Rasāʾil-i Fārsi-yi Jurjānī : Rasāʾil-i kalāmī, taʾlīf ḥudūd-i qarn-i nuhum-i hijrī /
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From the time that ʿAlī b. Mūsā al-Riḍā (d. 203/818) was designated to be the successor of al-Maʾmūn b. Hārūn al-Rashīd (d. 218/833) and then murdered shortly after that, various Shīʿa groups have been at odds with whoever opposed their claim to leadership in Islam. The author of the Persian dissertations contained in the present volume, the otherwise unknown Ḍiyāʾ al-Dīn b. Sadīd al-Dīn Jurjānī (ca. 9th/15th cent.), clearly issues from this polemic tradition. Reading his work, it is clear that Jurjānī had a full command of all the theological registers to be played upon in a traditional sectarian debate. This is especially the case for the first treatise in this collection, in which he opposes such movements as the Ashʿarīs, the Ḥanbalīs, the Ismāʿīlīs, and the Sufis. The treatises that follow, too, are all about religious dogma ( ʿaqāʾid ), with some of them showing clear signs of thematic, not to say temporal, association.
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1 online resource. :
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9789645568175
Majmū'a-yi āthār-i Ḥusām al-Dīn-i Khūʾī /
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In every age and culture, royal courts have always attracted a multitude of scholars, artists and other folk seeking patronage and protection. In the Islamic world, one of these courts was that of the emirs of the Saljuqs of Rūm in Kastamonu in northern Anatolia. In the year 680/1282, Quṭb al-Dīn Shīrāzī (d. 709-1309), a student of Naṣīr al-Dīn Ṭūsī (d. 672/1274) who lived in Anatolia for years, dedicated his Ikhtiyārāt to the emir of Kastamonu, Muẓaffar al-Dīn Yavlaq Arslan (d. 691/1292). This same Muẓaffar also had a secretary in his service by the name of Ḥusām al-Dīn Khūʾī (alive in 709/1309-10), a refugee from Khūy near Tabriz in Iran. Ḥusām al-Dīn is the author of a number of works, six of which are published here for the very first time: four manuals on the art of the secretary, one Arabic-Persian glossary for use at the chancellery, and finally a collection of his poetry.
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1 online resource. :
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9789646781481
Bahāristān wa rasāʾil-i Jāmī : Mushtamil bar risālahā-yi mūsīqī, ʿarūḍ, qiyāfa, chihil ḥadīth, nāʾiyya, lawāmiʿ, sharḥ-i tāʾiyya, lawāyiḥ wa sar rishta /...
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in his joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. The present volume contains his Bahāristān , in imitation of Saʿdī's (d.691/1291-92) work on morals Gulistān , as well as a number of other texts, treating of music, poetry and mysticism.
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1 online resource. :
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9789646781320
Khānaqāh : Mathnawi-yi ʿirfānī u akhlāqī bih payrawī az Būstān-i Saʿdī /
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In the history of the arts, emulation has always been important, regardless of time and place. Indeed, even the greatest artists always turn out to have their idols. Emulation is usually a way to acquire a certain skill or style that will then be put to use in the artist's own, original creations. Sometimes, emulation is such that the work of the original artist is still very present in the later work, mostly as a result of structural or stylistic similarities. In the field of Persian literature, a case in point is Jāmī's (d. 898/1492) Bahāristān , a work on morals that was written in imitation of Saʿdī's (d.691/1291-92) Gulistān . Similarly, the present work by Faqīr Shīrāzī (d. 1351/1932) is a successful reproduction of the style and format of Saʿdī's ethical mathnawī , the Bustān . Still, their content is quite different, Khānaqāh being an ode on mysticism and the Bustān a poem on ethics.
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Poems. :
1 online resource. :
9789004402171
9789646781382
Dīwān-i Mukhliṣ-i Kāshānī /
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Persian poetry of the pre-modern era is divided into three successive styles, each belonging to a different period: Khurāsānī, ʿIrāqī and Hindī. The Hindī style is called such because in Safavid times, during which it developed, poets no longer enjoyed the shah's patronage so that many of them went to India, where Persian poetry had flourished since Ghaznavid times (11th-12th cent.). The Hindī style is often regarded as being of a lesser kind than the Khurāsānī or ʿIrāqī ones, but has the merit of having put a halt to the decline that Persian poetry was suffering from at the time and also, by its accessible language and subject matter, of having brought poetry within reach of the ordinary man. The Hindī style of those who never went to India is commonly described as 'Iṣfahānī'. Mukhliṣ Kāshānī's (d. 1150/1737) poetry is Hindī in the Iṣfahānī variant and is published here for the very first time.
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1 online resource. :
9789004402232
9789646781467