been preserved from the Roman world in different ways. Its point of departure is a detailed study on the so-called Nilotic scenes or Nilotic landscapes. The book presents a comprehensive and illustrated catalogue of the genre that was popular all around the Mediterranean from the Hellenistic period to the Christian era as well as a contextualisation and interpretation. Drawing on the conclusions thus reached the whole group of Aegyptiaca Romana is subsequently studied. Based on a general overview of this material in the Roman world and, moreover, a case-study of the Aegyptiaca from the city of Rome the different meanings of this cultural phenomenon are mapped. Together with other Egyptian deities popular in the Roman world, the goddess Isis plays an important role in this discussion. Aegyptiaca Romana, among them the Nilotic scenes, are part of the reflection of the Roman attitude towards and thoughts on Egypt, Egyptian culture and the East. The concluding part of the book illustrates and tries to explain this Roman discourse on Egypt.
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1 online resource (xiv, 509 pages) : illustrations. :
Includes bibliographical references (p. 478-489) and index. :
9789004295957 :
0927-7633 ; :
Available to subscribing member institutions only.
Ägyptisches Kulturgut im phönikischen und punischen Sardinien /
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From the early part of the first century BC, Egyptian cultural artefacts spread to an increasing degree into Palestine and Syria and (via the Greeks and Phoenicians) into the Greek, Italian and Western Phoenician spheres. Following a presentation of the Near Eastern background and a survey of Sardinian findspots, this work lists the types of monument found on Sardinia (from the 8th c. to the Roman period). In the case of both amulets (gods in human and animal form) and scarabs made if steatite and fayence an attempt is made, using a carefully developed typology (both of material and form) and other statistical criteria, to derive a characterisation of groups of differing origin (Egyptian, Eastern Phoenician, Punic). These objects reflect the expansion and adaptation of polupar Egyptian magic. Even the Egyptian motifs on hard-stone Punic scarabs and precious-metal artefacts have a religious significance, which is very closely related to Egyptian concepts. In the same way the Egyptian elements on Punic steles and portions of architecture underline their sacral character. This study pursues methodological goals using evidence from the whole of Mediterranean area.
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1 online resource (2 volumes) : illustrations (some color) :
Includes bibliographical references (v. 1, pages xv-xxi) and indexes. :
9789004301375 :
Available to subscribing member institutions only.