Euripides and the language of craft
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This first in-depth account of Euripides and the visual arts demonstrates how the tragedian used language to visual effect, whether through allusion or actual references to objects, motifs built around real or imaginary objects, or the use of technical terminology. The evidence presented in this study corroborates the concern for realism and the genre detail for which Euripides is parodied in Aristophanes' Frogs and presents him as a man of his time, like Socrates, fully versed in the ways and means of the visual arts as well as the verbal. In revealing the extent of the visual inclination of Euripides' language, this study reflects upon the larger dialogue between text and image, image and text.
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1 online resource. :
Includes bibliographical references (p. [435]-459) and indexes. :
9789004201149 :
Available to subscribing member institutions only.
Poetic memory : allusion in the poetry of Callimachus and the Metamorphoses of Ovid /
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This book explores Callimachus' allusive practice in his Aetia prologue and Hymns 4, 5, and 6, and in Ovid's Metamorphoses . The study includes an overview of modern approaches to poetic allusion, a close (re-)examination of the lexical allusions in the Aetia's and Metamorphoses' prologues, extensive examinations of allusive techniques within selections of these works, the poets' use of \'signposting\' and \'authorization\' techniques, and the relationship between allusion and genre.
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1 online resource (viii, 218 pages) :
Includes bibliographical references (p. 197-206) and indexes. :
9789047406624 :
0169-8958 ; :
Available to subscribing member institutions only.