Les representations architecturales dans l'iconographie Neo-Assyrienne /
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In this book Nicolas Gillmann provides scholars as well as non-specialists with a comprehensive study of architectural representations in Neo Assyrian iconography. The author answers three important questions: How are Mesopotamian images conceived? What rules are presiding over them and how are they to be interpreted by modern viewers? Can the architectural representations be of some use to archaeologists or are they merely schematic depictions of given building types? Nicolas Gillmann shows that new conclusions can be reached once the reader is given the right reading keys and interpretation framework.
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1 online resource. :
Includes bibliographical references and index. :
9789004324015 :
Available to subscribing member institutions only.
Glass and glass production in the Near East during the Iron Age : evidence from objects, texts and chemical analysis /
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Glass and Glass Production in the Near East during the Iron Age Period' examines the history of glass in Iron Age Mesopotamia and neighbouring regions (1000-539 BCE). This is the first monograph to cover this region and period comprehensively and in detail and thus fills a significant gap in glass research. It focuses on an identification of the different types of glass objects and their respective manufacturing techniques that existed in the Iron Age period. Both the material glass and individual glass objects are investigated for such topics as how raw glass (primary production) and glass objects (secondary production) were manufactured at that time, how both these industries were organized, and how widespread glass objects were in Mesopotamian society in the Iron Age period. Such a comprehensive picture of glass and its production in the Iron Age can only be achieved by setting archaeological data in relation to cuneiform texts, archaeometric analyses and experimental-archaeological investigations. With regard to the different disciplines incorporated into this study, an attempt was made to view them together and to establish connections between these areas.
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viii, 315 pages : illustrations, maps ; 29 cm. :
9781789691542
Caught in a whirlwind : a cultural history of Ottoman Baghdad as reflected in its illustrated manuscripts /
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Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and the Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.
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Revision of the author's thesis (doctoral)--Harvard University, 2016, under the title: Caught in a whirlwind : painting in Baghdad in the late sixteenth-early seventeenth centuries. :
1 online resource. :
Includes bibliographical references and index. :
9789004412804