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Published 2013
Cantos and strophes in biblical Hebrew poetry III : Psalms 90-150 and Psalm 1 /

: This volume deals with the rhetoric, the formal and thematic framework, of Psalms 90-150 (the Fourth and Fifth Book of the Psalter). It is the conclusion of the Psalms Project started with Psalms 1-41, OTS 53 (2006) , and continued with Psalms 42-89, OTS 57 (2010). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices especially include quantitative balance on the level of the cantos in terms of verselines, verbal repetitions, and (on the level of the strophes) transition markers. The quantitative approach to a psalm in terms of verselines, cola and/or words in most cases clearly discloses a focal message. This massive study is rounded off by an updated introduction to the canto design of biblical poetry (including the book of Job, Lamentations, the Songs of Songs, Deutero-Isaiah and other major poems of the Hebrew Bible).
: 1 online resource. : Includes bibliographical references and index. : 9789004262799 : 0169-7226 ;

Published 2006
Compositional strategy of the book of Judges : an inductive, rhetorical study /

: This volume represents an inductive, literary/rhetorical analysis of the book of Judges to determine whether recent synchronic approaches that read the book as an integrated whole are indeed justified. As possible rhetorical links connecting Judges' prologue (1:1-2:5), epilogue (17:1-21:25), and central section (2:6-16:31) are examined in detail and the implications of such links carefully considered, the author concludes that, contrary to the consensus view that sees the central section of Judges as a part of Deuteronomistic History and the prologue and epilogue as later additions, the book in its current form may have been a unified composition of a single creative author. If so, not only does this have significant implications for the validity of the Deuteronomistic History Hypothesis, a new possibility also emerges which sees the interpretive key to the book as residing in the prologue and epilogue rather than the central section.
: 1 online resource. : Includes bibliographical references (p. [259]-270) and indexes. : 9789047409410 : Available to subscribing member institutions only.

Published 2010
Cantos and strophes in biblical Hebrew poetry II : Psalms 42-89 /

: This volume deals with the poetic framework and material content of the Second and Third Books of the Psalter (Psalms 42-72 and 73-89). It is a continuation of the Psalms Project started in OTS 53 (2006). Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers. A quantitative structural approach also helps to identify the focal message of the poems. Introductions to the design of biblical poetry and the rhetorical centre of the psalms conclude this massive study. The third volume, dealing with the Fourth and Fifth Books of the Psalter (Psalms 90-106 and 107-151), is in preparation.
: Sequel to: Cantos and strophes in biblical Hebrew poetry, with special reference to the first book of the Psalter (Oudtestamentische studiën ; d. 53). : 1 online resource. : Includes bibliographical references (p. [561]-566) and index. : 9789004182332 : Available to subscribing member institutions only.

Published 2006
Cantos and Strophes in Biblical Hebrew Poetry : with Special Reference to the First Book of the Psalter /

: This volume deals with the poetic framework and material content of the book of Psalms. The rhetorical analyses of Psalms 1-41 are preceded by a broad survey of the history of strophic investigation into Hebrew poetry, starting from the beginning of the nineteenth century. Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers. A quantitative structural approach also helps to identify the focal message of the poems. An introduction to the design of biblical poetry, describing the fundamentals that determine the macrostructure of individual compositions, concludes this massive study.
: 1 online resource. : Includes bibliographical references and index. : 9789047417101
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