Maʻāhid tazkiyat al-nufūs fī Misṛ fī al-ʻasṛ al-Ayyūbī wa-al-Mamlūkī /
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Summary in English.
Title on p. [4] of cover: Institutions of self-purification in Egypt throughout the Ayyubid and Mumliks period. :
318 p. : ill., facsims. ; 24 cm. :
Includes bibliographical references (p. 304-314).
Writing the word of God : calligraphy and the Qur'an /
: Published to coincide with the exhibitions Traces of the Calligrapher: Islamic Calligraphy in Practice, c. 1600-1900 and Writing the Word of God: Calligraphy and the Qurʼan, organized by the Museum of Fine Arts, Houston, and Harvard University Art Museums and presented at the Museum of Fine Arts, Houston, October 27, 2007-February 2, 2008, and at the Asia Society, October 6, 2008-February 1, 2009. : vii, 55 pages : color illustrations ; 28 cm. : Includes bibliographical references. : 9780300142006
Dirāsāt fī al-khaṭṭ al-ʻArabī : li-aʻmāl al-fannān al-khaṭṭāṭ Muḥammad Ḥusnī /
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English and French added titles : Artist calligraphe M. Hossny / Artist calligrapher M. Hossny. :
216 pages : illustrations, facsimiles ; 29 cm. :
Includes bibliographical references (p.197). :
9771711490
9789771711490 :
https://search.lib.uiowa.edu/primo-explore/sourceRecord?vid=01IOWA&docId=01IOWA_ALMA21468789430002771
shimaa
A collector's fortune : Islamic art from the collection of Edmund de Unger /
: Catalog of an exhibition held at the Pergamonmuseum, Berlin, Nov. 27, 2007-Feb. 17, 2008. : 132 pages : color Illustrations ; 28 cm. : Includes bibliographical references (p. 130-132). : 9783777440859 : Nabil
Intangible spirits and graven images : the iconography of deities in the pre-Islamic Iranian world /
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Winner of the the Roman and Tania Ghirshman Prize 2015 by the French Académie des Inscriptions et Belles-Lettres. This prize was established in 1973 by the donation made by Roman Ghirshman, one of the prominent French archaeologists of Pre-Islamic Iran. It is awarded annually for a publication in the field of Pre-Islamic Iranian Studies. In Intangible Spirits and Graven Images , Michael Shenkar investigates the perception of ancient Iranian deities and their representation in the Iranian cults. This ground-breaking study traces the evolution of the images of these deities, analyses the origin of their iconography, and evaluates their significance. Shenkar also explores the perception of anthropomorphism and aniconism in ancient Iranian religious imagery, with reference to the material evidence and the written sources, and reassesses the value of the Avestan and Middle Persian texts that are traditionally employed to illuminate Iranian religious imagery. In doing so, this book provides important new insights into the religion and culture of ancient Iran prior to the Islamic conquest.
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Revision of the author's thesis--Hebrew University of Jerusalem, 2013. :
1 online resource (xxii, 392 pages) : illustrations (some color) :
Includes bibliographical references and index. :
9789004281493 :
Available to subscribing member institutions only.
De la figuration humaine au portrait dans l'art islamique /
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Ce livre présente une étude historique et culturel sur l'art figuration humaine et le portrait dans un contexte islamique médiéval basé sur des sources littéraires et iconographiques. Avec: Sheila Blair; Éloïse Brac de la Perrière; Oleg Grabar; Kata Keresztely; Mika Natif; Yves Porter; Houari Touati This book presents an art historical and cultural study of human figuration and portraiture in a medieval islamic context, based on literary and iconographic sources. With contributions by: Sheila Blair; Éloïse Brac de la Perrière; Oleg Grabar; Kata Keresztely; Mika Natif; Yves Porter; Houari Touati
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1 online resource (xii, 218 pages) : color illustrations. :
Includes bibliographical references and index. :
9789004283855 :
Available to subscribing member institutions only.
Making and remaking mosques in Senegal /
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This book constitutes a seminal contribution to the fields of Islamic architectural history and gender studies. It is the first major empirical study of the history and current state of mosque building in Senegal and the first study of mosque space from a gender perspective. The author positions Senegalese mosques within the field of Islamic architectural history, unraveling their history through pre-colonial travelers' accounts to conversations with present-day planners, imams and women who continually shape and reshape the mosques they worship inches Using contemporary Dakar as a case study, the book's second aim is to explore the role of women in the "making and remaking" of mosques. In particular, the rise of non-tariqa grass-roots movements (i.e.: the "Sunni/Ibadou" movement) has empowered women (particularly young women) and has greatly strengthened their capacity to use mosques as places of spirituality, education and socialization. The text is aimed at several specialized readerships: readers interested in Islam in West Africa, in the role of women in Islam, as well as those interested in the sociology and art-history of mosques.
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Originally presented as the author's thesis (PhD)--SOAS, University of London, 2006. :
1 online resource (xxvii, 408 pages [22 pages] of plates) : illustrations, maps. :
Includes bibliographical references and index. :
9789004217508 :
Available to subscribing member institutions only.