Euripidea /
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Euripidea contains material to supplement Volume One of the author's Loeb Euripides. It consists of two parts, Testimonia Vitae et Artis Selecta and Textual Discussions. The Testimonia, ancient notices about the life of Euripides and his career as a tragic poet, are printed together for the first time, together with a facing English translation. The Loeb Introduction examines this material critically. Equipped with this body of evidence, students of Greek tragedy and of ancient biography will be able to assess for themselves the reliability of the biographical tradition, in which, the author argues, too much confidence has been placed by interpreters of the plays. The Textual Discussions explain places in the plays of Volume One, Cyclops, Alcestis and Medea , where the text adopted by the editor calls for comment.
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English and Greek. :
1 online resource (viii, 181 pages) :
Includes bibliographical references (p. 173-175) and indexes. :
9789004329379 :
0169-8958 ; :
Available to subscribing member institutions only.
The Gorgon's severed head : studies in Alcestis, Electra, and Phoenissae /
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The Gorgon's Severed Head looks at three plays of Euripides, one early, one middle and one late in his career. Innovations in genre, in the use of the traditional stories, in the representation of women and of gender issues are present at every period. In all three plays characters are depicted creating themselves and each other. Chapter One on Alcestis looks at the artistry of the two main characters and is especially concerned with finding a role for Admetus, the play's most serious problem. The second chapter treats the physical displacement of the myth in Euripides' version of the Electra-Orestes story. A last section approaches the layers of time and space in Phoenissae .
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1 online resource (xv, 255 pages) :
Includes bibliographical references and indexes. :
9789004329799 :
0169-8958 ; :
Available to subscribing member institutions only.
Seneca on the stage /
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In the absence of the stage directions employed by their modern equivalents, ancient playwrights were obliged to ''encode'' information into their texts that can be described as implicit stage directions. It is the presence of such information that permits modern ''production criticism,'' intended to determine how ancient plays were meant to be staged. Since the early nineteenth century, it has been debated whether Seneca's tragedies were or were not written for stage production. Seneca's dramatic texts contain material that looks precisely like the implicit stage directions found in all other ancient drama, and when his plays are subjected to production criticism, it emerges that they make sound dramaturgic sense. Also, Seneca avails himself of the same artificial and sometimes irrational dramatic conventions used by other ancient playwrights, a fact often ignored by those who argue that Seneca was only writing plays for reading or recitation. The internal evidence of the plays offers much to support, and little to contradict, the idea that his plays were written with the stage in mind.
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1 online resource (vi, 72 pages) :
Includes bibliographical references and index. :
9789004328310 :
Available to subscribing member institutions only.
Narrative in drama : the art of the Euripidean messenger-speech /
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This book, consisting of three self-contained studies, deals with the Euripidean messenger-speech. The first study concerns the form of the messenger-speech, which is that of a first-person narrative, and the consequences of this form. The second study analyses the messenger's style of presentation. In the third study the place and function of the messenger-speech within the play is discussed. Although scholars have dealt with the messenger-speech before, there is no single, up-to-date work of reference available. The present study aims at filling this void, while making use of analytical tools deriving from narratology and drama-theory. Eight appendices are added, which provide the reader with complete lists of phenomena discussed in the main text. Often considered transparent and self-explanatory, the messenger-speeches are now shown to be both complex and subtle texts.
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1 online resource (ix, 214 pages) :
Includes bibliographical references (p. 203-208) and index. :
9789004329126 :
0169-8958 ; :
Available to subscribing member institutions only.
Euripidea altera /
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This volume, which continues the textual discussions section of the author's Euripidea (Brill, 1994), discusses those passages in Euripides' Heraclidae, Hippolytus, Andromache, Hecuba, Supplices, Electra, Heracles , and Troades - the plays of the author's Loeb Euripides, volumes Two and Three - where text or translation was in need of explanation or justification. A large number of new conjectures are proposed and some forgotten conjectures argued for.
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1 online resource (x, 159 pages) :
Includes bibliographical references and indexes. :
9789004329874 :
0169-8958 ; :
Available to subscribing member institutions only.