Dīwān-i Jāmī. Volume 2 : Wāsiṭat al-ʿaqd, khātimat al-ḥayāh /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. His Dīwān , published here in two volumes, underwent various changes before he finalized it in 896/1491. This best edition so far is based on some of the oldest surviving manuscripts. 2 vols; volume 2.
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1 online resource. :
9789004402409
9789646781146
Tadhkirat al-shuʿarāʾ /
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Born into a family of scholars and literati in Samarqand, Muḥammad 'Sulṭān' Muṭribī Samarqandī (d. 1040/1630) regarded himself as a descendant of Arghūn Āqā (d. 673/1275), viceroy of the Mongols in Khurāsān. He received a broad education with an emphasis on literature and music, first in Samarqand and then in Bukhara. His major teacher in literature in Bukhara was Ḥasan Nithārī Bukhārāʾī (d. 1004/1596). Muṭribī is well-known for his Khāṭirāt , recollections of his highly-polished conversations with the Mughal emperor Jahāngīr (d. 1627), which took place during his visit to him in Lahore in 1036/1626. The other work for which he is known is his Persian Tadhkirat al-shuʿarāʾ , a biographical dictionary of some 343 poets, emirs, and sultans, mainly from Transoxania and Badakhshān. A unique source of information on its time and modelled on a similar work by his teacher, it is based on his direct acquaintance with most of the people it describes.
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1 online resource. :
9789004402164
9789649073354
Dīwān-i Jāmī. Volume 1 : Fātiḥat al-shabāb /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. His Dīwān , published here in two volumes, underwent various changes before he finalized it in 896/1491. This best edition so far is based on some of the oldest surviving manuscripts. 2 vols; volume 1.
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1 online resource. :
9789004402386
9789646781139
Nāmahā va munshaʾāt-i Jāmī /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. The present volume, containing 433 of his letters and messages, bears witness to his great yet modest personality, his social engagement, and the expanse and variety of his network.
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1 online resource. :
9789004401839
9789646781313
Mathnawi-yi Haft awrang. Volume 1 : Silsilat al-dhahab, Salmān wa-Absāl, Tuḥfat al-aḥrār wa-suḥbat al-abrār /
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Regarded by many as the last great mystical poet of medieval Persia, ʿAbd al-Raḥmān Jāmī (d. 898/1492) spent the greater part of his life in Herat. As a student, he excelled in every subject he engaged in and appeared destined for an academic career. But then, in his early thirties, he went through a spiritual crisis that ended in him joining the Herat branch of the mystical Naqshbandiyya order, led by the charismatic Saʿd al-Dīn Kāshgharī (d. 860/1456). A protégé of three successive Timurid rulers in Herat, Jāmī's wide network of friendships and relations extended from spiritual and literary circles through the political to the academic. With 39.000 lines of verse and over 30 prose works to his name, Jāmī's literary production is quite overwhelming. Highly imaginative in their treatment of the human condition, Jāmī's seven long mathnawī s contained in the present two-volume edition bear witness to his great artistic talents and wide intellectual horizon. 2 vols; volume 1.
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Poems.
Vol. 2 edited by: Aʻlākhān Afṣaḥʹzād and Ḥusayn Aḥmad Tarbiyat. :
1 online resource. :
9789004402423
9789646781030
Khānaqāh : Mathnawi-yi ʿirfānī u akhlāqī bih payrawī az Būstān-i Saʿdī /
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In the history of the arts, emulation has always been important, regardless of time and place. Indeed, even the greatest artists always turn out to have their idols. Emulation is usually a way to acquire a certain skill or style that will then be put to use in the artist's own, original creations. Sometimes, emulation is such that the work of the original artist is still very present in the later work, mostly as a result of structural or stylistic similarities. In the field of Persian literature, a case in point is Jāmī's (d. 898/1492) Bahāristān , a work on morals that was written in imitation of Saʿdī's (d.691/1291-92) Gulistān . Similarly, the present work by Faqīr Shīrāzī (d. 1351/1932) is a successful reproduction of the style and format of Saʿdī's ethical mathnawī , the Bustān . Still, their content is quite different, Khānaqāh being an ode on mysticism and the Bustān a poem on ethics.
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Poems. :
1 online resource. :
9789004402171
9789646781382
Dīwān-i Ghālib-i Dihlawī : Mushtamil bar ghazaliyyāt u rubāʿiyyāt-i Fārsi /
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Mīrzā Asadallāh Khān, better known by his pen-name of Ghālib Dihlawī, is the last one of the great poets of the Mughal era. Born in Agra in 1212/1797, he traced his origins back to Tūrān, his paternal grandfather having emigrated from Transoxania to India during the reign of Shāh ʿĀlam (r. 1759-1806). While mostly known as one of the foremost Urdu poets, Ghālib's Persian work, poetry and prose, is of comparable quality. In his childhood days, his Persian had been greatly improved thanks to the teachings of a Persian immigrant by the name of ʿAbd al-Ṣamad. But even if Ghālib acknowledged ʿAbd al-Ṣamad's qualities as a teacher and a human being, as a writer of Persian poetry, he regarded his talents as God-given. Ghālib's life was full of drama: an unhappy marriage, the loss of all his children, alcoholism, depression, and years of financial hardship. Plagued by ill health, he died in Delhi, aged 71.
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1 online resource. :
9789004401877
9789648700299
Dīwān-i Mukhliṣ-i Kāshānī /
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Persian poetry of the pre-modern era is divided into three successive styles, each belonging to a different period: Khurāsānī, ʿIrāqī and Hindī. The Hindī style is called such because in Safavid times, during which it developed, poets no longer enjoyed the shah's patronage so that many of them went to India, where Persian poetry had flourished since Ghaznavid times (11th-12th cent.). The Hindī style is often regarded as being of a lesser kind than the Khurāsānī or ʿIrāqī ones, but has the merit of having put a halt to the decline that Persian poetry was suffering from at the time and also, by its accessible language and subject matter, of having brought poetry within reach of the ordinary man. The Hindī style of those who never went to India is commonly described as 'Iṣfahānī'. Mukhliṣ Kāshānī's (d. 1150/1737) poetry is Hindī in the Iṣfahānī variant and is published here for the very first time.
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1 online resource. :
9789004402232
9789646781467