Les representations architecturales dans l'iconographie Neo-Assyrienne /
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In this book Nicolas Gillmann provides scholars as well as non-specialists with a comprehensive study of architectural representations in Neo Assyrian iconography. The author answers three important questions: How are Mesopotamian images conceived? What rules are presiding over them and how are they to be interpreted by modern viewers? Can the architectural representations be of some use to archaeologists or are they merely schematic depictions of given building types? Nicolas Gillmann shows that new conclusions can be reached once the reader is given the right reading keys and interpretation framework.
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1 online resource. :
Includes bibliographical references and index. :
9789004324015 :
Available to subscribing member institutions only.
On the art in the ancient Near East /
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This volume of collected essays brings together for the first time the range of Winter's pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoenician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield 'history' in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear upon elements of formal analysis and archaeological context. "These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection." J.C. Exum
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1 online resource. :
Includes bibliographical references and index. :
9789047425847
Bilderwelten : ägyptische Bilder und ägyptologische Kunst : Vorarbeiten für eine bildwissenschaftliche Ägyptologie /
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Egyptologists have been debating for decades about whether or not Egyptian images classify as art . Nevertheless, the term 'art' still serves as a guiding concept for Egyptology. Kai Widmaier offers an overview of how different art-historical interpretive methods influence Egyptological research. His study demonstrates that, due to its adherence to the term art , Egyptology has considerably dissociated Egyptian images from their original contexts. Bilderwelten combines the analysis of Egyptian images from the 6th to the 18th Dynasty with methodological reflection. This leads to both a new terminology of style as well as to an alternative approach to Egyptian images. By differentiating systematically between Egyptian images and Egyptological art , this book lays the foundation for an Egyptology that follows the path of Visual Studies instead of adhering to questionable art-historical methods.
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1 online resource. :
Includes bibliographical references and index. :
9789004347748 :
0169-9601 ; :
Available to subscribing member institutions only.
Intangible spirits and graven images : the iconography of deities in the pre-Islamic Iranian world /
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Winner of the the Roman and Tania Ghirshman Prize 2015 by the French Académie des Inscriptions et Belles-Lettres. This prize was established in 1973 by the donation made by Roman Ghirshman, one of the prominent French archaeologists of Pre-Islamic Iran. It is awarded annually for a publication in the field of Pre-Islamic Iranian Studies. In Intangible Spirits and Graven Images , Michael Shenkar investigates the perception of ancient Iranian deities and their representation in the Iranian cults. This ground-breaking study traces the evolution of the images of these deities, analyses the origin of their iconography, and evaluates their significance. Shenkar also explores the perception of anthropomorphism and aniconism in ancient Iranian religious imagery, with reference to the material evidence and the written sources, and reassesses the value of the Avestan and Middle Persian texts that are traditionally employed to illuminate Iranian religious imagery. In doing so, this book provides important new insights into the religion and culture of ancient Iran prior to the Islamic conquest.
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Revision of the author's thesis--Hebrew University of Jerusalem, 2013. :
1 online resource (xxii, 392 pages) : illustrations (some color) :
Includes bibliographical references and index. :
9789004281493 :
Available to subscribing member institutions only.
Assyria to Iberia : art and culture in the Iron Age /
: "The essays in this volume are based on papers and lectures presented in conjunction with the exhibition "Assyria to Iberia at the Dawn of the Classical Age" on view at The Metropolitan Museum of Art, New York, from September 27, 2014, through January 4, 2015" --Colophon. : ix, 360 pages : illustrations, maps ; 26 cm. : Includes bibliographical references. : 9781588396068 (Metropolitan Museum of Art)
Terra marique : studies in art history and marine archaeology in honor of Anna Marguerite McCann on the receipt of the gold medal of the Archaeological Institute of America /
: xxi, 266, ii pages : illustrations, maps ; 29 cm. : Includes bibliographical references and index. : 1842171488
Ancient Near Eastern art in context : studies in honor of Irene J. Winter /
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Through her published works and in the classroom, Irene J. Winter has served as a mentor for the latest generation of scholars of Mesopotamian visual culture. The various contributions to this volume in her honor represent a cross section of the state of scholarship today. Topics by the twenty authors include palatial and temple architecture, royal sculpture, gender in the ancient Near East, and interdisciplinary studies that range from the fourth millennium BCE to modern ethnography and cover Sumer, Assyria, Babylonia, Iran, Syria, Urartu, and the Levant. Reflections on Winter's scholarship and teaching accompany her bibliography. The volume will be useful for scholars who are curious about how visual culture is being used to study the ancient Near East.
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1 online resource. :
Includes bibliographical references and index. :
9789047420859 :
1566-2055 ; :
Available to subscribing member institutions only.
Hellenizing art in ancient Nubia, 300 BC-AD 250, and its Egyptian model s a study in "acculturation" /
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Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and "hybrid" elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.
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1 online resource. :
Includes bibliographical references and index. :
9789004211292 :
Available to subscribing member institutions only.
Jewels of the Nile : ancient Egyptian treasures from the Worcester Art Museum /
: Accompanies an exhibition of the same name held at the Worcester Art Museum, June 18, 2022-January 29, 2023. : 216 pages ; 29 cm. : Includes bibliographical references (pages 196-198) and index. : 9780578689197
On the art in the ancient Near East /
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This second volume of collected essays, complement to volume one, focuses upon the art and culture of the third millennium B.C.E. in ancient Mesopotamia. Stress is upon the ability of free-standing sculpture and public monuments not only to reflect cultural attitudes, but to affect a viewing audience. Using Sumerian and Akkadian texts as well as works, the power of visual experience is pursued toward an understanding not only of the monuments but of their times and our own. \'These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection.\' J.C. Exum
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1 online resource. :
Includes bibliographical references and index. :
9789047428459 :
Available to subscribing member institutions only.
Ancient Jewish art and archaeology in the diaspora /
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Jewish Diaspora in Hellenistic, Roman and Byzantine periods from first to the eighth centuries C.E. is the subject of this work. The author thoroughly investigates origin, symbolism and significance of the mainly synagogal and funerary art forms in the Diaspora. Ancient Jewish Art and Archaeology in the Diaspora is the companion volume to the successful Ancient Jewish Art and Archeaeology in the Land of Israel (1988) by the same author. The geographical area covered includes Syria, Asia Minor, North Africa and Mediterranean Europe. The first section examines the characteristic features of Diaspora Art synagogue architecture and art (including the Torah shrine and mosaic pavements). Another section deals with burial and funerary practices. Of special importance are the sections on the Biblical scenes , designs and iconography of the Dura Europos synagogue, and the Jewish symbols such as the Menorah, ritual objects, the Ark, the conch and the Torah Scrolls . The book is richly illustrated with more than 325 drawings and photographs, some in colour.
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1 online resource (xxxiii, 499 pages, [64] pages of plates) : illustrations (some color), maps. :
Includes bibliographical references (p. 466-486) and index. :
9789004294042 :
0169-9423 ; :
Available to subscribing member institutions only.
Barbaric splendour : the use of image before and after Rome /
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This text comprises a collection of essays comparing late Iron Age and Early Medieval art. Fundamentally, the work asks what making images meant on the fringe of the expanding or contracting Roman empire, particularly as the art from both periods drew heavily from - but radically transformed - imperial imagery.
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"Available in both print and Open Access"--Homepage.
Also issued in print: 2020. :
1 online resource (152 pages) : illustrations (black and white, and colour). :
Specialized. :
Includes bibliographical references. :
9781789696608 (ebook) :