The Image of an Ottoman City : Imperial Architecture and Urban Experience in Aleppo in the 16th and 17th Centuries /
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This urban and architectural study of Aleppo, a center of early modern global trade, draws upon archival and narrative texts, architectural evidence, and contemporary theoretical discussions of the relation between imperial ideology, urban patterns and rituals, and architectural form. The first two centuries of Ottoman rule fostered tremendous urban development and reorientation through judiciously sited acts of patronage. Monumental structures endowed by Ottoman officials both introduced a new imperial architecture from Istanbul and incorporated formal elements from the local urban visual language. By viewing the urban and social contexts of these acts, tracing their evolution over two centuries, and examining their discussion in Ottoman and Arabic sources, this book proposes a new model for understanding the local reception and adaptation of imperial forms, institutions and norms.
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1 online resource. :
Includes bibliographical references and index. :
9789047404224
9789004124547
Palace of gold and light : treasures from the Topkapi, Istanbul.
: Exhibition held at The Corcoran Gallery of Art, Washington, DC, Mar. 1-June 15, 2000, at San Diego Museum of Art, San Diego, CA, July 14-Sep. 24, 2000, at Museum of Art, Fort Lauderdale, FL, Oct. 15, 2000-Feb. 28, 2001. : 183 pages : color illustration ; 28 cm. : 0967863902
Affect, emotion, and subjectivity in early modern Muslim Empires : new studies in Ottoman, Safavid, and Mughal art and culture /
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Affect, Emotion and Subjectivity in Early Modern Muslim Empires presents new approaches to Ottoman Safavid and Mughal art and culture. Taking artistic agency as a starting point, the authors consider the rise in status of architects, the self-fashioning of artists, the development of public spaces, as well as new literary genres that focus on the individual subject and his or her place in the world. They consider the issue of affect as performative and responsive to certain emotions and actions, thus allowing insights into the motivations behind the making and, in some cases, the destruction of works of art. The interconnected histories of Iran,Turkey and India thus highlight the urban and intellectual changes that defined the early modern period. Contributors are: Sussan Babaie, Chanchal Dadlani, Jamal Elias, Emine Fetvaci, Christiane Gruber, Sylvia Hougteling, Kishwar Rizvi, Sunil Sharma, and Marianna Shreve Simpson.
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1 online resource (xii, 222 pages) : illustrations. :
Includes bibliographical references and index. :
9789004352841 :
Available to subscribing member institutions only.
The Garden of the Mosques : Hafiz Hüseyin al-Ayvansarayî's Guide to the Muslim Monuments of Ottoman Istanbul /
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This is an annotated translation of what is perhaps the most important Ottoman literary source for the Islamic monuments of the Ottoman capital, Istanbul: Hafız Hüseyin bin Ismail Ayvansarayî's Hadikat al-Cevami (The Garden of Mosques). Long recognized by Turkish scholars as a unique source for the city's architecture and urban form, the text, which was completed in 1195/1780 and revised and enlarged between 1248/1832-33 and 1253/1838 by Ali Sati, contains separate descriptions of each of Istanbul's more than 800 mosques, plus accounts of its medreses, tombs, tekkes and other monuments. The annotations place each of these buildings within the city's urban plan and provide biographical information about the patrons, architects and other personalities mentioned in the text. An introductory essay gives an account of Ayvansarayî's life and works, describes the various manuscript versions of the text and reviews the cartographic resources available for the study of Istanbul's urban form.
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1 online resource. :
Includes bibliographical references and index. :
9789004492080
9789004112421
Caught in a whirlwind : a cultural history of Ottoman Baghdad as reflected in its illustrated manuscripts /
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Caught in a Whirlwind: A Cultural History of Ottoman Baghdad as Reflected in its Illustrated Manuscripts focuses on a period of great artistic vitality in the region of Baghdad, a frontier area that was caught between the rival Ottoman and the Safavid empires. In the period following the peace treaty of 1590, a corpus of more than thirty illustrated manuscripts and several single page paintings were produced. In this book Melis Taner presents a contextual study of the vibrant late sixteenth-century and early seventeenth-century Baghdad art market, opening up further avenues of research on art production in provinces and border regions.
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Revision of the author's thesis (doctoral)--Harvard University, 2016, under the title: Caught in a whirlwind : painting in Baghdad in the late sixteenth-early seventeenth centuries. :
1 online resource. :
Includes bibliographical references and index. :
9789004412804