La splendeur des dieux: Quatre études iconographiques sur l'hellénisme égyptien (2 vols) /
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"Why are the rays of the Greek god Helios on the forehead of a crocodile-headed Egyptian deity? Navigating the maze of Greek and Egyptian communities and creeds, Gaëlle Tallet investigates the plasticity of material culture in the polytheistic context of Graeco-Roman Egypt. Using the Ariadne's thread of the manufacturing of new images, suitable to new needs and new understandings of the divine, La Splendeur des dieux opens the doors of the workshops where these images were designed, ordered and crafted. Tallet offers a full re-appraisal of the cultural balance of powers in Graeco-Roman Egypt, depicting the indigenous clergies and artists as integratedactors of an Egyptian Hellenicity that helped promote and preserve their millenaries-old traditions. Que viennent faire les rayons solaires du dieu grec Hélios sur le front d'un dieu crocodile égyptien ? Cette question est au point de départ d'une enquête au cœur de la plasticité du système polythéiste de l'Égypte gréco-romaine. Parcourant le labyrinthe des diverses communautés et croyances grecques et égyptiennes, Gaëlle Tallet utilise le fil d'Ariane de la production des images religieuses, réponses à de nouveaux besoins et de nouvelles perceptions du divin, et ouvre les portes des ateliers où elles ont été conçues, commandées et façonnées. La Splendeur des dieux propose une réévaluation du rôle des clergés et des artistes indigènes dans l'élaboration d'un hellénisme proprement égyptien, qui leur a permis de promouvoir et préserver des traditions millénaires"--
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Revision of the author's thesis (doctoral)--Université de Strasbourg, 2006, under the title: Les dieux à couronne radiée dans l'iconographie de l'Egypte gréco-romaine. :
1 online resource. :
Includes bibliographical references and index. :
9789004428928
9789004428911
Art et civilisations de l'Orient hellénisé : rencontres et échanges culturels d'Alexandre aux Sassanides : hommage à Daniel Schlumberger /
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Proceedings of an international colloquium "Rencontres interculturelles dans l'Orient hellénisé = Intercultural encounters in Hellenized Orient" held at the UNESCO, Paris, Sept. 28-30, 2009. :
327, [1] pages : illustrations (some color), maps, plans ; 29 cm. :
Includes bibliographical references (pages 301-328). :
9782708409835
2708409832
Mit Napoleon in Ägypten : die Zeichnungen des Jean-Baptiste Lepère /
: Catalog of an exhibition held at the Wallraf-Richartz-Museum--Fondation Corboud, Cologne, Oct. 2, 2009-Jan. 10, 2010. : 256 p., 1 folded leaf of plates : ill. (chiefly col.), plans ; 28 cm. : Includes bibliographical references (p. [253]-256). : 9783805341196
Intangible spirits and graven images : the iconography of deities in the pre-Islamic Iranian world /
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Winner of the the Roman and Tania Ghirshman Prize 2015 by the French Académie des Inscriptions et Belles-Lettres. This prize was established in 1973 by the donation made by Roman Ghirshman, one of the prominent French archaeologists of Pre-Islamic Iran. It is awarded annually for a publication in the field of Pre-Islamic Iranian Studies. In Intangible Spirits and Graven Images , Michael Shenkar investigates the perception of ancient Iranian deities and their representation in the Iranian cults. This ground-breaking study traces the evolution of the images of these deities, analyses the origin of their iconography, and evaluates their significance. Shenkar also explores the perception of anthropomorphism and aniconism in ancient Iranian religious imagery, with reference to the material evidence and the written sources, and reassesses the value of the Avestan and Middle Persian texts that are traditionally employed to illuminate Iranian religious imagery. In doing so, this book provides important new insights into the religion and culture of ancient Iran prior to the Islamic conquest.
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Revision of the author's thesis--Hebrew University of Jerusalem, 2013. :
1 online resource (xxii, 392 pages) : illustrations (some color) :
Includes bibliographical references and index. :
9789004281493 :
Available to subscribing member institutions only.
Affect, emotion, and subjectivity in early modern Muslim Empires : new studies in Ottoman, Safavid, and Mughal art and culture /
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Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber, Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, and Marianna Shreve Simpson.
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1 online resource (xii, 222 pages) : illustrations. :
Includes bibliographical references and index. :
9789004352841 :
Available to subscribing member institutions only.
La gloire d'Alexandrie : 7 mai-26 juillet 1998.
: Catalog of an exhibition held at the Musée du Petit Palais coproduced by Paris-musées and the Association française d'action artistique. : 335 pages : color illustrations, color maps ; 30 cm. : Includes bibliographical references (pages 324-331) and index. : 2879003989 : Sara.lib
L'Egypte antique /
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Un large panorama de l'art antique égyptien, de ses premières manifestations prédynastiques de Naqada jusqu'à la fin du règne d'Akhenaton et le début de la conquête romaine, selon un plan chronologique et historique. Avec des photographies provenant de tous les musées du monde.
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399, [1] pages : illustrations en coul., cartes en coul. ; 29 cm. :
2070116999
9782070116997
Experiencing Etruscan pots : ceramics, bodies and images in Etruria /
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In a world without plastics, ceramics, alongside organic containers, were used for almost every substance which required protection or containment: from perfume to porridge. The experience of an Etruscan person, living day to day, would have been filled with interactions with ceramics, making them objects which can recall intimate transactions in the past to the archaeologist in the present. Characterising that experience of Etruscan pottery is the concern of this book. What was it like to use and live with Etruscan pottery? How was the interaction between an Etruscan pot structured and constituted? How can that experience be related back to bigger questions about the organisation of Etruscan society, its increasingly urban nature and relationship with other Mediterranean cultures?
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1 online resource : illustrations (black and white). :
Specialized. :
Includes bibliographical references and index. :
9781784910570 (PDF ebook) :
Cultures in contact : from Mesopotamia to the Mediterranean in the second millennium B.C. /
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"Most of the essays published in this volume were presented at "The Raymond and Beverly Sackler Symposium: Beyond Babylon: art, trade and diplomacy in the second millennium B.C." held on December 18 and 19, 2008 and "The Friends of Inanna scholars' day workshop" held on February 4, 2009 ... held at The Metropolitan Museum of Art, New York"-- Title page verso.
"The Metropolitan Museum of Art Symposia". :
xvii, 354 pages : illustrations (some color), maps (some color) ; 26 cm. :
Includes bibliographical references (p. 320-352). :
9780300185034
0300185030